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    Home » AVOD Growth Outpacing Other Paid Media, With Spend Set To Near Double To $47bn by 2023

    AVOD Growth Outpacing Other Paid Media, With Spend Set To Near Double To $47bn by 2023

    By SPWFriday, October 26, 2018Updated:Tuesday, May 14, 2024No Comments8120 Views
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    James McDonald, Data Editor, WARC

    A focus on OTT

    LONDON -- (SPW) --

    Consumer and advertiser investment in over-the-top (OTT), the delivery of premium video content via the internet, is rising rapidly worldwide, with spend set to reach a projected $129.3bn by 2023. Of this, $46.6bn (36%) is expected to be spent by advertisers on ad-funded video-on-demand (AVOD) platforms, almost double the level invested today.

    These and other key findings are included in the latest monthly Global Ad Trends report focusing on OTT compiled by WARC, the international authority on advertising and media effectiveness.

    AVOD growth is outpacing other paid media – spend is projected to near double to $47bn by 2023 with China and US leading the way
    Data from Digital TV Research, based on 138 countries, place the value of the OTT market at $68.7bn this year – a rise of 29% from the $53.3bn invested in 2017.

    Just over a third (34.7%) – $23.8bn – of this year's OTT total is expected to be invested by advertisers across AVOD platforms, such as Hulu, HBO Now, and Sony's Crackle.

    China is expected to overtake the US to become the world's largest AVOD market for the first time this year, drawing $8bn of advertiser spend – a third of the global total. AVOD in the US is expected to attract just under this, at $7.9bn.

    AVOD is still nascent: the expected $23.8bn in brand investment equates to a 5.2% share of global adspend this year (up from 4.5% in 2017 and 3.7% in 2016). But when compared with data in WARC's International Ad Forecast, AVOD expenditure is seen to be growing ahead of other paid media, with the market's value near doubling to $46.6bn by 2023.

    One-third of US OTT households do not subscribe to pay TV; 18% have cut the cord
    59.5m US homes used OTT in April 2018, up 17% year-on-year according to data from comScore – the equivalent to almost two-thirds (63.5%) of all Wi-Fi enabled homes in the country.

    A third of US OTT households are now "cordless", meaning they do not hold a paid cable or satellite subscription. A full 18% are "cord-cutters" – homes which once held a pay TV subscription but have left in favour of OTT – while 14% have never held a pay TV subscription.

    Consumers' growing appetite for streaming video across devices is impacting advertising strategies
    Rising internet penetration, connection speed, and device ownership is enabling more varied viewing. Whilst delivering convenience for consumers, this is adding complexity and technological challenges for marketers as the media landscape is being disrupted.

    As advertisers are being forced to adapt their video campaign strategies, cross-channel fragmentation is challenging the creative and media buying process. The wide array of publisher specs, insufficient lead time required to track down all creative assets and a lack of standardised measurement when buying cross-channel audience-based inventory are cited as major concerns.

    As a result, OTT is not currently front of mind when building media strategies; just a quarter (26%) of US CMOs regard OTT as either very or extremely important to their plans.

    Summing up, James McDonald, Data Editor, WARC, says: "Consumers' voracious appetite for video content anywhere, on any device, has been propelled by SVOD services such as Netflix. But it is AVOD platforms which present the opportunity for advertisers to marry rich consumer data with pinpoint targeting during engaging content.

    "This is why AT&T and Amazon are exploring moves into the AVOD sector next year, with the ultimate aim of taking the lion's share of a market expected to be worth $47bn by 2023."

    Global media analysis: A round-up of OTT

    • 11% creative repeated once or more during a full-episode delivered via OTT
    • 14.3% five-year compound annual growth rate for AVOD adspend globally, to $46.6bn by 2023
    • 18% US OTT households who have 'cut the cord'
    • 41% premium online video ad impressions delivered via OTT
    • 64% Wi-Fi enabled US households with OTT (59.5m)
    • 81% consumers who say it is important that they can watch TV programmes whenever they want

    Other new key media intelligence on WARC Data

    • Successful high-budget campaigns overspend on TV
    • Martech efficiency gains may be leading to reduced media spend
    • The top Facebook advertisers allocate less to TV
    • Fewer than half of Americans trust social media with their data

    Global Ad Trends is part of WARC Data, a dedicated online service featuring current advertising benchmarks, data points, ad trends and user-generated expanded databases.

    Aimed at media and brand owners, market analysts, media, advertising and research agencies as well as academics, WARC Data provides current advertising and media information, hard facts and figures – essential market intelligence for ad industry related business, strategy and planning required in any decision making process.

    The report in full is available on WARC Data by subscription only. For more information visit here 

    About WARC – your global authority on advertising and media effectiveness
    WARC.com is an online service offering advertising best practice, evidence, insights and data from the world's leading brands. WARC helps clients grow their businesses by using proven approaches to maximise advertising effectiveness. WARC's clients include the world's largest advertising and media agencies, research companies, universities and advertisers.

    WARC runs two global and two regional case study competitions: WARC Awards, WARC Media Awards, WARC Prize for Asian Strategy and WARC Prize for MENA Strategy.

    WARC publishes three global rankings of advertising excellence: Gunn 100 (creativity), WARC 100 (effectiveness), Gunn Media 100 (media excellence) and the Journal of Advertising Research. In addition to its own content, WARC features advertising case studies and best practices from more than 50 respected industry sources, including: ARF, Effies, Cannes Lions, ESOMAR and IPA.

    Founded in 1985, WARC has offices in the UK, U.S. and Singapore. In June 2018, WARC was acquired by Ascential plc, the global specialist information company.

    About WARC Data – a global advertising trends, benchmarks, data points and database service
    WARC Data provides current advertising and media information, hard facts and figures – essential market intelligence for ad industry related business, strategy and planning required in any decision making process.

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    Amanda Benfell
    PR Manager
    WARC
    Contact via email
    SPW Category:Industry Research
    Tags:Industry ResearchAVODWarcOTT



    Creativity For Good: The Cre8tors Partners With World Food Program USA On Fill The Silence Campaign

    Friday, November 14, 2025
    The "Fill the Silence" campaign shifts the traditional hunger narrative away from images of desperation to stories of resilience, strength, and potential unlocked by food. Featured are the works of The Cre8tors-represented artists Indie 184 (aka Soraya Marquez), known for her graffiti/mixed-media style, and visual artist Brandon Breaux.

    Can art change the way we view hunger and those suffering in places like Gaza and elsewhere? The Cre8tors, the creative talent management and production consulting company led by Dani Jackson and Jenny Lumpkin, think so. That’s why they partnered with World Food Program USA on its Fill the Silence campaign, a bold new national marketing initiative designed to reframe how we think about hunger and galvanize Gen Z and Millennials to act. The campaign rolls out via a robust marketing mix including a national TV PSA (set to pop superstar The Weeknd’s evocative track, “Give Me Mercy”), digital and social activations, events, and collaborations with Gen Z creators and celebrity partners.
    Center to the Fill the Silence campaign, which shifts the traditional hunger narrative away from images of desperation to stories of resilience, strength, and potential unlocked by food, are the works of The Cre8tors-represented artists Indie 184 (aka Soraya Marquez), known for her graffiti/mixed-media style, and visual artist Brandon Breaux.
    Jackson, Founder/Partner of The Cre8tors, explains that The Cre8tors were enlisted by Brandon Rochon, the award-winning advertising executive and World Food Program USA Board Member, to bring these two powerhouse artists to the campaign. Collectively, they responded by producing several striking works that anchor the initiative. Their art shines a light on eight distinct stories of people facing extreme hunger, reframing them not as passive subjects but... Read More

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