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    Home » “Ad Agency Of The Year,” “Road To Oscar, “Year In Perspective” Features and “Best Work Of The Year” Charts Announced for SHOOT Year End Issue

    “Ad Agency Of The Year,” “Road To Oscar, “Year In Perspective” Features and “Best Work Of The Year” Charts Announced for SHOOT Year End Issue

    By Roberta Griefer 2Friday, November 21, 2014Updated:Tuesday, May 14, 2024No Comments2536 Views
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    SHOOT December 12 Issue offers ideal timing, audience and environment for end of the 2014 marketing. For details, visit www.shootonline.com/go/upcomingissues

    BBDO Named Agency of The Year; "Gone Girl," "Boyhood," "Into the Woods" among films to be covered

    Westport, CT & LOS ANGELES -- (SPW) --
    SHOOT Magazine, the leading publication for commercial, branded content and entertainment production, announced today the issue and closing dates for its Year-End Issue. This high-profile issue will publish on Friday, December 12, 2014.  The content will appear across all SHOOT Platforms and be published in PDF version, SHOOTonline digital version, The SHOOT >e.dition and SHOOT Dailies.
     
    A tradition for more than 50 years, SHOOT's year end issue sums up the creative and business highlights of the year with a look at the best work and news that shaped the year.  This special issue will put 2014 into context in terms of work, trends, significant developments and lessons learned.  It's a must-keep issue that is referenced by a cross-section of the industry. 
     
    Marketing Opportunities
    The end of the year is the ideal time to reach out to industry decision-makers so your company is top-of-mind as they work on their year end and new year projects.  It's ideal for promoting your company, roster, projects, services or products. It's great for making announcements or sending holiday/thank you messages.  This issue is also ideal for Congratulating BBDO NY on being named Ad Agency of the Year.  And, of course it is also perfectly timed for Academy Season "FYC" Advertising.  

    December 12 Issue Deadlines

    Space Reservations: December 3
    Ad PDF Files Due: December 5
    Final Deadline: December 8
    Click Here to contact SHOOT for Rates for this special issue.

    Click Here for Print Ad Specs
    Click Here for Banner Ad Specs

    Here's a look at the major features planned for the issue….
     
    The Road to Oscar Series, Part IV
    As the Academy season heats up, SHOOT's next installment of the ongoing "Road to Oscar" series takes  a  look at the artisans–from directors and DPs to editors to production designers, et al–behind the features generating Oscar buzz and speculation.
     
    Here's a look at who SHOOT is speaking with…
    ►  Director Rob Marshall talks about translating the Stephen Sondheim/James Lapine musical "Into the Woods" to the big screen.
     
    ►  Cinematographer Robert Yeoman reflects on "The Grand Budapest Hotel," the latest in his series of collaborations with director Wes Anderson.
     
    ►  Director Richard Linklater reflects on Boyhood.
     
    ►  Director David Fincher discusses Gone Girl.
     
    ►  Director Mortem Tyldum shares backstory on The Imitation Game.
     
    ►  Director Ridley Scott reflects on the epic Exodus: Gods and Kings as well as a couple of his key collaborators on that film.
     
    ►  Cinematographer Bradford Young reflects on his lensing of director Ava DuVernay's Selma and J.C. Chandor's A Most Violent Year
     
    The SHOOT Advertising Agency of the Year for 2014 is BBDO NY !!
    A long standing tradition, SHOOT will present a special feature on it's pick for the 2014 Ad Agency of the Year featuring interviews with the agencies leading creative and production department head and key creatives and producers involved in the agencies most challenging and rewarding projects of the year.  A behind the scenes look what makes them Agency of the Year! 
     
    Living up to its Super Bowl mantra for Bud Light, “Up For Whatever,” BBDO New York hit high creative notes on diverse fronts in 2014–from its latest primetime Emmy-nominated turn for GE’s “Childlike Imagination” to the patriotic tug-at-the-heartstrings “Empty Chair” for Guinness, digital fare such as Footlocker’s game of “Horse With Harden” and Lowe’s “Fit in Six” vines, and a breakthrough :60 commercial message which wove three clients (Band-Aid, Campbell Soup, AT&T Wireless) subtly into vignettes showing us a youngster progress into adulthood, flourishing thanks to early detection of his Autism. SHOOT delves into the inner workings of BBDO NY, its creative culture and the people who collectively made an indelible creative mark on 2014.
    Click Here to see the 2013 Ad Agency of the Year Feature with "Congratulations" Ads
    Click Here to see samples of 2012 Ad Agency of the Year "Congratulations" Ads 
    Click Here to see samples of 2011 Ad Agency of the Year "Congratulations" Ads
     
    The Year in Perspective
    As the end of the year draws near, SHOOT takes a look at the highs and lows, putting 2014 into context and setting the stage for what might be in the offing for 2015.  A cross-section of industry execs reflects on the most important lessons learned, the best work produced at their companies this year, and the most significant industry trends, themes and developments to emerge in 2014.
     
    Best Work of the Year "Top 5" Charts
    What work really shined in 2014?  SHOOT publishes its highly popular end of the year Top 5 Charts…
    Top 5 Spots of the Year
    Top 5 Best Work You May Never See of the Year
    Top 5 VFX & Animation Work of the Year
    Top 5 Music Tracks of the Year
     
    Top Ten Visual Effects & Animation Chart
    The last of this year's quarterly VFX & Animation Charts shines a light on some of the top visual effects & animation from the previous 3 months with a behind-the-scenes look at the Chart topping #1 piece of work.
     
    Top Ten Music Tracks Chart
    The final installment of 2014's quarterly Music & Sound Top Ten Tracks Chart, looking at the best work of the previous 3 months, accompanied by the backstory on the number one entry.  Plus our Music Notes column featuring the latest news and developments in the music production, sound design and audio post arena along with the December installment of "Earwitness".
     
    Hot Locations
    The latest in lensing news and developments spanning projects, incentives and film commissions.
     
    About SHOOT Magazine / SHOOTonline
    SHOOT® Magazine and SHOOTonline® are the leading publication and website for commercial and entertainment production & postproduction; edited for agency, movie & studio creative and production executives, executives at commercial and entertainment production/post companies, TV/Online/Mobile networks, brand marketer production executives, independent filmmakers and artisans including directors, cinematographers, editors, colorists, vfx supervisors/artists/animators, composers, sound designers & mixers. Through its "News" and "ScreenWork" sections, "Columns" and in-depth "Features", SHOOT publishes timely news, relevant information and a behind-the-scenes look at the best new work,  profiles/interviews with industry news makers, film festival, award shows and industry events. In addition, SHOOT reports on the latest cinematography, post & editing technology and equipment. If the work involves advertising or entertainment motion picture content that consumers view on a screen—a TV screen, Cinema screen, Computer screen, Mobile screen or Game screen, SHOOT is searching out who's doing the most innovative work and what's coming next. For further information please visit www.SHOOTonline.com®
     
    Information from this SHOOT Publicity Wire release may be redistributed in part or in whole by members of the media, bloggers, and cinema, TV, entertainment, film, commercial, online video production and post,celebrity fan sites.
     
    © 1990 – 2014 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC. All referenced product names, and other marks, are trademarks of their respective owners.
     

     

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    SPW Category:Brand Marketers News
    Tags:Agency of the YearYear end issueSHOOT MarketingRoad To Oscar



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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    Previous Article“Gone Girl,” “Birdman,” And “Imitation Game” Artisans Featured In First Installments Of SHOOT’s Road to Oscar Series; High profile “FYC” Marketing Options Available
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    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

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