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    Home » Visa, W+K Portland, Director A.V. Rockwell Pay Homage To The Football Fan  

    Visa, W+K Portland, Director A.V. Rockwell Pay Homage To The Football Fan  

    By SHOOTTuesday, September 12, 2023Updated:Sunday, July 7, 2024No Comments2823 Views
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    Directed by A.V. Rockwell via production house PRETTYBIRD, this TV commerical for Visa launched during Monday Night Football on ESPN (9/11 Buffalo Bills vs. NY Jets game) and will air throughout the season across NBC, Fox, NFL Network, ESPN, and Amazon on Thursday Nights.

    Part of the new “Neverending Fan” national campaign, this spot is a retrospective of a fan’s lifelong love of the Buffalo Bills, spanning different generations and marking memorable moments along the way–including a marriage proposal.

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    Credits

    Client Visa North America Agency Wieden+Kennedy Portland Karl Lieberman, global chief creative officer; Azsa West, chief creative officer; Matthew Carroll, Edward Harrison, creative directors; Liam Mckay, art director; Will Curtis, copywriter; Orlee Tatarka, head of production; Robert Saxon, executive producer; Paul Golubovich, sr. producer; David Trujillo, design director; Lis Parker, sr. design producer; Jeff Ackley, Adam Sirkin, motion leads; Ryan Jacobson, David Mellor, motion designers; Amy Lindblade, group strategy director; Patrick Cooper, strategy director; Keiko Schnelle, strategist. Production PRETTYBIRD A.V. Rockwell, director; Suzanne Hargrove, exec producer; Tracy Hauser, director of production; Matt Wensinger, line producer; Rina Yang, DP; Kai Boydell, production design/art direction; Lily Garcia, 1st AD. Editorial Final Cut Jim Helton, editor; Megan Marie Connolly, Elijah hermitt, assistant editors; Justin Brukman, managing director; Suzy Ramirez, exec producer; Rebecca Mitchell, head of production; Miles Barfield, producer. VFX Significant Others Justin Brukman, managing director; Alyssa St. Vincent, exec producer; Dirk Greene, executive creative director; Nicholas Renaudeau, Flame artist; Phil Brooks, head of design; Jacob Williams, VFX assistant; Kyla Amols, producer; Hoa Vu, production coorindator. Color Grade Trafik Daniel de Vue, sr. colorist; Monica Escalante, assistant colorist; Julia King, color producer. Music New Math Kala Sherman, exec producer; Raymond Loewy, David Wittman, creative directors; Dan Sammartano, composer; “Buffalo Waterworks,” title. Sound Design/Mix Machine NY Michalis Anthis, sound designer/mixer. Matej Obreskovic, exec producer.

     

    Media Type:Commercial: Television
    ScreenWork Categories:Commercial
    Video Tags:A.V. RockwellPRETTYBIRDW+K Portland



    Top Spot of the Week: Sam Gainsborough Directs An Inflated Spectacle For Clash Royale

    Thursday, April 16, 2026

    Directed by Sam Gainsborough via Blinkink, this film from agency Uncommon Creative Studio transforms video game Clash Royale’s beloved characters into an extraordinary balloon-built world, where more than 10,000 real twisted balloons were used to forge every aspect of what you see on-screen. In this surreal universe, the balloon nature of the characters is never questioned--it simply is. The Goblin trembles in genuine fear. The Barbarian rages with helpless fury. The King, confronted with an impending explosion, quietly accepts his fate.

    To bring this ambitious vision to life, Gainsborough involved Airigami, a team of expert artists who create large-scale installations, illustrations, and experiences entirely out of balloons. Each character was meticulously handcrafted to ensure immediate recognizability while embracing the uncanny qualities of their inflated counterpart. Through extensive pre-production, the team refined not only the likeness of each figure, but also the physical behavior of the balloons, carefully designing how they expand, where pressure builds, and how their forms distort under strain.

    Working across multiple scales, the artists achieved remarkable levels of detail, allowing for both intimate character moments and large-scale visual impact. The cinematography also draws heavily from the horror genre, using extreme close-ups, dramatic angles, and dolly zooms to build tension and amplify the expression of each puppet.

    As the pressure mounts, the characters swell beyond their limits; their balloon forms pushing against the letterbox frame itself, visually reinforcing the escalating tension while also nodding to the film’s underlying absurdity. The climactic moment delivers a visceral payoff: balloon explosions captured at... Read More

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