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    Home » Cinema Audio Society Announces 59th CAS Awards Nominations for Outstanding Achievements in Sound Mixing For 2022

    Cinema Audio Society Announces 59th CAS Awards Nominations for Outstanding Achievements in Sound Mixing For 2022

    By adminTuesday, January 10, 2023Updated:Tuesday, May 14, 2024No Comments1973 Views
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    HOLLYWOOD -- (SPW) --
    Today, the Cinema Audio Society announces its nominees in seven categories for the 59th Annual CAS Awards for Outstanding Achievement in Sound Mixing 2022.
     
    The 59th CAS Awards will be held on Saturday, March 4, 2023 at the InterContinental Los Angeles Downtown.
     
    Oscar-nominated production sound mixer Peter J. Devlin CAS (Black Panther, Wakanda Forever) will be lauded with the CAS Career Achievement Award.
     
    Alejandro González Iñárritu (BARDO, The Revenant, Birdman) will be honored as the 2023 CAS Filmmaker of the Year.
     
    Tickets go on sale at www.cinemaaudiosociety.org soon.
     
    The CAS Award nominees are uniquely chosen by sound mixers, to celebrate excellence in their craft of sound mixing for film and television. Hundreds of entries are reviewed and evaluated every year by experienced and accomplished CAS members who understand the art and science of sound mixing. 
     
    “There is a plethora of award-worthy contenders this year,” says CAS President Karol Urban. “CAS congratulates our industry on the rich sonic tapestries of 2022 and looks forward to celebrating the season's chosen award recipients for Outstanding Achievement in Sound Mixing. 
     
    As previously announced, five finalists are vying for the Student Recognition Award. The winner will be announced at the awards gala. In addition, the CAS will announce its newly elected CAS Board of Directors.
     
    The 59th Annual CAS Award Nominees for Outstanding Achievement in Sound Mixing are:
     
    MOTION PICTURES: LIVE ACTION
     
    All Quiet on the Western Front
    Production Mixer: Viktor Prášil
    Re-Recording Mixer: Lars Ginzel
    Re-Recording Mixer: Stefan Korte
    Scoring Mixer: Daniel Kresco
    ADR Mixer: Jan Meyerdierks
    Foley Mixer: Hanse Warns
     
    Avatar: The Way of Water
    Production Mixer: Julian Howarth CAS
    Re-Recording Mixer: Christopher Boyes
    Re-Recording Mixer: Gary Summers
    Re-Recording Mixer: Michael Hedges
    Scoring Mixer: Simon Rhodes
    ADR Mixer: Bill Higley CAS
    Foley Mixer: Tavish Grade
     
    Elvis
    Production Mixer: David Lee
    Re-Recording Mixer: Andy Nelson CAS
    Re-Recording Mixer: Michael Keller CAS
    Re-Recording Mixer: Wayne Pashley
    Scoring Mixer: Geoff Foster
    ADR Mixer: Tami Treadwell
    Foley Mixer: Amy Barber 
     
    The Batman
    Production Mixer: Stuart Wilson CAS
    Re-Recording Mixer: Andy Nelson CAS
    Re-Recording Mixer: William Files CAS
    Scoring Mixer: Kirsty Whalley
    ADR Mixer: Ryan D. Young
    Foley Mixer: Darrin Mann
     
    Top Gun: Maverick
    Production Mixer: Mark Weingarten
    Re-Recording Mixer: Chris Burdon
    Re-Recording Mixer: Mark Taylor
    Scoring Mixer: Al Clay
    Scoring Mixer: Stephen Lipson
    Foley Mixer: Blake Collins CAS
     
     
    MOTION PICTURES: ANIMATED
     
    Guillermo del Toro's Pinocchio
    Re-Recording Mixer: Jon Taylor CAS
    Re-Recording Mixer: Frank Montaño
    Scoring Mixer: Peter Cobbin
    Foley Mixer: Tavish Grade
     
    Lightyear
    Original Dialogue Mixer: Paul McGrath CAS
    Re-Recording Mixer: Stephen Urata
    Re-Recording Mixer: Ren Klyce
    Scoring Mixer: Warren Brown
    Foley Mixer: Scott Curtis
     
    Minions: The Rise of Gru
    Re-Recording Mixer: Tim Nielsen
    Re-Recording Mixer: Steve Slanec
    Scoring Mixer: Alan Meyerson CAS
    Foley Mixer: Jason Butler
     
    Puss in Boots: The Last Wish
    Original Dialogue Mixer: Ken Gombos
    Re-Recording Mixer: Julian Slater
    Re-Recording Mixer: Greg P. Russell CAS
    Scoring Mixer: Alan Meyerson CAS
    Foley Mixer: Ryan Squires
     
    Turning Red
    Original Dialogue Mixer: Vince Caro CAS
    Re-Recording Mixer: Stephen Urata
    Re-Recording Mixer: Ren Klyce
    Scoring Mixer: Chris Fogel CAS
    Foley Mixer: Scott Curtis
     
     
    MOTION PICTURES — DOCUMENTARY
     
    Good Night Oppy
    Re-Recording Mixer: Mark Mangini
    Scoring Mixer: Greg Hayes
     
    Hallelujah: Leonard Cohen, A Journey, A Song
    Re-Recording Mixer: Bob Edwards
    Re-Recording Mixer: Scott R. Lewis
     
    Louis Armstrong's Black and Blues
    Re-Recording Mixer: Leslie Shatz
    Scoring Mixer: Louis Schultz
     
    Moonage Daydream
    Re-Recording Mixer: Paul Massey CAS
    Re-Recording Mixer: David Giammarco CAS
    ADR Mixer: Jens Rosenlund Petersen
     
    The Volcano: Rescue from Whakaari
    Re-Recording Mixer: Joe Milner
    Scoring Mixer: Jacob Johnston
    Foley Mixer: Kevin Carvalho
     
     
    NON-THEATRICAL MOTION PICTURES OR LIMITED SERIES
     
    Dahmer – Monster: The Jeffrey Dahmer Story E8 Lionel
    Production Mixer: Amanda Beggs CAS
    Re-Recording Mixer: Laura Wiest
    Re-Recording Mixer: Joe Barnett
    Re-Recording Mixer: Jamie Hardt
    ADR Mixer: Judah Getz CAS
    Foley Mixer: Jacob McNaughton
     
    Guillermo Del Toro's Cabinet of Curiosities E3 The Autopsy
    Production Mixer: Rob Beal
    Re-Recording Mixer: Paul Shubat
    Re-Recording Mixer: Michael Woroniuk
     
    Moon Knight E6 Gods and Monsters
    Production Mixer: Tamás Csaba
    Re-Recording Mixer: Bonnie Wild
    Re-Recording Mixer: Scott R. Lewis
    Scoring Mixer: Scott Michael Smith
    ADR Mixer: Doc Kane CAS
    Foley Mixer: Jack Cucci
     
    Obi-Wan Kenobi E6 Part 1
    Production Mixer: Julian Howarth CAS
    Re-Recording Mixer: Bonnie Wild
    Re-Recording Mixer: Danielle Dupre
    Re-Recording Mixer: Scott R. Lewis
    ADR Mixer: Doc Kane CAS
    Foley Mixer: Jason Butler
     
    Prey
    Production Mixer: Ron Osiowy
    Re-Recording Mixer: Craig Henighan CAS
    Re-Recording Mixer: Chris Terhune
    Re-Recording Mixer: Joel Dougherty
    Scoring Mixer: Frank Wolf
    ADR Mixer: Jamison Rabbe CAS
    Foley Mixer: Connor Nagy
     
     
    TELEVISION SERIES: ONE HOUR
     
    Better Call Saul S6:E13 Saul Gone
    Production Mixer: Phillip W. Palmer CAS
    Re-Recording Mixer: Larry Benjamin CAS
    Re-Recording Mixer: Kevin Valentine
    ADR Mixer: Chris Navarro CAS
    Foley Mixer: Stacey Michaels CAS
     
    Ozark S4:E14 A Hard Way To Go
    Production Mixer: Akira Fukasawa
    Re-Recording Mixer: Larry Benjamin CAS
    Re-Recording Mixer: Kevin Valentine
    Scoring Mixer: Phil McGowan CAS
    Foley Mixer: Amy Barber
     
    Severance S1:E9 The We We Are
    Production Mixer: Bryan Dembinski
    Re-Recording Mixer: Bob Chefalas
    Scoring Mixer: Chris Fogel CAS
    Foley Mixer: George A. Lara CAS
     
    Stranger Things S4:E7 Chapter Seven: The Massacre at Hawkins Lab
    Production Mixer: Michael P. Clark CAS
    Re-Recording Mixer: Mark Paterson
    Re-Recording Mixer: William Files CAS
    Re-Recording Mixer: Craig Henighan CAS
    Scoring Mixer: Hector Carlos Ramirez
    ADR Mixer: Jeffery Roy CAS
    Foley Mixer: Peter Persaud CAS
     
    The White Lotus S2:E1 Ciao
    Production Mixer: Angelo Bonanni
    Re-Recording Mixer: Christian P. Minkler CAS
    Re-Recording Mixer: Ryan Collins CAS
    ADR Mixer: Debra R. Winsberg
    Foley Mixer: Michael Head
     
     
    TELEVISION SERIES: HALF HOUR
     
    Barry S3:E8 Starting Now
    Production Mixer: Scott Harber CAS
    Re-Recording Mixer: Elmo Ponsdomenech CAS
    Re-Recording Mixer: Teddy Salas
    Re-Recording Mixer: Sean Heissinger
    Scoring Mixer: David Wingo
    ADR Mixer: Howard London CAS
    Foley Mixer: Darrin Mann
     
    Only Murders in the Building S2:E5 The Tell
    Production Mixer: Joseph White Jr. CAS
    Re-Recording Mixer: Penny Harold CAS
    Re-Recording Mixer: Andrew Garrett Lange CAS
    Scoring Mixer: Alan Demoss
    ADR Mixer: Chris Navarro CAS
    Foley Mixer: Erika Koski
     
    She-Hulk: Attorney at Law S1:E9 Whose Show Is This?
    Production Mixer: Marcus Petruska
    Re-Recording Mixer: Pete Horner
    Re-Recording Mixer: Karol Urban CAS
    Scoring Mixer: Alvin Wee CAS
    ADR Mixer: Doc Kane CAS
    Foley Mixer: Jason Butler
     
    The Bear S1:E7 Review
    Production Mixer: Scott D. Smith CAS
    Re-Recording Mixer: Steve Giammaria
    ADR Mixer: Patrick Christensen
    Foley Mixer: Ryan Collison
    Foley Mixer: Connor Nagy
     
    What We Do in the Shadows S4:E7 Pine Barrens
    Production Mixer: Rob Beal
    Re-Recording Mixer: Sam Ejnes CAS
    Re-Recording Mixer: Diego Gat CAS
    Re-Recording Mixer: Marc Fishman CAS
    Foley Mixer: Stacey Michaels CAS
     
     
    TELEVISION NON-FICTION, VARIETY or MUSIC – SERIES or SPECIALS
     
    Carole King & James Taylor: Just Call Out My Name
    Production Mixer: Danny Kortchmar
    Re-Recording Mixer: Gary A. Rizzo CAS
     
    Formula 1: Drive to Survive S4:E9 Gloves Are Off
    Re-Recording Mixer: Nick Fry
    Re-Recording Mixer: Steve Speed
     
    George Carlin’s American Dream E1 Part 1
    Production Mixer: Paul Graff CAS
    Re-Recording Mixer: Earl Martin
    Re-Recording Mixer: Jason Gaya CAS
     
    Lucy and Desi
    Production Mixer: Sabi Tulok
    Re-Recording Mixer: Patrick Spain CAS
    Re-Recording Mixer: John W. Rampey
    Scoring Mixer: Scott Sheppard
     
    Obi-Wan Kenobi: A Jedi’s Return
    Production Mixer: Richard Hays
    Re-Recording Mixer: Danielle Dupre
    Scoring Mixer: Scott Michael Smith
     
     
    STUDENT RECOGNITION AWARD FINALISTS
     
    Chelsea Rae Adams
    Colette Grob
    María Clara Calle Jiménez
    Sophia L. White
    Timo Nelson
     
    CAS will address any errors and omissions to the nomination list within 10 days. Visit the CAS Awards timeline/awards homepage for this year’s deadlines and promotional rules at: https://cinemaaudiosociety.org/59th-awards-timeline/. 
     
    About the Cinema Audio Society
    Formed in 1964, The Cinema Audio Society is dedicated to sharing information with and about sound mixers in the Motion Picture and Television Industry. 
     
    The objectives of the CAS are: to educate and inform the general public, motion picture and television industries that effective sound is achieved by a creative, artistic and technical blending of diverse sound elements; to provide the motion picture and television industry with a progressive society of master craftspeople who specialize in the art of cinematic sound recording; to advance the specialized field of cinematic sound recording through the exchange of ideas, methods and information; to advance the art of auditory appreciation and to philanthropically support those causes dedicated to the sense of hearing; to institute and maintain high standards of conduct and craftspersonship among our members; to aid the motion picture and television industry in the selection and training of qualified personnel in the unique field of cinematic sound recording and to achieve deserved recognition for our members, who are industry leaders and major contributors in the field of motion picture and television entertainment. Visit www.cinemaaudiosociety.org for more information.
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    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:Sound MixingCAS AwardsCinema Audio Society



    New SoundApp ARA Plugin Transforms Boris FX CrumplePop

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    Boris FX CrumplePop 2026.5: New SoundApp ARA Plugin

    Boris FX CrumplePop expands its powerful, easy-to-use AI audio toolkit to include ARA plugin support in SoundApp. The new 2026.5 release allows users to work directly in top digital audio workstations (DAWs), such as Pro Tools, Boris FX Samplitude, and Boris FX Sequoia. Additionally, CrumplePop 2026.5 introduces a simplified multi-host product offering. Previously available only as a standalone application, the plugin version of SoundApp saves time and effort by keeping audio professionals, content creators, and podcasters within their preferred ARA application. The user-friendly workflow includes advanced AI models for music, voice, and cinema stem separation, GPU-accelerated on-the-fly processing, and one-click cleanup tools such as wind, traffic, echo, pop, and noise removal. “Our SoundApp ARA unlocks major workflow improvements for audio professionals, letting you stay fully inside your DAW without jumping between apps to use demixing tools,” states Patrick Donohoe, Director of Product Marketing (Pro Audio), at Boris FX. “Unlike traditional plugins, you get instant results with ARA. Simply make an adjustment, see it in the plugin, and render it directly to your track. No dealing with multiple files or importing/exporting. Plus, new Processed Audio Cache and speedier model loading combine to further speed up your SoundApp plugin and standalone workflows. Everything in our 2026.5 release is built to keep your creative process uninterrupted.” What’s New The SoundApp ARA plugin delivers full-clip audio processing inside a user’s chosen DAW, removing real-time processing limitations of standard plugins. SoundApp analyzes the entire content of an audio file, resulting in more... Read More

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