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    Home » Alchemy Post Sound’s Leslie Bloome Performs Live Foley For Halloween Screenings of “The Unsilent Picture”

    Alchemy Post Sound’s Leslie Bloome Performs Live Foley For Halloween Screenings of “The Unsilent Picture”

    By Artisans PRMonday, October 15, 2018Updated:Tuesday, May 14, 2024No Comments4702 Views
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    Scene with Tony award-winning actor Bill Irwin in "The Unsilent Picture," directed by Alex Harvey.
    Westchester, NY -- (SPW) --

    Award-winning Foley artist Leslie Bloome is performing his distinctive craft live as part of special Halloween screenings of The Unsilent Picture at Philipsburg Manor in Sleepy Hollow, New York. Bloome is using an assortment of props and tools to create live sound effects to accompany the spooky black & white film, based on a Washington Irving short story. Directed by Alex Harvey and starring Tony Award-winning actor Bill Irwin, The Unsilent Picture screens through October 31st. It also features live musical accompaniment.

    Co-founder of Alchemy Post Sound, Bloome is an accomplished Foley artists who has contributed to more than 400 films and television shows, including such recent projects as Don’t Worry, He Won’t Get Far on Foot, The Miseducation of Cameron Post, The Looming Tower, and Berlin Station.

    Screenings of The Unsilent Picture are being held in a huge tent on the grounds of Philipsburg Manor. Bloome is set up next to the cinema screen with two large tables filled with props ranging from plates and silverware to swords and creaky wooden chairs. He uses these with practiced dexterity to support the action in the film and punctuate its funniest and scariest scary moments. “Because it’s a live performance with music, subtleties won’t play,” says Bloome. “Everything is over the top. It’s really quite fun!”

    One of Bloome’s favorite scenes depicts the film’s central character, Dr. Crayon (Irwin), and several of his eccentric friends having dinner. “Dr. Crayon is a grumpy old vegetarian who is stuck at the dinner table while the rest of the crew are stuffing their faces with pork,” he says. “I have a lot of fun with that scene. The eating, the plates and the chewing is all over the top, but very funny. When Crayon drops a piece of lettuce on his plate, I use a glockenspiel to make a funny doo-oop sound. The “salt incident” is one of many comic plot points in the opening scene. I use an old metal shake that has a distinctive and funny sound.”

    Performing Foley live presents unique challenges. In his normal film and television work, Bloome works on a stage specially designed for Foley, and if things don’t go exactly right, he has the luxury of the re-take. For The Unsilent Picture, Bloome works non-stop through its 33-minute span with hardly a pause between sound effects. And he works four performances each night. “I’m a musician at heart and this is just like playing a live gig,” says Bloome. “When I was approached about this opportunity, I immediately said, ‘I’m in.’”

    Bloome says that he is enjoying the challenge of performing live and loves seeing the reaction of the audience. “Foley is all about performance, even when I’m working in the studio,” he says.

    About Alchemy Post Sound
    Alchemy Post Sound is a 3,500 square foot, dedicated Foley studio designed specifically for Foley by resident Foley Artist Leslie Bloome. The company’s Emmy Award-winning staff has created sound for numerous major feature films, long-running television series, independent films and popular games. Alchemy’s services also include music recording, live performance, video production, ADR, and sound design.

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    www.alchemypostsound.com

    company

    Andrea Bloome
    COO & Studio Manager
    Alchemy Post Sound
    (914) 737-7350
    Contact via email

    media

    Linda Rosner
    ArtisansPR
    (310) 837-6008
    Contact via email
    SPW Category:Music and Sound
    Tags:bill irwinunsilent pictureLeslie BloomeAlchemy Post Sound



    Boris FX Continuum Pairs AI Precision and Advanced Creative Controls

    Thursday, May 14, 2026
    Boris FX Continuum 2026.5

    Boris FX Continuum, the acclaimed visual effects plugin collection, introduces its 2026.5 release. The latest version of the Emmy Award-winning software delivers a new AI deinterlace tool, four updated AI models, a new compositing workflow in the FX Editor, overhauled warp and displacement effects, upgraded wipe transitions, and greater creative control in Particle Illusion. “As we continue to leverage internal AI technology to build new tools, we always keep the needs of Continuum’s editors, artists, and content creators at the forefront,” states Boris Yamnitsky, CEO and Founder of Boris FX. “We carefully choose which types of tasks benefit from AI workflows, such as image restoration and masking. Accordingly, the 2026.5 release adds a new deinterlace tool that uses AI to instantly transform archival, analog footage into progressive-scan frames and also includes more accurate models on our popular face segmentation and license plate masking tools, as well as our motion blur and up-res effects.” AI Tools Continuum’s AI-assisted capabilities grow with a new image restoration effect, updated masking, motion blur, and upres models, and additional flexibility.

    • BCC+ Deinterlace ML: Automatically, precisely converts interlaced video, including analog TV, VHS tapes, etc., into progressive-scan frames.
    • Updated AI Models: Improved accuracy on Face ML, License Plate ML, Motion Blur ML, and UpRes ML.
    • BCC+ Face ML: Adds new nose and neck segmentation.
    • BCC+ Motion Blur ML: Adds a prismatic colored blur trails feature.
    Continuum 2026.5 also features a new ML/AI model unload system. If an ML model isn’t... Read More

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