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    Home » VML and Director Marc André Debruyne Continue The “Balikbayan Magic” For Coca-Cola

    VML and Director Marc André Debruyne Continue The “Balikbayan Magic” For Coca-Cola

    By SHOOTMonday, December 22, 2025Updated:Saturday, December 20, 2025No Comments147 Views
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    Director Marc André Debruyne–who’s repped in the U.S. by production house Open Swim–returns with another chapter of Coca-Cola’s holiday campaign, taking audiences around the world in a heartfelt continuation of last year’s celebrated “Balikbayan Magic.” Building on a story that earned a Silver Lion at the 2025 Cannes Lions International Festival of Creativity, the new film–from VML Toronto–expands the campaign’s global footprint and celebrates the universal spirit of togetherness during the holiday season. Production companies on the job were MOWAD Productions Inc. in Canada and Hot & Fresh in the Philippines (Manila).

    “Throughout my career, being half Filipino and half French has opened a door to many incredible adventures of filming not only all over Asia and Europe, but also throughout the world. With each humbling experience, one quickly realizes just how small they are in the large world we live in,” shared Debruyne. “I’ve learned that a hurricane, floods, and YES, even a volcano are normal weather days, and this job was no different as we navigated a typhoon. Every single one of my international experiences has changed the way I look through a lens. With the very many remarkable stories I have, this campaign for Coca-Cola has brought an incredible full circle moment to my career, and I’m so grateful for this perfect way to end the year.”

    “I’ve worked with Marc André for years, and he’s pretty unflappable,” said Open Swim executive producer Amyliz Pera. “Even with dengue fever or whatever else he’s navigating abroad, the footage is always lovely. When a typhoon nudged this one, I had to laugh. Despite the challenges, Marc André approaches his work with a lot of grace and sensitivity. It’s a vital time for global connection, and this type of work is so important.”

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    Credits

    Client Coca-Cola Agency VML Toronto Graham Lang, chief creative officer; Frank Macera, executive creative director; Sucheta Shankar, creative director; Dylan Verwey, associate creative director; Steve Emmens, VP, production and content; Coralie Adler, art director; Chris Esguerra, sr. integrated producer. Canadian Production MOWAD Productions Inc. Marc André Debruyne, director; Lester Millado, DP; John Nadalin, exec producer; Jenna Allain, production designer. Manila Production Hot & Fresh Nomer Mercado, production manager. Editorial School Editing Fi Alvarez, editor; Sarah Brooks, exec producer. Finishing Think Tank Brent Bergerson, lead Flame artist; Danny Appleby, exec producer. Color Kook Colour Yurizen Cabrera, colorist; Melody Chan, producer. Audio TA2 Sound+Music Steve Gadsden, audio director; Christine Leslie, exec producer; Andrew Fumerton, engineer.

    Genre:Family
    Media Type:Commercial: Television
    Video Tags:Marc André DebruyneOpen SwimVML



    The Best Work You May Never See: Director Øyvind Holtmon’s FINN Jobb Spot Tackles Worker Anxiety Over AI

    Friday, February 6, 2026

    In a new campaign for FINN Jobb, Norwegian director Øyvind Holtmon of production house Bacon teams with Oslo ad agency Morgenstern to tackle the anxiety around AI replacing human expertise and the contagious trend of professionals switching to content creation as a vocation. The film wastes no time setting up its premise, opening inside a research lab where scientists are urged to “stop sciencing” by management as a result of a long equation being solved exceptionally fast via artificial intelligence by KA.I from IT.

    Shot with a clean, clinical visual language and played entirely straight, the film leans into Nordic minimalism and dry humor, letting contrast and restraint drive the comedy rather than exaggeration. Faced with the what-now-moment, the scientists jump hands-on into the new absurdity of creating content. Through synchronized dances, ring lights and dead-serious faces, the lab transforms into a performative stage. In the midst of the excitement, FINN Jobb sneaks through the frame, positioning the platform as a grounded companion in times of change.

    As Norway’s largest marketplace for job advertisements, with about 5.7 million job applications in 2025 alone, the film positions FINN Jobb as the go-to platform in an uncertain job market. By flipping a familiar nightmare into an unexpectedly funny, yet hopeful outcome, Holtmon’s story lands as both a satire and a gentle reminder that opportunities won’t disappear.

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