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    Home » Cinelicious Puts Film First For Three Sundance Premiere Projects

    Cinelicious Puts Film First For Three Sundance Premiere Projects

    By HYPEThursday, January 23, 2014Updated:Tuesday, May 14, 2024No Comments4356 Views
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    "Boyhood" written & directed by Richard Linklater
    HOLLYWOOD -- (SPW) --

    Cinelicious is excited to have contributed post services for three Sundance 2014 premiere films, Michael Tully’s Ping Pong Summer, Richard Linklater's Boyhood, and Jeff Preiss’ Low Down, all shot on 16mm and 35mm film.

    “Film is alive and well even at the independent level, and we are excited to have worked three films included in this year’s Sundance line-up,” says Cinelicious’ Paul Korver. “If you look at the winning films each year, overwhelmingly they are shot on film. It’s a great validation of the enduring beauty of celluloid.” 

    A family vacation during the summer of 1985 changes everything for a teenage boy obsessed with Ping Pong in Ping Pong Summer starring Susan Sarandon, Amy Sedaris, Lea Thompson, John Hanna and Judah Friedlander. Cinelicious provided S16mm dailies, DI final film scanning and color with colorist Alex Bickel as well as final mastering services to the film. Ping Pong Summer was written and directed by Michael Tully and DPed by Wyatt Garfield, and is part of the Next selection at Sundance. 

    Starring Patricia Arquette, Ellar Coltrane, Lorelei Linklater and Ethan Hawke, Boyhood written & directed by Richard Linklater, enjoyed a special preview screening at Sundance. Cinelicious provided post workflow consulting and 2.5K oversampled DI scans for the ambitious film, which was shot on 35mm intermittently over a 12-year period, and tells the story of a divorced couple and examines their relationship with their son. 

    Told through the wise eyes of his young daughter, Amy, Low Down chronicles the torrid, true life of jazz pianist Joe Albany and stars Lena Headey, Taryn Manning, Peter Dinklage, Elle Fanning, Burn Gorman, Caleb Landry Jones, Glenn Close, Tim Daly and John Hawkes. Born into her beloved father’s unorthodox segment of society, Amy’s improvisational adolescence evolves in the shadow of Joe’s struggle between his musical genius and a suffocating heroin addiction. Cinelicious contributed early image consultation comparing camera test images from the Arri Alexa to Super 16mm for Director Jeff Preiss and DP Chris Blauvelt. 

    According to director Jeff Preiss, "It was immediately apparent that film had all the atmospheric advantages. The comparison showed an organic painterliness nested in the image that's just not in digital's vocabulary, and the anamorphic lenses we used gave the small gauge format a special gravitas not usually associated with 16." Cinelicious provided 2k DI scanning and dailies for the film, part of the US Dramatic selection.

    This is Cinelicious’ 2nd year providing DI services and its 2nd year contributing to films featured at the Sundance festival. Last year, David Gordon Green's Prince Avalanche, starring Paul Rudd and Emile Hirsch, premiered at Sundance 2013 got picked up by Magnolia and is available in theaters and VOD. 

    About CINELICIOUS
    Cinelicious is a creative studio with locations in Hollywood and Santa Monica that offers forward-thinking, talent-driven post in an inspired environment that caters to a new generation of filmmakers, ad agencies, studios and clients. The company was founded in 2008 by Paul Korver based on his notorious love of celluloid film, passion for cinematography and eye for creative talent. Cinelicious’ is a filmmaker’s playground that boasts a 4K pipeline with the latest 4K film scanning technology as well as a stunning 4K DI theater which allows for real-time 4K color grading review and mastering. Find out more at http://cinelicious.tv

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    SPW Category:Film Festivals, Screenings, Parties
    Tags:postproductionfeaturesFestivalSundanceCinelicious



    SB LX: Union’s Marco Perez Edits ‘Sticky Note’ Taking a Stand For Blue Square Alliance Against Hate

    Sunday, February 8, 2026
    This SB LX entry transforms a simple gesture into a powerful act of allyship.

    Union partner and editor Marco Perez brings a restrained, emotionally precise approach to “Sticky Note,” a Super Bowl 2026 commercial that transforms a simple gesture into a powerful act of allyship. Created by VML, the ad was directed by Jake Scott and produced by RSA for Blue Square Alliance Against Hate. The piece follows a Jewish teenager targeted by a slur, only to find support from a Black classmate who replaces hate with a blue square, signaling empathy, shared experience, and resolve. Perez’s work is supported by Union Editorial New York’s team, including Managing Director Caryn Maclean, Executive Producer Melissa Lubin, Assistant Editor Nico Gilmore, Head of Production Lily Hartmann, and Assistant Producer Francesca Raimondi. Finishing was also done at Union Editorial. About The Blue Square Alliance At Blue Square Alliance Against Hate, we are dedicated to combating antisemitism through positive messaging and partnerships. Our initiative, Stand Up to Jewish Hate, is designed to empower both non-Jews and Jews to become defenders and upstanders for the Jewish community. We are passionate about promoting understanding, empathy, and tolerance among different groups, and our ultimate goal is to create a more inclusive and accepting world for all. Show your support today. Post and share the blue square #🟦 Read More

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