Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Blackmagic Micro Cinema Cameras Used To Shoot Live VR Experience on 2016 Oscars Red Carpet

    Blackmagic Micro Cinema Cameras Used To Shoot Live VR Experience on 2016 Oscars Red Carpet

    By Kenna LuguriThursday, March 17, 2016Updated:Tuesday, May 14, 2024No Comments7317 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Blackmagic Design's Micro Cinema Camera.
    Fremont, CA -- (SPW) --

    Blackmagic Design today announced that three Micro Cinema Cameras were used to shoot live 360 video on the 2016 Oscars red carpet. Alx Klive, founder and CEO of San Francisco-based 360 Designs, used the Micro Cinema Cameras as part of the new Mini EYE™ 3 compact camera rig to create a captivating virtual reality experience, immersing viewers in the glitz and glamour of the Hollywood red carpet.

    “For the Oscars, our main priority was to provide a live 360 video feed, which meant live stitching the output of the cameras into a VR-capable stream. We used a compact three-camera rig, designed primarily for live VR use, with the Micro Cinema Cameras,” explained Alx. “The Micro Cinema Cameras’ wide dynamic range was particularly helpful in the Oscars press gantry, as there were many press lights in view, which couldn’t be hidden from view with a 360 camera.”

    The three-camera rig had a central genlock and power control box, and Alx and his team ran SDI via a converter to a stitching station several feet away. From there, the stitched 360 video was sent several hundred feet over SDI to a satellite truck and beamed to a facility in New York. Once there, it was encoded and uploaded to three different content delivery networks before being distributed to multiple test players, including a live player on the AP website, YouTube and several smartphone apps.

    “We recorded internally to ProRes on SD cards, and it was reliable, even over several hours of recording,” said Alx. “We have also been post producing and stitching the footage into a higher quality archival output. This involves using stitching software, as well as Blackmagic’s Fusion Studio for stitching, which is showing promising results.”

    360 Designs invents, designs and manufactures high-end, professional 360 cameras and live streaming solutions for virtual reality. The company had been looking for a compact, professional camera to build VR rigs around for several years. “Our needs included a compact form factor, genlock, active cooling, excellent reliability, remote control capability, interchangeable lenses, good mounting options and cinematic grade picture quality,” noted Alx. “We’d experimented with other small form factor and action cameras in the past, but could not get past their reliability issues, which are multiplied when you have many cameras in a 360 rig. Reliability is critical for us for professional use. The Blackmagic Micro Cinema Cameras ticked all the boxes, and we’ve been very happy with the results.”

    One of the most exciting things for Alx and his team has been the Micro Cinema Camera’s expansion port, which allows creative technical use of the camera. “We’d been working with this connector for many months and are using a number of its features to design ‘command and control' options for the cameras,” said Alx. “With the products we have in late stage development, we are able to start and stop multiple cameras at once, control the white balance, ISO and other settings of the cameras in the rig, as well as provide remote live video monitoring, among other things. This is unprecedented in a 360 rig, and we’re very excited about what it means for DPs and anyone shooting professional 360 video.”

    Alx noted that prior to using Blackmagic Micro Cinema Cameras, the options for creating VR rigs were limited. “With the Micro Cinema Camera, and even the Micro Studio Camera 4K, we are able to offer a new option: excellent picture quality in a convenient form factor. For many in the fashion, broadcast, sports, cinematic and commercial sectors, this is an ideal sweet spot. Our customers are really happy, and we’re super excited where the 360 industry is heading.”

    He concluded, “The reaction to live 360 streaming itself has been immense. It’s still very early days, but essentially for us, live 360 streaming represents a kind of teleportation. In a few years it will seem trivial to virtually attend any event or happening, wherever it is in the world. The opportunities to live 360 stream sports, concerts and other live events is significant.”

    About Blackmagic Design
    Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.
     

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2017-09-16)
    Contact:

    Terry Frechette
    Blackmagic Design
    Contact Terry via email
    Tel: 978-337-0991
     

    SPW Category:Filmmaking Products and Services
    Tags:360 DesignsMicro Cinema CameraVirtual RealityBlackmagic DesignOscars



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleURSA Mini 4.6K Used to Shoot High End Runway Shows at New York Fashion Week
    Next Article FuseFX Goes To War
    Kenna Luguri

    Add A Comment
    What's Hot

    3D Animation Director Liam Archibald Joins Blinkink For Worldwide Commercial Representation

    Friday, August 28, 2026

    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    C. Kim Miles Shares Insights Into The Reimagining Of “Little House on the Prairie”

    Thursday, August 27, 2026
    Shoot Screenwork

    Apple, TBWA\Media Arts Lab and Director Nicos Livesey Deploy Clay Animation To Showcase “The Mighty Mac Mini”

    Friday, August 28, 2026

    TBWA\Media Arts Lab and director Nicos Livesey–via Blinkink and Stoopid Buddy Stoodios–teamed on this clay…

    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    JT Mega, Director Jake Zalutsky “Savor The Little Things” For Mahatma Rice

    Wednesday, August 26, 2026

    9/11 Day, Pete Davidson, David&Goliath Share Personal 9/11 Story and “UNIITE For Good”

    Tuesday, August 25, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    SHOOT
    click X to close window
    ×

    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

    Click Here to read more about SHOOT’s closure.

    Click Here to close window
    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.