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    Home » ALIBI Music Expands Trailerization Toolkit with Release of ‘Trailer Drum Overlays 2’

    ALIBI Music Expands Trailerization Toolkit with Release of ‘Trailer Drum Overlays 2’

    By Brada PRWednesday, June 12, 2024Updated:Sunday, July 7, 2024No Comments1601 Views
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    'Trailer Drum Overlays 2' expands ALIBI Music's toolkit allowing users to trailerize any music track.

    Second volume brings new drum types and energy.

    LOS ANGELES -- (SPW) --

    Giving users even more ways to trailerize any music track, ALIBI Music has expanded its industry-first toolkit. The company released a second volume of trailer drum overlays – Trailer Drum Overlays 2 – after its clientele of music supervisors and trailer editors raved about the first album and began asking for more. Overlays from ALIBI’s debut release (2023) were used in the official trailers for such notable projects as Saltburn, Migration and The Blacklist, to name a few.

    LUSSIER Director of Music Shannon Berry described the first release as “essential to my editors’ cuts” and “a great go-to source for them [that] features a variety of great quality drum hits in various BPMs.” Both albums offer an affordable way to add impact and drama to music tracks. 

    Trailer Drum Overlays 2 – developed from ALIBI client feedback and needs – features a versatile collection of production cues provided in a range of tempos and designed to augment existing recordings with a heavier, trailer sound. Featuring hip hop, hybrid and modern hits, taikos and stomps, as well as claps and finger snaps, these drum overlays are ideal for a wide range of trailer and promo styles.

    “We added taiko drums, and like the first one, we have whoosh claps, but this album gives them a variation for more energy in every BPM,” said composer Kent Carter, ALIBI’s VP, Strategic Initiatives. “It also adds to ALIBI’s other customizable trailer elements like braams, horns and choirs, all of which are easily searchable from our website and extension for Adobe Premiere Pro.”

    “Our job here is to help editors,” explained Julia Trainor, ALIBI’s Head of Sync A&R. “Let's give them more of what they like and what they need. I think people that aren't at an editing bay watching trailer editors work don't realize that they are truly music editors. They have 20, 30 lines of audio sometimes that they are mixing and remixing and taking stems and building as they create an audio track for a trailer, so the more elements they have that can help them build it the way they hear the music, the better job they are going to do.”

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    ALIBImusic.com

    SPW Category:Music and Sound
    Tags:trailer musicoverlaysdrumsALIBItrailers



    “The Slightest Touch” Wins Best Documentary at Dublin International Film Festival Following HBO Acquisition

    Monday, March 2, 2026
    Scene from "The Slightest Touch."

    The Slightest Touch, directed by Rachel Fleit and edited by Sloane Klevin, ACE, has won Best Documentary at the Dublin International Film Festival, days after HBO Documentary Films acquired the television and streaming rights ahead of its world premiere.

    The feature documentary, which chronicles the friendship between Colin Farrell and Epidermolysis Bullosa survivor Emma Fogarty, was honored by the Dublin jury with the following statement (in part):

    “This next award is for an incredible film… One through which we as an audience came to know both protagonists in ways which would not have been possible, were it not for the unobtrusive talent of the director, who seamlessly documents a story as old as time itself… Rachel Fleit has captured the magic moments of this extraordinary friendship… What follows is an honest and at times searing portrayal of pain in all its forms and the power of humanity and humor to make lives better for all… The jury agreed that The Slightest Touch and director Rachel Fleit is the worthy winner of the documentary category of this year's Film Festival.”

    Edited by Union Editorial Partner Sloane Klevin, ACE, the film continues Fleit’s long creative partnership with the company. Union President and Managing Partner Michael Raimondi and Head of Production, TV and Film Katherine LeBlond served as Executive Producers.

    “What I cherish most about making The Slightest Touch is that it... Read More

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