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    Home » Austin’s Cine Las Americas International Film Festival Announces Filmmaker Awards For 24th Edition

    Austin’s Cine Las Americas International Film Festival Announces Filmmaker Awards For 24th Edition

    By adminTuesday, June 21, 2022Updated:Tuesday, May 14, 2024No Comments1890 Views
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    Anaïs Taracena’s El Silencio del Topo (The Silence of the Mole) (Best Documentary Feature)

    Jury Prizes go to Joaquín Peñagaricano and Pablo Abdala’s Mateína for Best Narrative Feature, and Anaïs Taracena’s El Silencio del Topo (The Silence of the Mole) for Best Documentary Feature

    Austin, TX -- (SPW) --

    Following a successful return to in-theater screenings, Cine Las Americas announced the filmmaker award winners for the recently concluded 2022 Cine Las Americas International Film Festival (CLAIFF) Leading the list of films winning jury prizes were Joaquín Peñagaricano and Pablo Abdala’s Mateína (Best Narrative Feature), and Anaïs Taracena’s El Silencio del Topo (The Silence of the Mole) (Best Documentary Feature). Films taking the Audience Awards were topped by Bretten Hannam’s Wildhood (Narrative Feature), and Jeff Adachi and Chihiro Wimbush’s Ricochet (Documentary Feature).    

    The 24th edition of Cine Las Americas showcased films and videos from Latin America (North, Central, South America, and the Caribbean) and the Iberian Peninsula, celebrating films and videos made by or about Latinx in the U.S. or the rest of the world, with films and videos by or about indigenous groups of the Americas also featured.    
     
    Cine Las Americas Executive Director Gabriel Ornelas, said, “The platform we create for these films and filmmakers and the connection that is made to the audiences here in Austin are vital for both the filmmaker and the film lover. Our team worked hard to ensure we had great screenings, presentations and events focused on our films and attending filmmakers, and we could not have been more pleased with the result of those efforts. This year’s edition reaffirmed how much Cine Las Americas is an important part of the cultural fabric in a city that continues to be a central hub for filmmaking here in Texas and the Southwest.”
     
    Regarding the selection of Joaquín Peñagaricano and Pablo Abdala’s Mateína for the Best Narrative Feature Jury Prize, Jury member Chale Nafus (Austin Film Society), said, “This socio-political satire launched by a 2045 American-Uruguayan treaty to ban the growing and consumption of yerba mate – the national drink of Uruguay, Paraguay, and Argentina – serves as a comedic comment on the decades-old War on Drugs. Mateína is a perfectly directed, acted, filmed, edited, and structured road movie brimming over with absurdities, obstacles, and unforgettable characters as the two heroes travel backroads to acquire mate seeds in neighboring Paraguay.”
     
    On the documentary side, Claudia Puig (Los Angeles Film Critics Association) described Anais Taracena's The Silence of the Mole (El Silencio del Topo) as “powerful and illuminating”. She added, “With a distinctive filmmaking style that incorporates both the political and the personal, marked by stunning visuals and moving narration, Taracena documents critical events during a horrifying period of genocide in Guatemala during the 1970s and '80s.  Artfully blending archival footage and revealing interviews, she tells the story of Elias Barahona, a heroic local journalist who infiltrated the heart of the massively repressive Guatemalan government and passed information to the resistance.” 

    Jury prize winners in the Shorts Competition included Yolanda Centeno’s Imposible Decirte Adiós (Attached) (Best Narrative Short), and Carmina Balaguer’s La pantalla andina (The Andean Screen) (Best Documentary Short). In the Hecho En Tejas Competition, Esmeralda Hernandez’ Dream Carriers took the Jury Prize, with Alexander Rosales’ Tejano Night winning the Audience Award. The Jury prize for Best Music Video went to David Brocca’s Nobody's Clown. Cody Salais’ Sol took both the Jury prize and the Audience Award in the Emergencia Youth Film Competition.
     
    Jury members for this year’s edition of Cine Las Americas included:

    • Narrative Features: Chale Nafus (Austin Film Society)
    • Documentary Features: Claudia Puig (Los Angeles Film Critics Association)
    • Shorts Competition: Chantal Lackan (Scientist, Photographer, and Film aficionado), Joseph Ornelas (Davis Graham & Stubb), Paul K. Smith (Professor of Exercise Science, Yoga Instructor)
    • Hecho En Tejas: Sharon Arteaga (When You Clean a Stranger’s Home)
    • Emergencia: Christian D. Nelson (Austin Film Society)

    Opening Night featured Fernando León de Aranoa’s El Buen Patrón (The Good Boss) starring Javier Bardem, on a night that had much excitement as the film festival returned to an in-theater screening for the first time since the pandemic began two years ago. The celebratory nature of the event truly took on the personality of a homecoming for everyone involved with organization, the attending filmmakers and the film fans.  
     
    Cine Las Americas’ signature programming track, “Hecho en Tejas,” which showcases local filmmaking talent with varied backgrounds via films and videos shot and/or produced in Texas, also was a genuine highlight with packed houses, as well as representatives from the Texas Film Commission welcoming the attending filmmakers, led by the HET Centerpiece presentation of Iliana Sosa’s documentary Lo Que Dejamos Atrás (What We Leave Behind). The Emergencia youth film focus celebrating the work of student filmmakers was another major highlight for filmmakers and audiences alike, as the film festival’s dedication toward its educational tracks and focus on youth was clearly rewarded by the pubic turning out for those events.
     
    For more information about Cine Las Americas, visit https://cinelasamericas.org/.

    CLA2022 Filmmaker Award Winners
     
    NARRATIVE FEATURE COMPETITION

     JURY AWARD FOR BEST NARRATIVE FEATURE
    Mateína                                                                                    
    Directors: Joaquín Peñagaricano, Pablo Abdala  
    Countries: Uruguay/Argentina/Brazil
     
    AUDIENCE AWARD FOR BEST NARRATIVE FEATURE
    Wildhood                     
    Director: Bretten Hannam          
    Country: Canada
     

    DOCUMENTARY FEATURE COMPETITION

     JURY AWARD FOR BEST DOCUMENTARY FEATURE
    El Silencio del Topo (The Silence of the Mole)
    Director: Anaïs Taracena           
    Country: Guatemala
     
    AUDIENCE AWARD FOR BEST DOCUMENTARY FEATURE
    Ricochet
    Director: Jeff Adachi, Chihiro Wimbush   
    Country: United States
     

    SHORTS COMPETITION

     JURY AWARD FOR BEST NARRATIVE SHORT
    Imposible Decirte Adiós (Attached)     
    Director: Yolanda Centeno         
    Country: Spain
     
    JURY AWARD FOR BEST DOCUMENTARY SHORT
    La pantalla andina (The Andean Screen)
    Director: Carmina Balaguer
    Country: Argentina
     

    HECHO EN TEJAS COMPETITION

     JURY AWARD FOR BEST HECHO EN TEJAS FILM
    Dream Carriers
    Director: Esmeralda Hernandez
    Country: United States
     
    AUDIENCE AWARD FOR BEST HECHO EN TEJAS FILM
    Tejano Night
    Director: Alexander Rosales
    Country: United States
     

    MUSIC VIDEO COMPETITION

     
    AUDIENCE AWARD FOR BEST MUSIC VIDEO
    Nobody's Clown                      
    Director: David Brocca   
    Artist: Los Yesterdays
    Country: United States
     

    EMERGENCIA YOUTH FILM COMPETITION

    AUDIENCE AWARD FOR BEST EMERGENCIA YOUTH FILM
    Sol       
    Director: Cody Salais     
    Country: United States
     
    JURY AWARD FOR BEST EMERGENCIA YOUTH FILM
    Sol       
    Director: Cody Salais     
    Country: United States
     
     
    About CINE LAS AMERICAS
    Cine Las Americas is a multi-cultural, 501(c)(3) non-profit organization based in Austin Texas, offering theatrical screenings of films made by and/or about Latinos or Indigenous peoples of the Americas. Films from Spain and Portugal are also included, enhancing a truly Pan-American cinematic experience. The mission of Cine Las Americas is to promote cross-cultural understanding and growth by educating, entertaining and challenging the diverse Central Texas community through film and media arts.

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    SPW Category:Film Festivals, Screenings, Parties
    Tags:filmmaker award winnersCine Las Americasdocumentary filmfilm festival



    Boris FX Mocha Pro Adds Powerful New AI Roto, Matte, and 3D Solve Refinement Tools

    Thursday, December 11, 2025
    Boris FX Mocha Pro 2026

    Mocha Pro, the Emmy® and Academy Award®-winning planar tracking and masking plugin from Boris FX, announces its 2026 release. The latest update helps VFX artists quickly refine tracking and rotoscoping results with a new AI-assisted matte refine tool for 2D tracking, a 3D tracking refine solve tool, and a rebuilt Curve Editor to easily visualize and adjust problem areas. It also supports VFX Reference Platform 2025 standards to meet the demands of professional VFX pipelines. “Mocha Pro users told us they loved its new AI-powered masking and camera solver, but wanted to use them on more demanding shots. For our 2026 release, we have created a suite of refinement tools to help artists handle tricky tasks like hair roto or tracking through heavy motion blur,” says John-Paul Smith, CEO, Imagineer Systems. “As always, we added many quality-of-life improvements, including the new Curve Editor, which, for the first time, allows artists to visualise the effect of AdjustTrack interactively.” “We always look to make laborious tasks a bit easier in Mocha Pro, especially when refining problem areas. This release is focused on making those refinements a breeze,” adds Martin Brennand, Mocha Pro product manager. “Refine your mattes with Matte Refine ML, clean up your 3D solves with the Refine Solve tools, and refine all your data with the Curve Editor.” New AI Masking A new Matte Refine ML workflow further cements Mocha Pro’s dynamic AI masking toolset, which also includes Object Brush ML, Matte Assist ML, and Face ML. Matte Refine ML automatically refines matte edges to mask out traditionally time-consuming details, such as fine hair, soft blurs,... Read More

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