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    Home » Composing Duo Robl + Sutta Score “Grasshoppers”

    Composing Duo Robl + Sutta Score “Grasshoppers”

    By SJ GoldenFriday, November 12, 2021Updated:Tuesday, May 21, 2024No Comments4763 Views
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    "Grasshoppers" is set in a Midwestern gated community all but deserted for the winter by its ‘snowbird’ residents. The film opens as a couple, Nijm and Irina hatch a plan to ditch work and visit every house in the neighborhood. With each visit, another drink is poured, and startling revelations of their relationship are revealed. 

    The Composing Team Blends Classical Orchestral and Modern Ambient Sounds Crafting a Soundtrack that Heightens the Cinematic Elegance of Award-Wining Director Brad Bischoff’s Feature Film

    MIAMI and CHICAGO -- (SPW) --

    The composing duo Robl + Sutta recently scored the original soundtrack for Grasshoppers, award-winning LA-based filmmaker Brad Bischoff’s directorial feature film debut. An Official Selection of the 18th Annual BendFilm Festival in the narrative category, the emotionally charged drama recently made its world premiere at the event.

    The director, a native of Chicago, shot the film in the city’s suburbs. Grasshoppers script, one of ten selected by the prestigious Gotham (IFP) Narrative Labs, is the first feature-length screenplay penned by Bischoff, most recently recognized as one of the "25 New Faces of Independent Film" (Filmmaker Magazine). 

    The filmmaker called on Adam Robl and Shawn Sutta to compose a score with the depth and texture that enhances the story with a cinematic elegance. The talents of award-winning cinematographer Daphne Qin Wu (ASC’s Rising Stars of Cinematography 2021) were tapped to capture the dark, romantic, tumultuous look of the inner lives of a couple, while the music complements the film's aesthetic with a range of styles, from European classical to modern ambient.

    The Storyline
    Grasshoppers is set in a Midwestern gated community all but deserted for the winter by its ‘snowbird’ residents. The film opens as a couple, Nijm and Irina hatch a plan to ditch work and visit every house in the neighborhood. With each visit, another drink is poured, and startling revelations of their relationship are revealed. 

    Approach to Music
    “We began discussing the score with Brad long before shooting began on location in a suburb of Chicago,” says Sutta. “The director/writer had a very specific artistic vision of the world he wanted to create around his characters and how the music could be crafted to draw the audience into their story.”

    “The opening music is a carefully calculated ‘theme.’ The cue echoes the couple’s mood as they start the day with unbridled exuberance about their future – with just the slightest foreshadowing hinting that maybe things are not as they seem,” says Sutta. “The soundtrack begins with the rich tones of a refined piano-driven, classically orchestral sound, blended with textures created by guitars and synthesizers adding a modern feel.”

    Robl and Sutta, both multi-instrumentalists, composed parts for the piano, violin, viola, cello, and double bass that are the foundations of the score. The sound of a woodwind section was created on a mellotron – a vintage instrument that plays recordings of flutes on mechanical tapes inside a keyboard. Played by Robl, the mellotron adds a quality reminiscent of film scores from another era to the traditional orchestral sound.

    As the film progresses, the music subtly shifts, gradually becoming more emotionally intense with a foreboding underpinning as we are drawn deeper into the emerging drama. The tone of the score begins to unravel as the tension between the intoxicated couple escalates, revealing the realities of their melancholy lives.

    “While Nijm and Irina’s fundamental views of their future put them at odds, their deep romantic bond is unwavering throughout the storyline – and the film's score,” explains Sutta. “We transitioned the music from classical to a modern ambient feel with a style and texture that builds on their deep emotional connection.”

    Recording/Tools
    All of the music for the score was performed by live musicians and recorded in Robl and Sutta’s studio. The mix of technology utilized includes Neumann CMV 563 microphones, Schoeps m221b microphones, Gordon Microphone Preamps, Nagra IV-s tape machine, recorded in Logic Pro. 


    Trailer source: Vimeo | Grasshoppers Genre: Feature Film/Drama | Credits: Production Companies: Bad Taste Media Productions, Draw Me A Sheep Productions, Knight Shamrock Pictures, Paradise Electric | Director: Brad Bischoff, Writer: Brad Bischoff | Executive Producers: Gill Holland, Sherman Brown, Jared Smith | Producers: Brad Bischoff, Justin Nijm, Lisa Rudin | Cinematographer: Daphne Qin Wu | Editor: Jack Bishop | Music / Original Score: Adam Robl & Shawn Sutta | Sound Designer: Cindy Takehara

    Lead Actors
    Saleh Bakri (star of ‘The Present’, nominated for an Oscar by the 93rd Academy Awards this April; ‘Salt of this Sea,’ a multi-award-winning film and Official Selection of the Cannes International Film Festival) plays the lead role in Grasshoppers. A versatile talent with an international fan base, Bakri’s films are showcased on worldwide streaming networks, and have premiered at prestigious festivals, including Cannes, Berlin International, Toronto, BFI London. While Bakri has received numerous offers from Hollywood over the years, ‘Grasshoppers’ marks the discerning actor’s first role in a U.S. film.

    Co-star Iva Gocheve is an actress and director. Her credits include an eclectic mix of films international projects, including ‘Embers,’ ‘Outer Space Love Stories, and ‘Sunday.’

    About Robl + Sutta
     Adam Robl and Shawn Sutta, multi-instrumentalists with a shared lifelong passion for music, have worked together for 16 years. Crafting scores performed live by full orchestras, performing artists, and vocalists – to soundscapes using a range of unconventional instruments, their passion for composing and recording music elevates films, heightening audiences’ cinematic experience.

    Their first collaboration on the feature film score for ‘Uncle John’ (directed by Steven Piet), premiered at SXSW in 2015, followed by its release in theaters, and on Netflix, and the release of the soundtrack on Lakeshore Records. Since then, they have composed music for a diverse mix of films, including ‘Poser’ (Directed by Noah Dixon and Ori Segev/an Official Selection at Tribeca Film Festival/2021,) ‘Before the Fire’ (Directed by Charlie Buhler/Showtime), ‘Late Life’ (Directed by Frank Chen/Netflix).

    Robl and Sutta are known for their range, versatility, and skill, creating music with a broad palette of sounds and styles that enhance visual stories and bring a director’s vision to life. The team has created original scores for films and episodic series showcased in theaters, on HBO, Showtime, Netflix, Hulu, Amazon Prime, and at festivals all over the world.

    Since the 2011 launch of their recording studio in Miami, locations in Los Angeles, Chicago, New York, City, and Nashville provide the partners with an expanded network of resources throughout the U.S. 

    For more information visit www.adamrobl-shawnsutta.com, or call (310) 999- 5949.

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    Sherri Golden
    Director of Public Relations/Strategic Marketing
    SJ Golden Associates, Inc.
    Contact via email
    SPW Category:Music and Sound
    Tags:Shawn Sutta Adam RoblRobl + Suttafilm production



    Chris Darril’s “Bye Sweet Carole” Earns Record Six NAVGTR Nominations and a Historic Annie Awards First

    Monday, February 9, 2026
    Bye Sweet Carole Cover Art

    Bye Sweet Carole, the video game from Italian artist, writer, and director Chris Darril, has received six nominations at the 23rd NAVGTR (National Academy of Video Game Trade Reviewers) Awards, marking the highest number of NAVGTR nominations ever received by an Italian video game.  The nominations span multiple categories, including Animation, Artistic, Original Light Mix Score, New IP, Performance in a Drama (Lead and Supporting), Writing in a Drama, and Game, Original Adventure, highlighting the project’s strength across animation, narrative, performance, and overall design. These nominations follow another recent milestone for Bye Sweet Carole. Just weeks ago, the title made history as the first and only Italian video game ever nominated at the Annie Awards, receiving a nomination for Best Character Animation in a Video Game. The game has also earned a Gamescom Award nomination for Best Visuals, further underscoring its artistic and technical achievements. Everything that appears on screen in Bye Sweet Carole is created using traditional hand-drawn, frame-by-frame animation, including particles and visual effects, set against painted environments. The entire production has been accomplished by a very small team of artists. Darril, the creator of both Bye Sweet... Read More

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