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    Home » American Public Television Easily Manages COVID-19 Transition To Remote Work With axle ai Software

    American Public Television Easily Manages COVID-19 Transition To Remote Work With axle ai Software

    By samster111Tuesday, April 7, 2020Updated:Tuesday, May 14, 2024No Comments7641 Views
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    American Public Television's Vice President of Technology Gerry Field was able to easily set up remote access for his entire staff using axle ai 2020 software after COVID-19 restrictions were imposed on the Boston area.

    Video team works from home on syndicated content using a browser interface

    Boston -- (SPW) --

    When the staff of American Public Television (APT), like many media companies, faced the prospect of abruptly working from home due to coronavirus measures, they were ready. APT is a syndicator; a leading non-profit organization whose mission is to find, curate, license, and distribute content to public television stations. Operating with a modest staff, they’ve amassed a current and legacy catalog of hundreds of series and single event programs encompassing documentaries, education, travel, performance, news and current affairs programs ranging from Lidia’s Kitchen to Rick Steves’ Europe to Doc Martin and Midsomer Murders.

    Just a few years ago, APT’s workflows were tied to physical media like tapes and hard drives. Upon implementing axle ai, they were able to economically transition to a browser-based, shared media workflow. So, when recently faced with COVID-19 work restrictions, they were able to swiftly navigate to a distributed approach almost overnight. “axle ai, as well as some of the other key network technologies we’ve implemented, like VPN and cloud storage, were the difference between being disconnected totally from our business due to COVID-19, and being able to operate nearly at regular capacity.” says APT Vice President of Technology Gerry Field.

    A Better Way to Screen
    APT began to transition to digital distribution and file-based workflows, with the goal “to turn our screening rooms into ingest rooms, and move our screening functions right onto everybody’s desktop”. Put off by the cost and complexity of MAM systems they investigated, Field and his team opted for axle ai’s budget-friendly software, which takes advantage of industry standards and cost-effective storage to simplify networked video workflows.

    If content comes in as files, great; if it comes in as tape, we ingest, and in either case create proxies for screening through axle,” Gerry continued. Now, he added, “Anything being submitted to us is coming in as a file in a broadcast format. We’ve broken away from limited on-prem ‘silos’ we had before, and extend access to more content at the desktop regardless of the location. Of course, this same capability has made it possible for us to handle the switch to a fully-remote workforce, which would have been unthinkable previously.”

    Designed for Easy Adoption
    “Most of all, axle made it possible to get a system appropriately scaled for what we need, and for the resources that we have. The two equal parts are cost and complexity. There are a lot of asset management products in the market that, particularly for my needs, are tremendously overbuilt. We needed something that could be installed easily and give us access, quickly, to the content that we need to see.” I was able to get it spun up and operational inside of three days and get axle ai into the adoption cycle.”

    The fact that axle is not technically demanding was very important: “APT has good talented and technically aware staff but we’re not the kind of company that has a deep engineering department, or a stable of editors” Gerry added. “I could possibly do deeper, more interesting things with a more expensive system, but my experience with things like that is they sound good, but wind up being a boat anchor.”

    Expansion and Growth
    As APT moves to a new public television member station interconnection system, axle has been integrated with APT back-end business systems, so licensing and media access rights information are linked to axle. “That’s important as APT owns very little programming; it’s almost all licensed for distribution under contracts. Under the new system, “material comes into our cloud, is synced from our cloud to local storage and axle makes proxy copies for screening and tracking.”

    Gerry has seen APT’s use of axle ai grow, especially for review of underwriting spots and to help suppliers in negotiating with underwriters. “In addition to full length programs, we’re now including promos, sizzle reels, clips, and other promotional material related to the program.” Gerry said the staff is now using axle to make programming notes, “extending desktop screening access to collaboration and sharing comments about the content as well.”

    Radically Simple Resonates
    Gerry cites axle’s ‘radically simple’ principle as a key reason for adopting it. “It’s one of the things that got me interested. That, and the experience and credibility of the founders in both developing media asset management systems and knowing how they were actually used.” The recent switch from a single work location to a work-from-home team approach required under COVID-19 public health mandates worldwide, turned out to be achievable almost overnight due to axle ai’s affordable, accessible browser-based HD/4K workflows.

    About APT
    American Public Television (APT) is the leading syndicator of high-quality, top-rated programming to the nation’s public television stations. Founded in 1961, APT distributes 250 new program titles per year and more than one-third of the top 100 highest-rated public television titles in the U.S. Its programs include Doc Martin, Midsomer Murders, America’s Test Kitchen From Cook’s Illustrated, AfroPoP, Rick Steves’ Europe, Christopher Kimball’s Milk Street Television, Front and Center, Lidia’s Kitchen, Kevin Belton’s New Orleans Kitchen, Simply Ming, The Best of the Joy of Painting with Bob Ross, James Patterson’s Kid Stew and NHK News. APT also licenses programs internationally through its APT Worldwide service and distributes Create®TV — featuring the best of public television's lifestyle programming — and WORLD™, public television’s premier news, science and documentary channel. For more on APT’s programs and services, visit www.APTonline.org

    About axle ai
    axle ai is the recognized leader in developing radically simple search and remote access software. It solutions have helped over 600 media organizations improve the way they remotely search and manage their video content. axle’s radically simple media management uniquely addresses a burgeoning need and has caught on rapidly among video professionals in post-production, education, broadcast, corporate, sports, house of worship, non-profit, advertising-marketing, and government organizations worldwide. Axle ai, Inc. is a privately held company; its founders have extensive industry experience in media asset management for creative applications. Learn more at www.axle.ai; equity crowdfunding at www.republic.co/axle-ai.

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    axle.ai provides radically simple software for video search and remote media access.

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    Katy Scott
    VP of Operations
    axle ai, Inc.
    (617) 262-9222
    Contact via email
    SPW Category:Production and Post-Production Products and Services
    Tags:remote workCOVID-19axle aiMAMBroadcast



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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