Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » AICP Awards Returns To Los Angeles as National Tour Gets Underway

    AICP Awards Returns To Los Angeles as National Tour Gets Underway

    By AICPMonday, July 25, 2022Updated:Tuesday, May 14, 2024No Comments2119 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    (shown l to r) Mal Ward of Arts & Sciences, Yvette Cobarrubias of Cosmo Street and Scott Donaton of Hulu, Chairpersons of the AICP Show, the AICP Post Awards and the AICP Next Awards.

    Gala event will include panel of AICP Awards curators discussing winning work.

    NEW YORK -- (SPW) --

    The AICP Awards is going back on the road for the first time since 2019 as it kicks off its 2022 national tour in Los Angeles on Thursday, July 28. The live, in-person event will take place at The Belasco, the historic event space in downtown L.A. The presentation kicks off with a happy hour, with the program to follow. A gala reception will close out the evening’s activities. Tickets are available now and may be purchased here.

    Curators from each AICP Awards competition – the AICP Next Awards, the AICP Post Awards and the AICP Show – will be on hand to discuss the winning work, offer insights into the decision-making process that went into its selection and address ongoing trends in the industry.

    “We’re beyond excited to be bringing the AICP Awards back to Los Angeles, particularly after the enormous success of our AICP Week events in New York last month,” said AICP CEO Matt Miller. “As we kick off our national tour, we’re delighted to be able to share our winners and some great observations on the judging process with our member and industry guests around the country.”

    Taking part in the L.A. presentation will be Yvette Cobarrubias, 2022 AICP Post Awards Chairperson and Co-Founder and Managing Partner of Cosmo Street; Scott Donaton, 2022 AICP Next Awards Judging Chair and Senior VP, Head of Marketing for Hulu; and Mal Ward, 2022 AICP Show Chairperson and Managing Director/Partner of Arts & Sciences.

    Also participating will be Ali Brown, AICP Show Curatorial Committee member, Past AICP Show Chairperson and President of PRETTYBIRD; Melany Esfeld, AICP Post Awards Curator and SVP, Head of Integrated Production at Barkley; Tatiana Holifield, AICP Next Awards Curator and Vice President, Digital Content & Audience Engagement for SiriusXM/Pandora; Erika Madison, AICP Show Curator and Head of Production at Anomaly LA; Brandon Porter, AICP Post Awards Curator and Partner/Editor at Nomad Editing Co.; and Shannon Pruitt, AICP Next Awards Curator and Global Chief Content Officer at Stagwell Media Network.

    The Los Angeles event kicks off the 2022 AICP Awards national tour. Events are currently being planned for Atlanta, Dallas and Chicago. Full details will be available soon at www.aicp.com.

    Sponsors help make all of the AICP awards competitions and events possible. AICP Partners and Supporting Partners, who support all AICP events throughout the year, are: CAPS, Universal, Wrapbook, Film Hawaii, Film Supply + Musicbed and TEAMS.

    AICP Awards Show Benefactors include Arcade, Aspen Travel, AwardCore, Color Lab, Cosmo Street, Directors Guild of America, Heard City, IDC, Istros Media Corporation, Kodak, Little Black Book, Optimus, SHOOT Magazine | SHOOTonline,  Source | SHOTS | Slate, Squeak E. Clean, S’well, The Colonie, The Mill and Whitehouse Post.

    AICP Awards Show Patrons include BMG, Florida Office of Film & Entertainment, Hello World, Need Financial Services, SAG-AFTRA, The ROOTS.TV and Vagabond.

    The Mill created the graphics and design language for all three competitions; Squeak E. Clean provided the music and sound design for all elements.

    Established in 1992, The AICP Show is one of the most important advertising showcases in the world that’s dedicated to excellence in craft. The AICP Post Awards, which debuted in 2001, honors excellence in a wide range of post production crafts and disciplines. And the AICP Next Awards, launched in 2007, highlights the winners of the 11 Next categories, which honor innovative marketing communications.

    Honorees at the AICP Show and The AICP Next Awards are preserved in The Museum of Modern Art’s Department of Film’s state of the art archives for future generations to study and are available for use or exhibition by the museum’s curators. All individual works and each year’s shows in their entirety can be viewed exclusively at www.aicpawards.com, the AICP Awards Archive website, while winners of the AICP Post winners can be viewed at www.aicppostawards.com.

    About AICP 
    AICP represents, exclusively, the interests of independent companies that specialize in the production and post production of commercials in various media—film, video, digital—for advertisers and agencies. The association, with national offices in New York and Los Angeles as well as regional chapters across the country, serves as a strong collective voice for this $5 billion-plus industry. Founded in 1972, AICP assists its members by: disseminating information; representing production and post production companies within the advertising community in business circles, in labor negotiations and dealing with employment issues; and before governmental officials; developing industry standards and tools; providing professional development; and marketing American production and post production via events and awards shows.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2024-01-24)

    AICP.com

    company

    Kristin Wilcha
    AICP
    (212) 929-3000
    Contact via email

    media

    Anthony Vagnoni
    avagnoni communications
    (973) 493-8736
    Contact via email
    SPW Category:Film Festivals, Screenings, Parties
    Tags:AICP AwardsAICP Post Awardscommercial producersAICP Next Awardscommercial production



    Behind Two Festival Standouts: Line Producer Amanda Verhagen on Building Worlds in “A Nice Indian Boy” and “Love Me”

    Friday, December 12, 2025
    Amanda Verhagen

    In a year that saw A Nice Indian Boy and Love Me premiere at major festivals, line producer Amanda Verhagen found herself navigating two wildly different but equally ambitious projects, one an intimate, culturally grounded romance, the other a conceptual sci-fi love story brought to life through animatronics, VFX, and an entirely non-human cast. Known for her meticulous planning, adaptability, and collaborative leadership style, she reflects on the unique challenges behind these films: from constructing a large-scale wedding environment from scratch to coordinating global shoots with complex puppetry and post pipelines. In this interview, she breaks down the craft of line producing, her approach to supporting director-driven storytelling, and what emerging filmmakers can learn from making ambitious work with limited resources. Both A Nice Indian Boy and Love Me premiered at major festivals this year. What drew you to each of these projects, and how did your role as line producer differ between the two? A Nice Indian Boy and Love Me are very different films on the surface, but the similarities run deep. Both are stories of connection and fighting against all odds, whether literal space and time or your own insecurities, to be with the ones you love. I was incredibly lucky to be brought onto both films by legendary producer Daniel Bekerman and his team at Scythia Films. He is an incredible producer and mentor, with excellent taste in director-driven films. Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticlePost Exec Mark Kaplan Joins Goldcrest Post as Executive Vice President
    Next Article Make-Up Artists & Hair Stylists Guild Announces Awards Timetable For 10th Annual MUAHS Awards
    AICP
    • Website

    Add A Comment
    What's Hot

    Rob Reiner’s Son Nick Arrested After Director and His Wife Found Dead At Their L.A. Home

    Monday, December 15, 2025

    R/GA Taps Vanessa Lai To Advance AI-Driven Creative Innovation

    Monday, December 15, 2025

    “One Battle After Another” Tops London Critics’ Circle Film Awards With 9 Nominations

    Monday, December 15, 2025
    Shoot Screenwork

    The Best Work You May Never See: Cossette and Amnesty International Hit The Right Keys To “Write for Rights”

    Monday, December 15, 2025

    Helping to mark International Human Rights Day (12/10), Amnesty International has once again joined forces…

    UNICEF and Artplan Turn Classroom Into A Greenhouse To Show How Climate Change Is Disrupting Education Worldwide

    Friday, December 12, 2025

    The Best Work You May Never See: Erste Group, Directorial Duo Daniel&Szymon Reimagine A Christmas Parable From A Donkey’s POV

    Thursday, December 11, 2025

    FCB Chicago, Speck and Gordon “Love Trash” For Glad x Sesame Street

    Wednesday, December 10, 2025

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.