Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Award-Winning Director Rachel Annette Helson’s Film “Good Daughter” Enters the 2025 Oscars® Race

    Award-Winning Director Rachel Annette Helson’s Film “Good Daughter” Enters the 2025 Oscars® Race

    By Ann BerryMonday, November 4, 2024Updated:Tuesday, November 5, 2024No Comments1294 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    • Director Rachel Annette Helson at the monitor [Photo by Rin Oostman]

    • Samantha Sloyan (L) and John Moll rehearse a scene while Director Rachel Annette Helson (R) looks on. [Photo by Rin Oostman]

    • Still from "Good Daughter," Director of Photography Danielle Elise Bartley

    • Samantha Sloyan as Rebecca and Artrial Clark as Greg in "Good Daughter," Director of Photography Danielle Elise Bartley

    • Samantha Sloyan as Rebecca in "Good Daughter," Director of Photography Danielle Elise Bartley

    Samantha Sloyan as Rebecca in "Good Daughter"
    NEW YORK -- (SPW) --

    With the 2025 Oscars® season heating up, director Rachel Annette Helson, an alumni of the 2019 SHOOT New Directors Showcase, enters the race for Best Live Action Short Film with Good Daughter, a crime drama that stars Netflix alum Samantha Sloyan.

    Good Daughter follows Rebecca (Sloyan), a woman who cons dementia patients by pretending to be their daughter – until the con catches up with her. The gripping narrative explores the rampant issue of financial exploitation of vulnerable seniors, and it’s personal for Helson.

    “Both of my Grandmothers passed away from Alzheimer’s,” she shared. “My family spent lots of time in the memory care facilities with them, but not everyone was so lucky. I saw a lot of lonely, abandoned people who had few visitors and no one by their side as they were dying. Good Daughter grapples with complex moral questions as it looks at someone who gives time to patients in their last days – but takes valuables in return. And there’s a great reveal at the end that really brings it full circle.”

    A huge part of the film’s success goes to lead actress Samantha Sloyan whose performance has been universally praised – and even won her the Best Actress award at Cindependent Film Festival as well as a Best Actress Nomination at Catalina Film Festival.

    “Samantha brought the perfect blend of humanity, humor and nuance to the role,” said Helson. “Her performance will make you laugh and punch you in the gut. She’s truly a powerhouse.”

    Sloyan has garnered accolades in recent years for playing characters that audiences love to hate. Most famously, she starred as Beverly Keane in the hit mini-series Midnight Mass, earning a nomination for Best Supporting Actress in a Limited Series by the Online Film & Television Association. She also starred as Tamerlane Usher in The Fall of the House of Usher which skyrocketed to the #1 most watched series spot on Netflix – garnering over 13 million views in the first two weeks.

    After premiering at the prestigious Oscar-Qualifying HollyShorts Film Festival in Los Angeles, CA, Good Daughter made waves on the festival circuit and can now be seen in the Academy Screening room where it is in consideration to advance to the prestigious Oscars® shortlist.

    But regardless of the outcome, the Academy Awards® aren’t the end of the road for Good Daughter.

    After the success of the short, Helson and writer Jesse Harris (Marvel’s Jessica Jones) have joined forces once more to develop the story into a full-length feature film that Helson hopes to have in production by Fall 2025.

    “It was obvious to everyone involved with the production that there was more story to tell, and I’m excited about where we’ve taken the feature. Rebecca’s character is deepened and, along with her, the moral complications of the piece. It’s really a character-driven story about the lengths someone will go to for a person they love – from the perspective of a character who is fighting to keep their head above water and can’t catch a break.”

    Good Daughter is produced by Josh Banks, a 2021 SHOOT New Directors Showcase Alumni, and Director Rachel Annette Helson through their production company JORA Creative. The general public can see the Oscar long-listed short film online as part of Omeleto’s (3.77 million subscribers) For Your Consideration Oscars® Playlist.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2026-05-06)

    Good Daughter

    Video Description

    A small-time con artist rips off elderly dementia patients by pretending to be their daughter – before the con catches up with her. Starring Samantha Sloyan (Midnight Mass, Grey’s Anatomy.)

    Video Credits

    Starring: Samantha Sloyan

    Directed by: Rachel Annette Helson
    Written by: Jesse Harris
    Produced by: Rachel Annette Helson & Josh Banks
    Director of Photography: Danielle Elise Bartley
    Costume Designer: Molly Morgan
    Casting Consultant: Patrick Goodwin
    Hair & Makeup: Andrea Ahl
    Stunt Coordinator: Sean Ramey
    Gaffer: Zachary Erwin & Jeb Schilling
    1st AD: Adelle Brodbeck
    Sound Mixer: Kyle Dillard
    1st AC: Geoffrey Storts & Emily Keenan
    2nd AC: Colin Garcia
    Grip: Miilo Martinez & John Ricketts
    Colorist: Hunter O’ Brien
    VFX: Kyle Dillard
    Re-recording Mixer: Christopher Duke
    Post Production Audio: Post237, Christopher Duke & Joe Stockton
    Production Assistant: Tiffany Underhill

    Media Contact

    Heather French Henry

    (502) 381-1483
    Contact via email
    SPW Category:New Screenwork Release
    Tags:Josh BanksRachel Annette HelsonFemale Directorshort filmAcademy Awards



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleCampaigns Sonified: How Candidates Use Music To Seduce Voters
    Next Article Simian Gets An Evolutionary Boost For Collaboration, Reveals “Teams”
    Ann Berry

    Add A Comment
    What's Hot

    3D Animation Director Liam Archibald Joins Blinkink For Worldwide Commercial Representation

    Friday, August 28, 2026

    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    C. Kim Miles Shares Insights Into The Reimagining Of “Little House on the Prairie”

    Thursday, August 27, 2026
    Shoot Screenwork

    Apple, TBWA\Media Arts Lab and Director Nicos Livesey Deploy Clay Animation To Showcase “The Mighty Mac Mini”

    Friday, August 28, 2026

    TBWA\Media Arts Lab and director Nicos Livesey–via Blinkink and Stoopid Buddy Stoodios–teamed on this clay…

    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    JT Mega, Director Jake Zalutsky “Savor The Little Things” For Mahatma Rice

    Wednesday, August 26, 2026

    9/11 Day, Pete Davidson, David&Goliath Share Personal 9/11 Story and “UNIITE For Good”

    Tuesday, August 25, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    SHOOT
    click X to close window
    ×

    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

    Click Here to read more about SHOOT’s closure.

    Click Here to close window
    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.