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    Home » Association of Music Producers Issues Call For Entries, Sets Plans in Motion For 2021 AMP Awards

    Association of Music Producers Issues Call For Entries, Sets Plans in Motion For 2021 AMP Awards

    By SPWWednesday, March 17, 2021Updated:Tuesday, May 14, 2024No Comments3630 Views
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    The AMP Awards is the only juried advertising contest to focus on the unique contributions made to the industry by creators and producers of music and sound.

    ‘The loudest show in the industry’ returns for its second virtual awards presentation, sets April 30 entry deadline.

    NEW YORK -- (SPW) --

    The Association of Music Producers, sponsors of the AMP Awards for Music & Sound, has announced its call for entries for the 2021 AMP Awards. Deadline for submitting work is April 30, 2021. Full entry details can be found at the AMP Awards entry portal at https://amp.awardcore.com/. 

    The 2021 AMP Awards show, which like last year will be presented virtually, will take place at a date to be announced this summer. This marks the 8th year that AMP has honored music and sound for brands with its awards competition.

    “We’re excited to be back and looking forward to a great show this year,” said AMP National Board President Georg Bissen of MetaTechnik in New York. “We know the challenges the industry has faced during the pandemic, and how that has impacted just about every facet of society. But we also know that people are hungry for a return to normal, and honoring creative excellence in music and sound just feels like the right thing to do. And that’s what the AMP Awards are all about.”

    The AMP Awards is the only juried advertising contest to focus on the unique contributions made to the industry by creators and producers of music and sound. Judged by agency, label, publishing and music production professionals, the awards will present trophies in 13 unique categories as well as a Best In Show honor, named for the late Droga5 music supervisor Ryan Barkan, which will be selected by its Curatorial Committee from among the top category winners.

    Heading up planning for the 2021 Awards is the AMP Awards Committee, which is led by Bissen. Also serving on the committee are past AMP National Presidents Elad Marish of Swell Music + Sound and Jason Menkes of COPILOT Music + Sound, along with Al Risi of Groove Guild, Jean Scofield and Adrian Womack of Mophonics and industry legend Jeffrey Rosner, who was one of the co-founders not only of the AMP Awards, but of AMP itself. 

    Submissions for the AMP Awards are welcome from any individual or company creating or providing music and/or sound for commercials, branded content, promos or trailers. AMP members enjoy a discount for all submissions, and the competition offers volume discounts for multiple entries. This year, winners will be presented in the following categories:

    • Best Original Song

    • Best Original Score

    • Outstanding Adaptation/Arrangement

    • Best Use of a Licensed Pre-existing Recording

    • Best Sound Design

    • Most Effective Use of Music in a Campaign

    • Best Use of Music in a Promo or Trailer for Film, TV, or Game

    • Most Innovative Process & Execution

    • Best Artist+Brand Collaboration

    • Outstanding Mix

    • Outstanding Sonic Branding or Mnemonic

    • Excellence in Audio-Only Marketing

    • Best Creative Musical Solution for a Previously Released Ad

    The Best Creative Musical Solution for a Previously Released Ad award is new for 2021. It’s being introduced in recognition of the industry’s efforts during the pandemic to remix or rescore existing ads to give them a fresh sound for audiences. It will be presented to work in which music and sound has been refreshed in some manner for a spot or brand video repurposed by an advertiser in response to an inability to create new content in a timely manner.

    Last year’s AMP Awards show was presented virtually on July 30. It featured commentary from AMP Awards Chair Jay Russell, Chief Creative Officer at GSD&M in Austin, Texas, along with two performances by multi-platinum, Grammy-nominated singer, songwriter and producer Aloe Blacc, who appeared courtesy of BMG. The top winner at the show was Wave Studios, which took home the Ryan Barkan Best in Show trophy for its work on Smirnoff’s “Infamous Since 1864,” created by 72andSunny. The spot also won in the Outstanding Mix category. 

    For more information on AMP, visit www.ampnow.com. To view past winners of the AMP Awards, go to www.amp-awards.com. 

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    Anthony Vagnoni
    avagnoni communications
    (973) 493-8736
    Contact via email
    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:commercial productionAssociation of Music ProducersAMP Awards



    Wave Studios Makes Big Game Noise with Six Super Bowl LX Spots

    Thursday, February 12, 2026
    Wave Studios Super Bowl Spots

    Wave Studios New York delivered sound design and mixing on six high-profile commercials in Super Bowl LX, with work airing for Squarespace, Grubhub, Cadillac, Kinder Bueno, Coinbase, and InvestAmerica, placing Wave’s sound at the center of some of the most talked-about campaigns of the year.
    The studio’s Super Bowl presence reflects a powerful combination of cinematic craft, bold creative partnerships, and sound-led storytelling at the highest level. Two of the night’s most buzzed-about films, for Squarespace and Grubhub, were directed by acclaimed filmmaker Yorgos Lanthimos, with sound design by Wave founder and BAFTA and Academy Award®–winning sound designer Johnnie Burn, and mixes by Austin Ferreira (Squarespace) and Chris Afzal (Grubhub). Johnnie’s hands-on involvement underscores a shared commitment across Wave and its creative partners to elevate sound as a driving force in global brand storytelling. Across the six campaigns, Wave’s team brought a wide creative range, from bold, cinematic tone to precision-driven sonic branding, with sound design and mixing led by Aaron Reynolds and Chris Afzal on spots for Cadillac, Kinder Bueno, Coinbase, and InvestAmerica. Each project reflects the studio’s ability to shape emotional impact through sound, while seamlessly supporting the visual language of each brand and agency partner. “Super Bowl work pushes everyone creatively, there’s nowhere to hide,” said Aaron Reynolds, Partner and ECD Sound Designer/Mixer at Wave. “Having six spots on air in one year speaks to the depth of our team and the trust our clients place in us. We’re incredibly proud of the craft that went into every frame and every second of sound.” Vicky Ferraro,... Read More

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