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    Home » Academy Acquires 70,000 Vintage Production Stills From Bison Archives

    Academy Acquires 70,000 Vintage Production Stills From Bison Archives

    By SPW EditorFriday, February 1, 2013Updated:Tuesday, May 14, 2024No Comments3084 Views
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    Beverly Hills, CA -- (SPW) --

    The Academy of Motion Picture Arts and Sciences has acquired more than 70,000 photographs from the Bison Archives, the private collection of renowned film historian Marc Wanamaker, Academy COO Ric Robertson announced today. The images document nearly every facet of film production between 1909 and the present day, focusing on the first half of the 20th century. Many of these images are the only known photographs of their subjects, including a group of eight behind-the-scenes color images of the filming of the opening sequence of Orson Welles’s 1958 noir classic, “Touch of Evil.”

    “Marc’s dedication to preserving a historic photographic record of our industry has resulted in an extraordinary collection,” said Robertson. “We’re honored to add these images to our to our library’s holdings. His photographs, so many of which focus on behind-the-scenes studio activities, combined with the existing Herrick photographs, will provide unequalled coverage on all aspects of Hollywood filmmaking.”

    Bison Archives was named in tribute to the Bison Company, an early motion picture studio (formed in 1909) that produced Westerns featuring Native American casts.

    Adding to the more than 10 million photographs in the holdings of the Academy’s Margaret Herrick Library, the collection features rare images from more than 100 major and independent studios, many of which ceased to exist past the 1920s, including Biograph, Edison, E & R Jungle Film Co., Essanay and Vitagraph.

    “I felt very strongly that the collection should be with the Academy,” said Cecilia DeMille Presley, who helped the Academy acquire the Bison photographs on behalf of the Cecil B. DeMille Foundation.

    Other highlights from the collection include vintage set and location photographs of such legendary directors as D.W. Griffith, John Ford, Alfred Hitchcock, Billy Wilder, Stanley Kubrick and Steven Spielberg, as well as many of their below-the-line contemporaries, including film editor Anne Bauchens, cinematographer Billy Bitzer, art director Ben Carré and costume designer Gwen Wakeling.

    Wanamaker began amassing the collection in 1971, as he was researching a book on the history of the American motion picture studios. Over the years, the collection has been used by authors, historians and filmmakers from all over the world for hundreds of books, films, lectures, exhibitions, publications and other scholarly works. “The Herrick is one of the premier archives in the world,” said Wanamaker. “It is appropriate that much of my life’s work will have a permanent home there, including a photo album compiled by Ralph DeLacy, D.W. Griffith’s property master for “Intolerance.”

    The photographs in the Herrick Library are preserved and cataloged, and made accessible to filmmakers, historians, students and the public.

    For more information about Academy’s holdings, visit www.oscars.org.

    ABOUT THE ACADEMY
    The Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema. In addition to the annual Academy Awards—in which the members vote to select the nominees and winners­—the Academy presents a diverse year-round slate of public programs, exhibitions and events; provides financial support to a wide range of other movie-related organizations and endeavors; acts as a neutral advocate in the advancement of motion picture technology; and, through its Margaret Herrick Library and Academy Film Archive, collects, preserves, restores and provides access to movies and items related to their history. Through these and other activities the Academy serves students, historians, the entertainment industry and people everywhere who love movies. www.oscars.org

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    SPW Category:Stock Library News (video, audio, still images)



    Boris FX Sequoia Transforms Immersive Audio Mixing With New Spatial Panner

    Friday, August 7, 2026
    Boris FX Sequoia 2026.5

    Sequoia, the renowned mastering and broadcast DAW from Boris FX, introduces a powerful unified visual panning tool that brings stereo, surround, and immersive audio (ADM/Dolby Atmos) into a single connected workspace. The 2026.5 release is now available with a new Spatial Panner that gives broadcast, post-production, music, and live recording engineers greater control over spatial mixes. The time-saving workflow keeps sources connected in multiple formats at once, allowing users to focus on creativity rather than reworking mixes for delivery.  “We designed Sequoia 2026.5 to bring an easier, more efficient workflow to audio professionals who need a seamless end-to-end production environment as immersive audio becomes more mainstream,” states Patrick Donohoe, Director of Product Marketing, Pro Audio, at Boris FX. “Our customers are already producing in 3D. The new Spatial Panner makes immersive panning fast, visual, and reliable regardless of how complicated a project is. We’ve eliminated major pain points. You no longer need to rebuild additional mixes from scratch. One adjustment is linked across versions, while still giving users the freedom to adjust each target format individually. This is especially valuable to broadcast, radio dramas, classical and live concert recordings, dialogue, and immersive music productions where objects are organized into complex spatial setups and multiple delivery formats may be expected.”  “Over the last few releases, Sequoia has... Read More

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