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    Home » ALIBI Music Debuts New SFX Album For Trailer Editors, Game Developers & Sound Designers

    ALIBI Music Debuts New SFX Album For Trailer Editors, Game Developers & Sound Designers

    By Brada PRThursday, March 4, 2021Updated:Tuesday, May 14, 2024No Comments3779 Views
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    Stylized UI is a new album of 285 professionally composed sound effects from ALIBI Music.

    Stylized UI is a multipurpose toolkit featuring 285 sound effects over 10 categories.

    LOS ANGELES -- (SPW) --

    ALIBI Music has dropped a new album of professionally composed sound effects (SFX) crafted for use by trailer editors, video game developers and sound designers, among others. Titled Stylized UI, this release is a multipurpose toolkit containing 285 different SFX across 10 categories ideal for any kind of modern-day or futuristic user interface (UI) sound, from electronic handheld devices and computers to complex machines and sci-fi spacecraft. Check it out HERE.

    Stylized UI features the work of ALIBI’s longtime partner composer Jeff Dodson and his team, who designed the SFX to be particularly beneficial in boosting the quality of any user interface motion. As an example, the trailer editor cutting a pivotal sci-fi interaction with a hologram can sweeten and make that moment really powerful. Or, for the game developer, this album release is ideal for any title with UI needs, from confirmation to syncing sound for a menu opening and closing. 

    To create these contemporary user interface sounds, Dodson composed the Stylized UI album almost entirely digitally. The process incorporated a number of classic tools like vocoders and granular processing to split the audio into slivers called grains that can be manipulated in various ways, in how SFX can be layered into each other or how each grain can be processed independently.

    “These types of releases are exceptionally fun because it's a sandbox for us as designers to just make weird and abstract sounds as we try to cover the many ideas in our heads about what a UI might be. So, they're classic droid-style bleeps, bloops and lasers, but also some very high-concept modern SFX that we imagine the UI of the future would sound like,” Dodson explained.  “Having that freedom and ability to play in these sandboxes was our favorite part of the release.”

    “Jeff is an exceptionally talented sound designer and has done an incredible job creating this collection for our catalog,” ALIBI’s VP Production Sam Wale said. “I can see Stylized UI being extremely useful to app and game developers, as well as editors and sound designers for film, TV and trailers.”

    ALIBI’s sound effects have been used in nearly every major theatrical trailer campaign, as well as numerous game trailers, since the company launched in 2011.

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    ALIBIMusic.com

    SPW Category:Music and Sound
    Tags:productionALIBISFXsound effectstrailers



    How Cutting “Wicked” Films Changed Oscar Nominee Myron Kerstein For Good

    Tuesday, January 13, 2026
    Myron Kerstein, ACE behind the scenes working on "Wicked" and "Wicked: For Good"

    While having a phenomenal range of credits across genres, Kerstein definitely cemented his reputation as a music man of the editing room with Tick, tick…. Boom! and Wicked earning him two Academy Awards® nominations. He shared with us some of his secrets on tackling the tremendous task of finishing this epic journey and how finding intimate moments in grand scenes shapes his approach to work. You have been Oscar® nominated for Tick, tick… Boom! and notable for Wicked last year. Are musicals like second nature, what do you love about working on them or what attracts you to them? I love working on musicals because when a character does not have the ability to say how they feel, singing it is another form of expression. So oftentimes that singing is sort of a version of a monologue inside their heads, and I love to explore that form of expression. It's unlike anything else in any other genre, like voiceover, because the musical is a very specific way in which characters can express themselves. I also happen to really love music. So cutting musicals satisfies this love of mine of this specific form of expression, but also my love for music and the genre itself. The genre has such a long history. There's so many incredible artists who have used this genre to express different stories from the Music Man or Grease or The Umbrellas of Cherbourg or Read More

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