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    Home » AICP Post Awards Issues Call for Entries, Announces New Category Lineup

    AICP Post Awards Issues Call for Entries, Announces New Category Lineup

    By SPWWednesday, January 30, 2019Updated:Tuesday, May 14, 20241 Comment5029 Views
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    AICP Post Awards Chicago logo, designed by The Colonie.

    Revamped competition for excellence in post production arts to focus on crafts of editorial, audio, VFX and color as it opens entries to all.

    NEW YORK -- (SPW) --

    AICP has announced the Call for Entries for the AICP Post Awards, its revamped and rebranded competition for excellence in the post production arts. Formerly the AICE Awards, its categories have been re-imagined with a focus on recognizing standout examples of various crafts and technique in editing, audio, design, visual effects artistry and finishing.  The AICP Post Awards are a part of the AICP Awards suite of competitions, which also include The AICP Show: The Art & Technique of the American Commercial and the AICP Next Awards, both of which are also currently accepting entries.

    Among the changes for the AICP Post Awards this year are the opening of the competition to any entity having involvement in the creation of a piece of content beyond the AICP member-ship—previously the AICE Awards was a “members only” competition. 

    For the full rundown on rules, categories, eligibility and fees, visit the AICP Post Awards entry portal at https://aicpawards.awardcore.com/. Deadline for entries is Thursday, February 8 at 11:59pm PST. Entrants can use the portal to cross-enter work between all three of the 2019 AICP competitions, including the AICP Show: The Art & Technique of the American Commercial and the AICP Next Awards.

    Regarding categories, the competition has regrouped its existing categories, introduced a range of new sections, expanded others and added an entirely new category for vertical video.

    “While we’ll continue to recognize editorial across a wide range of product, genre and technique categories, we now have a wider range of subcategories in areas like audio, visual effects and design and color grading,” says Danny Rosenbloom, AICP’s VP, Post and Digital Production.

    “We saw this as an opportunity to make the Post Awards more reflective of the varied artists working across the spectrum of post production disciplines,” noted Matt Miller, President and CEO of AICP.  “Now that we’ve brought all this post production expertise into AICP, we want the Post Awards to be a real celebration of creative talent and achievement.”

    A full list of AICP Post Awards categories now includes the following:

    Editorial Categories

    • Automotive
    • Cause Marketing
    • Comedy
    • Dialogue
    • Monologue/Spoken Word
    • Docu-Style
    • Fashion/Beauty
    • Montage
    • Music Video
    • Storytelling
    • National Campaign
    • Regional Campaign

    Audio Categories

    • Audio Mix
    • Sound Design With Composed Music
    • Sound Design Without Composed Music

    Color Categories

    • Color :60
    • Color :30
    • Color Other Lengths
    • Color Music Video

    Design, Visual Effects & Finishing Categories

    • Character Design & Animation
    • Typography Design & Animation
    • Graphic Design & Animation
    • End Tag
    • CGI
    • Compositing & Visual Effects
    • Vertical

    In addition to its category winners and Best of Show honoree, the AICP Post Awards will continue to recognize Best of Region winners that represent the best work emanating from companies submitting within each AICP Chapter. These now encompass East, Florida, Midwest, Minnesota, Southeast, Southwest and West.

    ABOUT AICP
    AICP represents, exclusively, the interests of independent companies that specialize in the pro-duction and post pro-duction of commercials in various media—film, video, digital—for advertisers and agencies. The association, with national offices in New York and Los Angeles as well as regional chapters across the country, serves as a strong collective voice for this $5 billion-plus industry. Founded in 1972, AICP assists its members by: disseminating information; representing production and post production companies within the advertising community in business circles, in labor negotiations and dealing with employment issues; and before governmental officials; developing industry standards and tools; providing professional development; and marketing American production and post production via events and awards shows.

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    Kristin Wilcha
    AICP
    (212) 929-3000
    Contact via email

    media

    Anthony Vagnoni
    avagnoni communications
    (973) 493-8736
    Contact via email
    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:postproductionAICP Post AwardsAICEAICP



    “The Slightest Touch” Wins Best Documentary at Dublin International Film Festival Following HBO Acquisition

    Monday, March 2, 2026
    Scene from "The Slightest Touch."

    The Slightest Touch, directed by Rachel Fleit and edited by Sloane Klevin, ACE, has won Best Documentary at the Dublin International Film Festival, days after HBO Documentary Films acquired the television and streaming rights ahead of its world premiere.

    The feature documentary, which chronicles the friendship between Colin Farrell and Epidermolysis Bullosa survivor Emma Fogarty, was honored by the Dublin jury with the following statement (in part):

    “This next award is for an incredible film… One through which we as an audience came to know both protagonists in ways which would not have been possible, were it not for the unobtrusive talent of the director, who seamlessly documents a story as old as time itself… Rachel Fleit has captured the magic moments of this extraordinary friendship… What follows is an honest and at times searing portrayal of pain in all its forms and the power of humanity and humor to make lives better for all… The jury agreed that The Slightest Touch and director Rachel Fleit is the worthy winner of the documentary category of this year's Film Festival.”

    Edited by Union Editorial Partner Sloane Klevin, ACE, the film continues Fleit’s long creative partnership with the company. Union President and Managing Partner Michael Raimondi and Head of Production, TV and Film Katherine LeBlond served as Executive Producers.

    “What I cherish most about making The Slightest Touch is that it... Read More

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