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    Home » ALIBI Music Library Takes Film/TV Promotion To Next Level with Launch of ATX

    ALIBI Music Library Takes Film/TV Promotion To Next Level with Launch of ATX

    By Brada PRTuesday, August 27, 2019Updated:Tuesday, May 14, 2024No Comments4939 Views
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    ALIBI Music Library has launched ATX, a catalog exclusively for high-end film trailers and TV series launch promos.

    Music Catalog Developed Exclusively for High-End Theatrical Trailers and TV Series Launch Promos

    LOS ANGELES -- (SPW) --

    ALIBI Music Library, a trusted partner of movie studios, trailer houses and promo departments with music and sound design placement credits in (among others) “First Man,” “Once Upon A Time In Hollywood,” “American Horror Story” and “Game of Thrones," today announced the launch of ATX, its new catalog developed exclusively for high-end theatrical trailers and TV series launch promos. Accessible from a separate, dedicated site (atx.alibimusiclibrary.com), ATX is a premium collection of 13 albums and 155 pieces of music so far, all specially themed, structured and mastered to meet the needs of Hollywood’s blockbuster trailer and promo projects.

    The ATX catalog features all-original music from an elite group of composers vetted and produced by ALIBI for both their tremendous talent and their commitment to push the sonic boundaries of trailer music production. This collection of music includes sweeping orchestration, explosive thundering sound design, extreme action, aggressively catchy stomps, modern-day western and heart-pounding horror. All tracks are produced with intensely close attention to detail and structured with builds and edit points ideal for cutting trailers. Alt versions and stems are readily available on the site for each track, so editors can slice, dice and make them their own.

    “After listening to our film and TV partners for several years, we’ve honed in on what editors truly need when working music into their promotional content,” said Sam Wale, ALIBI’s Director of Production. “The launch of ATX gives us the opportunity to take that experience to a whole other level and really push the limits of production standards. This catalog, which we are actively expanding, will give studios, trailer houses and TV networks some incredible options for theatrical and launch promo marketing.”

    Wale is a prolific and passionate composer who has written trailer music for ALIBI from the company’s start. Since joining the team full time in 2014, he has produced more than 500 albums spanning all genres. ATX was developed with the knowledge Wale gained while working directly with editors, customizing trailers for “New Mutants,” “Aquaman” and  “Abominable,” to name a few.

    Giving each ATX track a unique, signature sound, Wale and his team heavily layered their own custom sound design and sampled instruments with live recordings to create rich sonic textures and atmospheres. They experimented extensively with new musical ideas, sound effects, audio production tools and mixing techniques, carefully crafting these tracks on every level for maximum emotional intensity and impact. All albums were mastered at ALIBI’s in-house studio to ensure the highest quality control and consistency across mixes and stems, with every track pushed to its full potential at the final stage.

    All ATX tracks are customizable upon request, and pricing ranges depending on length and scope of use. Contact ALIBI [alibi@alibimusiclibrary.com] for searches, quotes and custom scoring. The ATX catalog is not covered under ALIBI’s blanket or preferred vendor agreements.

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    ALIBI Music Library www.alibimusiclibrary.com

    SPW Category:Music and Sound
    Tags:ALIBItrailersmusic libraryFilm



    How Cutting “Wicked” Films Changed Oscar Nominee Myron Kerstein For Good

    Tuesday, January 13, 2026
    Myron Kerstein, ACE behind the scenes working on "Wicked" and "Wicked: For Good"

    While having a phenomenal range of credits across genres, Kerstein definitely cemented his reputation as a music man of the editing room with Tick, tick…. Boom! and Wicked earning him two Academy Awards® nominations. He shared with us some of his secrets on tackling the tremendous task of finishing this epic journey and how finding intimate moments in grand scenes shapes his approach to work. You have been Oscar® nominated for Tick, tick… Boom! and notable for Wicked last year. Are musicals like second nature, what do you love about working on them or what attracts you to them? I love working on musicals because when a character does not have the ability to say how they feel, singing it is another form of expression. So oftentimes that singing is sort of a version of a monologue inside their heads, and I love to explore that form of expression. It's unlike anything else in any other genre, like voiceover, because the musical is a very specific way in which characters can express themselves. I also happen to really love music. So cutting musicals satisfies this love of mine of this specific form of expression, but also my love for music and the genre itself. The genre has such a long history. There's so many incredible artists who have used this genre to express different stories from the Music Man or Grease or The Umbrellas of Cherbourg or Read More

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