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    Home » Cinema Audio Society Nominations for the 56th Annual CAS Awards For Outstanding Achievement in Sound Mixing For 2019

    Cinema Audio Society Nominations for the 56th Annual CAS Awards For Outstanding Achievement in Sound Mixing For 2019

    By SPWMonday, December 9, 2019Updated:Tuesday, May 14, 20241 Comment4282 Views
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    LOS ANGELES -- (SPW) --

    The Cinema Audio Society announces the nominees for the 56th Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2019 in seven categories.  Also announcing the Outstanding Product Nominations. 

    “Each year I am gobsmacked by the impressive level of craftsmanship and artistry that is brought to the forefront at the CAS Awards and 2019 will be no exception,” said CAS President Karol Urban. “ It is such a joyful honor to have the opportunity to reunite with fellow mixers and celebrate the stellar work of our sound community. Congratulations to all our talented nominees!"

    Nominations for the 56th Cas Awards for Outstanding Achievement in Sound Mixing for 2019

    MOTION PICTURE – LIVE ACTION

    • Ford v Ferrari

    Production Mixer – Steven A. Morrow CAS
    Re-recording Mixer – Paul Massey CAS
    Re-recording Mixer – David Giammarco CAS
    Scoring Mixer – Tyson Lozensky
    ADR Mixer – David Betancourt
    Foley Mixer – Richard Duarte

    • Joker

    Production Mixer – Tod Maitland CAS
    Re-recording Mixer – Dean A Zupancic
    Re-recording Mixer – Tom Ozanich
    Scoring Mixer – Daniel Kresco
    ADR Mixer – Thomas J. O’Connell
    Foley Mixer – Richard Duarte

    Once Upon a Time in… Hollywood

    Production Mixer – Mark Ulano CAS
    Re-recording Mixer – Michael Minkler CAS
    Re-recording Mixer – Christian Minkler CAS
    Foley Mixer – Kyle Rochlin

    Rocketman

    Production Mixer – John Hayes
    Re-recording Mixer – Mike Prestwood Smith
    Re-recording Mixer – Mathew Collinge
    ADR Mixer – Mark Appleby
    Foley Mixer – Glen Gathard

    The Irishman

    Production Mixer – Tod Maitland CAS
    Re-recording Mixer – Tom Fleischman CAS
    Re-recording Mixer – Eugene Gearty
    ADR Mixer – Mark DeSimone CAS
    Foley Mixer – George A. Lara CAS

    MOTION PICTURE—ANIMATED

    Abominable

    Original Dialogue Mixer – Tighe Sheldon
    Re-recording Mixer – Myron Nettinga
    Scoring Mixer – Nick Wollage
    Foley Mixer – David Jobe

    Frozen II

    Original Dialogue Mixer – Paul McGrath CAS
    Re-recording Mixer – David E. Fluhr CAS
    Re-recording Mixer – Gabriel Guy CAS
    Song Mixer – David Boucher
    Scoring Mixer – Greg Hayes
    ADR Mixer – Doc Kane CAS
    Foley Mixer – Scott Curtis

    How to Train Your Dragon: The Hidden World

    Original Dialogue Mixer – Tighe Sheldon
    Re-recording Mixer – Gary A. Rizzo CAS
    Re-recording Mixer – Scott R. Lewis
    Re-recording Mixer – Shawn Murphy
    Foley Mixer – Blake Collins CAS

    The Lion King

    Original Dialogue Mixer – Ronald Judkins CAS
    Re-recording Mixer – Lora Hirschberg
    Re-recording Mixer – Christopher Boyes
    Scoring Mixer – Alan Meyerson CAS
    Foley Mixer – Blake Collins CAS

    Toy Story 4

    Original Dialogue Mixer – Doc Kane CAS
    Re-recording Mixer – Michael Semanick CAS
    Re-recording Mixer – Nathan Nance 
    Scoring Mixer – David Boucher
    ADR Mixer – Vince Caro CAS
    Foley Mixer – Scott Curtis

     

    MOTION PICTURE—DOCUMENTARY

    Apollo 11

    Re-recording Mixer – Eric Milano
    Re-recording Mixer – Brian Eimer

    Echo in the Canyon

    Re-recording Mixer – Chris Jenkins
    Re-recording Mixer – Paul Karpinski

    Making Waves: The Art of Cinematic Sound

    Production Mixer – David J. Turner
    Re-recording Mixer – Tom Myers
    Scoring Mixer – Dan Blanck
    Foley Mixer – Frank Rinella

    Miles Davis: Birth of the Cool

    Production Mixer – Gautam Choudhury
    Re-recording Mixer – Benny Mouthon CAS

    Woodstock: 3 Days That Changed Everything

    Re-recording Mixer – Kevin Peters

     

    TELEVISION SERIES – 1 HOUR

    Game of Thrones: The Bells

    Production Mixer – Ronan Hill CAS
    Production Mixer –Simon Kerr
    Production Mixer – Daniel Crowley
    Re-recording Mixer – Onnalee Blank CAS
    Re-recording Mixer – Mathew Waters CAS
    Foley Mixer – Brett Voss CAS

    Peaky Blinders: Mr. Jones

    Production Mixer – Stu Wright
    Re-recording Mixer – Nigel Heath
    Re-recording Mixer – Brad Rees
    Scoring Mixer – Jimmy Robertson
    ADR Mixer – Oliver Brierley
    Foley Mixer – Ciaran Smith

    Stranger Thing: Chapter Eight: The Battle of Starcourt

    Production Mixer – Michael Rayle
    Re-recording Mixer – Mark Paterson
    Re-recording Mixer – William Files 
    Scoring Mixer – Hector Carlos Ramirez
    ADR Mixer – Bill Higley CAS
    Foley Mixer – Peter Persuad CAS

    The Handmaid’s Tale: Heroic

    Production Mixer – Sylvain Arseneault CAS
    Re-recording Mixer – Lou Solakofski
    Re-recording Mixer – Joe Morrow
    Scoring Mixer – Adam Taylor
    ADR Mixer – Andrea Rusch
    Foley Mixer – Kevin Schultz

    Tom Clancy’s Jack Ryan: Persona Non Grata

    Production Mixer – Michael Barosky
    Re-recording Mixer – Steve Pederson
    Re-recording Mixer – Daniel Leahy
    ADR Mixer – Benjamin Darier
    Foley Mixer – Brett Voss CAS

    TELEVISION SERIES 1/2 HOUR

    Barry: ronny/lily

    Production Mixer – Benjamin A. Patrick CAS
    Re-recording Mixer – Elmo Ponsdomenech CAS
    Re-recording Mixer – Jason “Frenchie” Gaya
    ADR Mixer – Aaron Hasson
    Foley Mixer – John Sanacore CAS

    Fleabag: Episode #2.6

    Production Mixer – Christian Bourne
    Re-recording Mixer – David Drake
    ADR Mixer – James Gregory

    Modern Family: A Year of Birthdays

    Production Mixer – Stephen A. Tibbo CAS
    Re-recording Mixer – Dean Okrand CAS
    Re-recording Mixer – Brian R. Harman CAS
    ADR Mixer – Matt Hovland
    Foley Mixer – David Torres CAS

    Russian Doll: The Way Out

    Production Mixer – Phil Rosati
    Re-recording Mixer – Lewis Goldstein
    Re-recording Mixer – Thomas Ryan
    ADR Mixer – Jerrell Suelto
    Foley Mixer – Wen Hsuan-Tseng

    Veep: Veep Episode 707

    Production Mixer – William MacPherson CAS
    Re-recording Mixer – John W. Cook II CAS
    Re-recording Mixer – Bill Freesh CAS
    Scoring Mixer – Scott Sheppard
    ADR Mixer – Jesse Dodd CAS
    Foley Mixer – Mike Marino

    TELEVISION MOVIE or LIMITED SERIES

    Apollo: Missions to the Moon

    Re-recording Mixer – John Warrin

    Chernobyl:  1:23:45

    Production Mixer – Vincent Piponnier
    Re-recording Mixer – Stuart Hilliker
    ADR Mixer – Gibran Farrah
    Foley Mixer – Philip Clements

    Deadwood: The Movie

    Production Mixer – Geoffrey Patterson CAS
    Re-recording Mixer – John W. Cook II CAS
    Re-recording Mixer – Bill Freesh CAS

    El Camino: A Breaking Bad Movie

    Production Mixer – Phillip W. Palmer CAS
    Re-recording Mixer – Larry B. Benjamin CAS
    Re-recording Mixer – Kevin Valentine
    ADR Mixer – Chris Navarro CAS
    Foley Mixer – Stacey Michaels CAS

    True Detective: The Great War and Modern Memory

    Production Mixer – Geoffrey Patterson CAS
    Re-recording Mixer – Greg Orloff CAS
    Re-recording Mixer – Tateum Kohut CAS
    Scoring Mixer – Biff Dawes CAS
    ADR Mixer – Chris Navarro CAS
    Foley Mixer – Nerses Gezalyan

     

    TELEVISION NON-FICTION, VARIETY or MUSIC SERIES or SPECIALS

    Country Music: Will the Circle Be Unbroken? (1968-1972)

    Production Mixer – Mark Roy
    Re-recording Mixer – Dominick Tavella

    Re-recording Mixer – Chris Chae

    David Bowie: Finding Fame

    Production Mixer – Sean O’Neil
    Re-recording Mixer – Greg Gettens
    Deadliest Catch: Sixty Foot Monster Episode 1512
    Re-recording Mixer – Bob Bronow CAS

    Formula 1: Drive to Survive: The Next Generation

    Re-recording Mixer – Nick Fry
    Re-recording Mixer – Steve Speed
    Re-recording Mixer – James Evans

    Hitsville: The Making of Motown

    Production Mixer – Pete Orlanski
    Re-recording Mixer – Richard Kondal
    Foley Mixer – Victor Shcheglov

    OUTSTANDING PRODUCT PRODUCTION

    • Lectrosonics, Inc.: D Squared Digital Wireless Mic System
    • Schoeps Mikrofone: CMC 1 U Miniature Colette Series Amplifier Body
    • Shure Incorporated: Shure Axient Digital
    • Sound Devices, LLC: Scorpio
    • Zaxcom: Nova

    OUTSTANDING PRODUCT POST PRODUCTION

    • FabFilter: Pro Q3 Equalizer
    • iZotope, Inc.: Dialogue Match
    • Leapwing Audio: DynOne 3
    • Sound Radix Ltd.: Auto-Align Post
    • Todd-AO: Absentia DX v2.2.3

    Previously announced honorees will be James Mangold as CAS Filmmaker and Re-recording Mixer Ton Fleishman CAS as  CAS Career Achievement Honoree being presented by Martin Scorsese. 

    Final balloting for Outstanding Sound Mixing and Outstanding Products will open online Thursday, January 2 and ends Tuesday, January 14 at 5pm PST.

    The Awards will be presented at a sealed envelope dinner on January 25th  in the Wilshire Grand Ballroom of the InterContinental Los Angeles Downtown. During the awards the highest honor of the CAS, the CAS Career Achievement Award, will be presented to Re-Recording Mixer Tom Fleishman CAS, the CAS Filmmaker Award will be presented to James Mangold.  The Student Recogition Award winner will also be named.  

    On the evening of the Awards the Cinema Audio Society website will be updated in real time as the winners are announced.

    About the Cinema Audio Society
    The Cinema Audio Society was formed in 1964 for the purpose of sharing information with Sound Professionals in the Motion Picture and Television Industry. 

    The objectives of the CAS are: to educate and inform the general public and the motion picture & television industry that effective sound is achieved by a creative, artistic and technical blending of diverse sound elements; to provide the motion picture & television industry with a progressive society of master craftsmen specialized in the art of creative cinematic sound recording; to advance the specialized field of cinematic sound recording by exchange of ideas, methods, and information; to advance the art of auditory appreciation, and to philanthropically support those causes dedicated to the sense of hearing; to institute and maintain high standards of conduct and craftsmanship among our members; to aid the motion picture & television industry in the selection and training of qualified personnel in the unique field of cinematic sound recording and to achieve for our members deserved recognition as major contributors to the field of motion picture & television entertainment.

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    www.cinemaaudiosociety.org

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    Dorothea Sargent
    Cinema Audio Society
    (818) 786-4744
    Contact via email
    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:Sound MixingThe Road To OscarCAS AwardsCinema Audio Society



    New SoundApp ARA Plugin Transforms Boris FX CrumplePop

    Thursday, May 7, 2026
    Boris FX CrumplePop 2026.5: New SoundApp ARA Plugin

    Boris FX CrumplePop expands its powerful, easy-to-use AI audio toolkit to include ARA plugin support in SoundApp. The new 2026.5 release allows users to work directly in top digital audio workstations (DAWs), such as Pro Tools, Boris FX Samplitude, and Boris FX Sequoia. Additionally, CrumplePop 2026.5 introduces a simplified multi-host product offering. Previously available only as a standalone application, the plugin version of SoundApp saves time and effort by keeping audio professionals, content creators, and podcasters within their preferred ARA application. The user-friendly workflow includes advanced AI models for music, voice, and cinema stem separation, GPU-accelerated on-the-fly processing, and one-click cleanup tools such as wind, traffic, echo, pop, and noise removal. “Our SoundApp ARA unlocks major workflow improvements for audio professionals, letting you stay fully inside your DAW without jumping between apps to use demixing tools,” states Patrick Donohoe, Director of Product Marketing (Pro Audio), at Boris FX. “Unlike traditional plugins, you get instant results with ARA. Simply make an adjustment, see it in the plugin, and render it directly to your track. No dealing with multiple files or importing/exporting. Plus, new Processed Audio Cache and speedier model loading combine to further speed up your SoundApp plugin and standalone workflows. Everything in our 2026.5 release is built to keep your creative process uninterrupted.” What’s New The SoundApp ARA plugin delivers full-clip audio processing inside a user’s chosen DAW, removing real-time processing limitations of standard plugins. SoundApp analyzes the entire content of an audio file, resulting in more... Read More

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