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    Home » Cinema Audio Society Announces 59th CAS Award Winners; “Top Gun” and “Better Call Saul” Take Top Honors

    Cinema Audio Society Announces 59th CAS Award Winners; “Top Gun” and “Better Call Saul” Take Top Honors

    By adminSaturday, March 4, 2023Updated:Tuesday, May 14, 2024No Comments2279 Views
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    The Cinema Audio Society was formed in 1964 for the purpose of fostering community among mixers, educating and informing the general public and the motion picture and television industry about good and effective sound usage, and to achieve deserved recognition for sound mixers as major contributors to the field of entertainment.

    59th CAS Awards Reveal Best in Sound Mixing for 2022

    HOLLYWOOD -- (SPW) --
     The sound mixing teams for Top Gun: Maverick, Guillermo del Toro’s Pinocchio, Moonage Daydream and Obi-Wan Kenobi were the big film winners, while Better Call Saul, Only Murders In The Building and Formula 1: Drive to Survive won the top television honors at the 59th Cinema Audio Society (CAS) Awards in Los Angeles on March 4, 2023.
     
    The awards for outstanding sound mixing in film went to:
    • Motion Picture — Live Action: Top Gun: Maverick (Production Mixer: Mark Weingarten, Re-Recording Mixer: Chris Burdon, Re-Recording Mixer: Mark Taylor, Scoring Mixer: Al Clay, Scoring Mixer: Stephen Lipson, Foley Mixer: Blake Collins CAS)
    • Motion Picture — Animated: Guillermo del Toro’s Pinocchio (Original Dialogue Mixer: Carlos Sotolongo, Re-Recording Mixer: Jon Taylor CAS, Re-Recording Mixer: Frank Montaño, Scoring Mixer: Peter Cobbin, Scoring Mixer: Kirsty Whalley, Foley Mixer: Tavish Grade)
    • Motion Picture — Documentary: Moonage Daydream (Re-Recording Mixer: Paul Massey CAS, Re-Recording Mixer: David Giammarco CAS, ADR Mixer: Jens Rosenlund Petersen)
    • Non-Theatrical Motion Pictures or Limited Series: Obi-Wan Kenobi E6, Part 1 (Production Mixer: Julian Howarth CAS, Re-Recording Mixer: Bonnie Wild, Re-Recording Mixer: Danielle Dupre, Re-Recording Mixer: Scott R. Lewis, ADR Mixer: Doc Kane CAS, Foley Mixer: Jason Butler)
     
    The awards for outstanding sound mixing in television went to:
    • Television Series — One Hour: Better Call Saul S6:E13, Saul Gone (Production Mixer: Phillip W. Palmer CAS, Re-Recording Mixer: Larry Benjamin CAS, Re-Recording Mixer: Kevin Valentine, ADR Mixer: Chris Navarro CAS, Foley Mixer: Stacey Michaels CAS)
    • Television Series — Half Hour: Only Murders In The Building S2:E5, The Tell (Production Mixer: Joseph White Jr. CAS, Re-Recording Mixer: Penny Harold CAS, Re-Recording Mixer: Andrew Garrett Lange CAS, Scoring Mixer: Alan Demoss, ADR Mixer: Chris Navarro CAS, Foley Mixer: Erika Koski)
    • Television Series — Non-Fiction, Variety or Music/Series or Specials: Formula 1: Drive to Survive, S4:E9 Gloves Are Off (Re-Recording Mixer: Nick Fry, Re-Recording Mixer: Steve Speed)
     
    The 59th Annual Cinema Audio Society Awards returned to InterContinental Los Angeles Downtown on Saturday, March 4, hosted by comedian/producer Ben Gleib (Ice Age: Continental Drift, The Mad King). He kicked off the event with a hilarious sendup geared toward the sound community, quipping, “Without sound … we would all be reading a book right now.”
     
    Upon receiving the CAS Filmmaker Award, director Alejandro González Iñárritu cherished the crucial work of sound mixers in his acceptance speech, saying, “There is a reason why cinema is called an audio-visual medium. Audio is first, before visuals. Sound hits our bodies sensorially. Without intellectualization, we are just hit primally and it strikes our imagination and it’s boundless and it’s first.” Guillermo del Toro (Pinocchio, The Shape of Water, Pan’s Labyrinth), José Antonio García (Roma, Iron Man 3, Nope) and Jon Taylor (The Revenant) presented the award.
     
    Honored with the CAS Career Achievement Award, production sound mixer Peter J. Devlin CAS (Wakanda Forever, Star Trek: Picard) gave a heartfelt acceptance speech about the importance of sound, saying, “Because ours is, quite simply, the most collaborative, creative endeavor anywhere. It doesn’t simply take a village; it takes a whole city to create a film or TV show.” Noted director Patty Jenkins (Wonder Woman, Monster) and supervising dialogue editor Teri E. Dorman (Pirates Of The Caribbean, Da Vinci Code) presented the award.
     
    Outgoing CAS President Karol Urban described the event as a smashing success and summarized, “There is magic in this organization created by sound mixers for sound mixers. Mentorship, community and kindness are critical keystones to our success. Tonight, our membership stands at just over 1,000, providing a greater diversity of experience and covering the globe in a larger international footprint than ever before. Together, we thrive through volunteerism, honoring our legends and ensuring a legacy for the future of our craft.” 
     
    During the evening’s festivities, CAS members and celebrity presenters also announced the Student Recognition Award. 
     
    Timo Nelson from The University of Texas at Austin won the Student Recognition Award, receiving a check for $5,000. The other four student finalists each took home $1,000 from the CAS, along with $10,000 in products and gear to help launch their careers in sound, thanks to the support of these generous companies: Acon Digital, Avid, Deity Microphones, DTS, Halter Technical, IZotope, JBL Professional by Harman, K-Tek, Krotos Audio, Lectrosonics, Inc., McDSP, ShotDeck, Sounddogs, Sound Particles and Todd-AO / Absentia DX.
     
    Distinguished guests at the awards ceremony included: Guillermo del Toro (Pinocchio, Shape Of Water), Nancy Cartwright (The Simpsons), Sara Dosa (Fire Of Love), Kiowa Gordon (Dark Winds), Ernie Hudson (Grace And Frankie, Ghostbusters), Patty Jenkins (Wonder Woman, Monster), Olivia Liang (Kung Fu), Baz Luhrmann (Elvis, Moulin Rouge), Elizabeth Mitchell (Outer Banks, Lost), Cheyenne Isabel Wells and Marisa Davila (Grease: Rise Of The Pink Ladies).
     
    The newly elected CAS board of directors took their first official group photo at the event and will be announced this week.
     
    The Cinema Audio Society thanks the 59th CAS Awards sponsors and partners:
     
    Cocktail Reception Sponsor: Dolby
     
    Diamond: Formosa Group, HBO Max, NBC Universal, Netflix, Paramount Pictures, Walt Disney Company
     
    Platinum: Amazon Prime Studios, IATSE Local 695
     
    Gold: Warner Bros. Pictures
     
    Double Silver: Walt Disney Company
     
    Silver: Fox, IATSE Local 700, Lectrosonics
     
    Media Partners: Backstage, Below The Line, Filmmaker Magazine, The Hollywood Reporter, PostPerspective, Shoot and Variety.
     
    Industry Partners: American Cinema Editors (ACE), Entertainment Industry Professionals Mentoring Alliance (EIPMA), Hollywood Professional Association (HPA), Los Angeles Post Production Group, Motion Picture Sound Editors (MPSE) and Soundworks Collection.
     
    Warner Bros. Post Production Creative Services Worldwide donated the attendee gift bags, filled with valuable gifts from Dr. Bronners, Eargasm, Film Movement, Gaffer Power, Lectrosonics, Inc. and Halter Technical.
     
    Talent transportation is provided by KLS Worldwide.
     
    About Cinema Audio Society
    The Cinema Audio Society, a philanthropic, non-profit organization formed in 1964 for the purpose of sharing information with Sound Professionals in the Motion Picture and Television Industry. For more information and a complete list of awards, visit: https://cinemaaudiosociety.org.
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    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:Sound MixingCAS AwardsCinema Audio Society



    AI Point Tracking Speeds Up Complex VFX Tracks In Mocha Pro

    Thursday, June 11, 2026
    Boris FX Mocha Pro 2026.5

    Boris FX Mocha Pro, the renowned 2D/3D planar tracking and masking toolkit, launches its 2026.5 release. New precise AI-driven point tracking changes how VFX artists and compositors approach intricate organic mesh tracking and drifting-track cleanups. The robust update also delivers more detailed automated mattes, new export options to better support studio pipelines, and Windows ARM support on the Adobe plugin and standalone application. “With this release, Point Track ML’s AI tracking joins forces with Mocha’s award-winning planar and PowerMesh trackers. This combination lets artists handle the toughest organic shots while retaining the precise control they need to deliver their highest quality work,” says John-Paul Smith, CEO, Imagineer Systems. “Furthermore, by working closely with our partners at Adobe and Microsoft, we’ve brought Mocha to Windows on ARM with full native performance on the newest hardware.” Effortless Tracking Mocha Pro’s PowerMesh tracking, known for capturing subtle warping in surfaces such as skin and cloth, adds Point Track ML. The potent new tracking mode uses advanced AI to analyze tracks across a sequence, unlike traditional point or planar trackers, which rely on frame-based analysis. Its model, trained to ignore occlusions, lighting, and shadows, lets artists quickly tackle previously difficult tasks such as mesh tracking on creased clothing or where hands move over the tracked surface. Point Track ML also tracks surfaces that turn away from and back towards the camera, a behavior that was impossible even with the planar track. Three more tools round out the speedy workflow with a Refine Mode for... Read More

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