Color Grading Secrets from the "Mad Max: Fury Road" Colorist Eric Whipp

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Mewshop
Wednesday, Aug. 14, 2019

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Go behind the scenes with "Mad Max: Fury Road" colorist Eric Whipp. The lost art of apprenticeship has changed since the evolution of digital color grading. In the past, knowledge was passed down from master to apprentice when a colorist shared their room with their assistants. Now you can have that experience, learn proven techniques, strategies, organization and problem solving straight from the color room with Eric Whipp. Get unparalleled insight on some of the greatest films of all time, first hand from the colorist who graded them.

To find out more about Eric's class go to https://www.filmmakeru.com/store/gEpAQzby

Eric Whipp started work as a colorist in the 1990’s. In 2007 he worked on Academy Award-winning film Happy Feet. This is where his relationship with George Miller began and they re-united on "Mad Max: Fury Road." Eric sits down to discuss his approach, techniques, and ideas on color correction and his work on the groundbreaking film "Mad Max: Fury Road."

About Filmmaker U: Before the age of digital mentorship played a key role in film crews, post crews, and filmmaker’s career development. Places like the cutting room were hubs for passing on techniques, ideas, war stories, teamwork, and developing relationships that would help you evolve your career. You would move from trainee to assistant, and eventually, the day would come where you became a full-fledged DP, Editor, Filmmaker, or any other position in the film industry. Pro’s who had worked years and were coming close to the end of their career delighted in sharing the knowledge, techniques, tricks, and ideas, they had learned over the decades. However, with this digital age, young film professionals are thrust into positions without having the chance to learn from those at the top of their game. Filmmaker U was created to help fill this void in the modern-day film industry. This online education series will bring the best in the business from behind the camera, to any aspiring media artist who can no longer obtain this type of apprenticeship.

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