Originally in response to the rise of anti-Asian violence, the team at Wieden+Kennedy created a thought-piece film, “Call It COVID,” in 2020. It began as a self-initiated project with no client, no brief, and no budget–and became a Cannes Lions award-winning film that earned millions of dollars in donated support from a number of partners and influencers.
Now this time around, W+K–again sans a client–has released a follow-up film titled “The Myth.” In this case the myth is that of The Model Minority, a false narrative weaponizing Asian Americans against other ethnic groups.
Like “Call it COVID,” the new film is born from the Asian experience but it bridges the conversations that are currently happening in silos. Conversations about what it means not just to be Asian but to be Black. Latinx. Indigenous. American. By acknowledging the thing that affects us all: The Model Minority Myth. The Model Minority Myth has told us not only what Asian Americans are, but what other racial and ethnic groups are by comparison.
In a time of unprecedented unrest and uprooting, this film dispels the myth keeping us apart, and reclaims what it has deprived us of: belonging. Belonging to a country. Belonging to a community. Belonging to ourselves. It poses the idea of belonging not as something to be fought and won, but instead, something to be offered and accepted. Between each other, and within ourselves.
“The Myth” was directed and shot by Jackie Bao via Biscuit Filmworks.
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Credits
Agency W+K Portland Titania Tran, creative director, writer & voice; Dan Koo, creative director, art director; Hayley Goggin, Mimi Munoz, executive producers; Mauricio Granado, sr. producer lead; Jason Kreher, house mother; Orlee Tatarka, head of production; Alicia Kuna, studio manager; Hui Chen Ou Yang, sr. studio designer. Production Biscuit Filmworks Jackie Bao, director/DP; Isaiah Seret, creative director; Shawn Lacy, partner/managing director; Jordana Freydberg, exec producer; Sean Moody, head of production; Quentin Lee, Stanley Yung, producers; Han Yan, production supervisor; Michael B. Williams; assistant production supervisor; Aaron Shershow, unit production manager; Hanrui Wang, production designer. Editorial Joint JB Jacobs, editor; Ling Chua, associate editor; Kathleen Russell, exec producer; Catherine Liu, head of production; Jenny Greenfield, sr. post producer. VFX/Finish Joint Stefan Smith, VFX CD/lead Flame; Kevin Alfoldy, finish artist; Nirad “bugs” Russell, exec producer; Catherine Liu, head of production; Zai Outlaw, VFX coordinator. Music Supervision Walker Sara Matarazzo, Stephanie Pigott, exec producers; Danielle Soury, sr. producer; Wilson Trouve, composer. Cartoon Music Company & Additional Music Score A Score Jordan Passman, owner/EP. Audio Joint Natalie Huizenga, audio mixer and composition & arrangement; Candace Mortier, associate audio engineer; Kathleen Russell, exec producer; Catherine Liu, head of production; Louise Woodward, audio producer, and composition & arrangement. Telecine Company 3 Tom Poole, colorist; Kevin Breheny, telecine producer. Found Footage Center for Asian American Media: Memories to Light; KFMB CBS 8
Minties® is taking on dog breath again. And this time, it’s personal.
Back in November, PetIQ’s Minties boldly declared “Dog Breath Is Over” in a newsbreak-style ad that introduced Minties FreshBitesTM--a line of innovative, chewy dog dental treats with that can be offered throughout the day for a long-lasting chew, so nothing gets between you and your dog in your closest moments. America responded by buying new Minties FreshBites by the millions, exceeding the brand’s most optimistic forecasts.
So Minties and independent creative agency TiNY (the team behind the “Dog Breath Is Over” campaign) are following up on this story. And this time, it starts at Minterventions.com. “‘Dog Breath Is Over’ was the big message,” said Jissan Cherian, PetIQ’s chief marketing fficer. “Minterventions makes the message personal. If you’ve got a dog with stinky breath, we want to hear from you.”
TiNY turned out two new spots for the Minterventions phase of the campaign. The first is this one titled “Cabbage” which features a dog named Mollie and an extendable hand. Why the extendable hand? “Mollie’s breath smells like she ate a skunk (who also has bad breath).”. A voiceover then asks the question at the center of the campaign: “Does your dog need a Mintervention?” Minties FreshBites is the answer, of course.
Both spots were directed by Evan Silver of Reform School and edited by Tina Mintus out of Northern Lights in New York City. (Silver is an alum of SHOOT’s 2007 New Directors Showcase.)
“It starts with a real, relatable problem,” said Mike Rovner, TiNY partner and chief creative officer. “That’s the TiNY way--we help clients build worlds they can live in. Once you set up the rules of the world, you can have... Read More
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