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    Home » 2019 Camp Kuleshov Competition Issues Call For Entries

    2019 Camp Kuleshov Competition Issues Call For Entries

    By SPWWednesday, July 17, 2019Updated:Tuesday, May 14, 2024No Comments4091 Views
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    The 2019 Camp Kuleshov winners will be announced this fall during a week-long series of awards presentations in participating cities.

    AICP’s trailer contest for assistants releases list of source films for Editing, Graphic Design and Sound Design, sets Labor Day deadline.

    NEW YORK -- (SPW) --

    Camp Kuleshov, AICP’s annual trailer competition for assistants, has issued its 2019 Call for Entries. Named for the Russian film theorist Lev Kuleshov, Camp Kuleshov, is open to assistants, junior creatives, admin and entry-level employees at AICP member post production and production companies as well as freelancer assistants and support staff sponsored by member companies. Students and interns who are sponsored by a member company may also enter Camp K. The competition is also open to assistants and junior-level employees at music companies that are members of the Association of Music Producers (AMP).

    Camp Kuleshov features categories for Editing, Graphic Design and Sound Design. Entrants are given a list of films and genres to draw from and are presented with briefs tailored to each discipline.  To view the film and genre lists, and for details on how to enter, visit the Camp Kuleshov web site. Deadline for submitting entries is Labor Day, Monday, September 2, 2019. 

    For Editorial, entrants must choose a film and re-imagine it, via a 90-second trailer, as something from a different genre or directed by a filmmaker with a distinctive visual or narrative style – i.e. a political thriller is transformed into a comedy. They can also choose more than one film from the source list and, via mashup, create a trailer for a completely new film of a different genre. 

    The Editorial source films are an eclectic collection, designed to heighten the challenge and expose the assistants to a wide range of films and filmmakers while ensuring there are selections for a variety of tastes. It ranges from the 1933 Marx Brothers romp “Duck Soup” to the 1968 zombie classic “Night of the Living Dead” in the ‘Directed by George Romero’ genre, to the mid-80s gem “Desperately Seeking Susan.”  

    In the Graphic Design category, entrants are required to create an original opening title sequence for a film that does not have an opening sequence, and that conveys their impression or interpretation of the film. Source films this year range from the 1902 silent groundbreaker “A Trip to the Moon” to Francis Coppola’s iconic “The Godfather” to the Coen Brothers’ “No Country for Old Men.”

    In the Sound Design category, the task is to create a new sound design for a 90-second excerpt from one of the source films that changes the film’s context and/or intent and does not mimic the original film. The interpretation of the scene through sound design must be noticeably different from the original and be original in and of itself. Source films include the German-language WWII submarine thriller “Das Boot;” the 1982 film that introduced the Rambo character, “First Blood”; and the Angelina Jolie action film “Salt.” 

    The Camp Kuleshov committee – comprised of Big Sky Editor and Owner Chris Franklin, Optimus Executive Producer Jon Desir, The Colonie Editor & Partner Brian Sepanik and Big Sky Editor Val Lasser – is assembling a list of senior editors, artists and mixers to serve as ‘Camp K Coaches.’ They’ll be available in August to help guide entrants through their creative processes, offering advice and mentoring, but not solutions. 

    Any questions entrants may have regarding rules, eligibility or anything else can be directed to campk@aicp.com, and a ‘Camp Counselor’ will reply promptly. Assistants are also urged to follow the Camp Kuleshov Facebook page at https://www.facebook.com/CampKuleshov/, for more on the competition.

    Entries will be grouped together by city. These city-based competitions will fall under the supervision of their respective AICP Chapters. Any entries coming from cities that have less than five in total will be folded into the nearest qualifying city to compete.

    Camp Kuleshov has also introduced a new pricing structure this year. Single entries are now priced at $65, but discounts are available for companies or individuals submitting three or more entries, in which case the per entry fee drops to $55. For companies or individuals submitting five or more entries, the price per entry is $45.

    The 2019 Camp Kuleshov winners will be announced this fall during a week-long series of awards presentations in participating cities. First place winners receive a trophy and move on to “The Lev” competition, which is the grand prize, presented at the AICP Post Awards in May 2020 in New York.

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    Kristin Wilcha, AICP, 212-929-3000, kristinw@aicp.com
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    SPW Category:Contests and Competitions
    Tags:EditingCall For EntriesEditorsCamp KuleshovAICP



    Stephen Arnold Music Creates Immersive Soundtrack For Histovery’s “American Revolution: The Augmented Experience”

    Wednesday, February 11, 2026
    Stephen Arnold Music (SAM) created a dynamic, historically-detailed soundtrack for Histovery’s American Revolution – The Augmented Experience

    Stephen Arnold Music (SAM), the world leader in sonic branding, created a dynamic, historically-detailed soundtrack for American Revolution – The Augmented Experience (ARTAE), an ambitious two-year production created by Histovery to mark the 250th anniversary of the American Revolution. An evergreen traveling exhibition, ARTAE will tour the United States beginning later this year. The first major institutions to host the attraction will include The Historic New Orleans Collection, Charlotte Museum of History, and National Museum of the United States Army. Developed in partnership with leading historians and scholars, ARTAE transports visitors back in time through twenty immersive, interactive experiences, unfolding across the Thirteen Colonies and beyond. Using Histovery’s proprietary tablet, the HistoPad, visitors explore mid-18th-century Williamsburg, witness the Boston Massacre and the Boston Tea Party, fight alongside the minutemen at Lexington and Concord, and stand with congressmen at the signing of the Declaration of Independence. “ARTAE offers a radically new way to experience the birth of a nation and the founding of a modern democracy,” says Edouard Lussan, Chief Content Officer & Co-Founder, Histovery. Working alongside Histovery’s creative and animation teams, and its panel of historians, SAM produced realistic, immersive sound environments that seamlessly support the exhibition’s augmented reality visuals. “Growing up in the U.S., you of course learn about the American Revolution in school, but the historical research and detail that Histovery brought to this project was extraordinary,” says Russell Boiarsky, SAM director of brand strategy. “It shed new light on the story from a fresh perspective, and made... Read More

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