Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Creative Studio Leviathan Unveils Main Titles for SundanceTV’s New Original Series “The Road Road”

    Creative Studio Leviathan Unveils Main Titles for SundanceTV’s New Original Series “The Road Road”

    By DWAgencyWednesday, March 5, 2014Updated:Tuesday, May 14, 2024No Comments4036 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Image from main titles for SundanceTV's "The Red Road" courtesy of Leviathan.
    CHICAGO -- (SPW) --
    The principals of creative studio Leviathan are very proud to reveal their collaborations with the creators of the new SundanceTV original scripted series, "The Red Road."  Leviathan earned the assignment to create the main titles via the series' creative team including producers Bridget Carpenter and Sarah Condon, and show creator and writer Aaron Guzikowski.  The resulting :30 animated sequence introduces each episode of the series which debuted on February 27th on SundanceTV. 
     
    Leviathan's visually arresting title sequence uses a signature black-and-red color palette that begins with red highway dividers moving into camera on a black field, indicating a vehicle moving down a highway.  Those markings soon swirl into a red wash that floods the screen, where various black shapes and patterns transform the picture into scenes that are both recognizable and obscure (for example, a river that may be a twisted face, and a forest fringed with macabre outlines).  Approaching the 30-second mark, the moving red trail reappears on black and splits in two directions. The camera follows one of them, which finds and underscores the words, "The Red Road."
     
    "Leviathan was incredibly collaborative and the creative process around designing these titles was seamless," said Guzikowski.  "They had a deep understanding of our artistic vision and executed it with precision and originality."
     
    "As Aaron explained to us, 'The Red Road' is about uncovering and exploring secrets, and not being able to control nature," said Leviathan's executive creative director Jason White.  "This put us on track to create an artful, visually simple title sequence with a powerful, arresting, emotional tone.  We wanted to create something timeless, where viewers are likely to spot unique aspects of the visuals with each viewing." 
     
    Along with Leviathan creative director Bradon Webb and executive producer Chad Hutson, White provided more insights into the studio's research and creative approach to the project.  "As we understand it," White said, "The Red Road is a pathway to truth, peace and harmony – which we began to draw.  After several creative explorations, we developed a few style frames with a mysterious, growing red line that signifies a spiritual journey through landscapes and emotional spaces as we perceived it from the point-of-view of the Native tribe depicted in the series."
     
    "After going through this process, we started with a simple red line," Webb added.  "This was perfect for our narrative because it could be shaped into anything.  Duality of meaning was something we sought to convey by using images that can evoke both good and bad.  We had a lot of fun hiding these representations throughout the narrative."
     
    For their production workflow, Leviathan's artists created their designs and compositions in 2D, using Adobe Creative Suite's Photoshop and Illustrator.  Once storyboarded, the original outlines and shapes were converted into extruded 3D surfaces with Autodesk's Mudbox and Maya packages, as well as Maxon's Cinema 4D.  "Every scene was turned into a 3D landscape that a virtual camera could move through and record reactions to lighting," Webb continued.  "High contrast black-and-white renders were composited and tinted in Adobe After Effects for the final color scheme."  The main title's musical theme is courtesy of Daniel Licht.
     
    "Although Leviathan has gained a reputation for melding innovative content with technology, at the core of each of our projects are compelling narratives and conceptual design," Hutson concluded. "To us, this project is the perfect combination of both, and we're elated to have had the opportunity to work with such brilliant collaborators on behalf of the SundanceTV."
     
    Along with White, Webb and Hutson, Leviathan's credits also include chief scientist Matt Daly, producer Ellen Schopler, animation/VFX artists Anthony Malagutti, Katrina Nelken, Kyle Shoup and Ely Beyer and design assistant Sara Ridky.  
     
    To learn more about "The Red Road," please visit http://sundance.tv/series/the-red-road.
     
    About Leviathan
    Leviathan (http://lvthn.com) is a creative studio that crafts animated content and immersive installations for brands, agencies and entertainers worldwide. Melding skills such as CG, motion graphics, software development and physical design, the studio's artists and engineers have the unique ability to fascinate audiences with visuals and experiences spanning commercial advertising, live events, film, television and environments. Founded in Chicago in 2010 by partners Matt Daly, Chad Hutson and Jason White, Leviathan has garnered international recognition for its animation, visual effects and experiential work.
     
     
    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2015-09-04)

    Video Credits

    Client: The Red Road
    Executive Producers: Bridget Carpenter, Sarah Condon, Aaron Guzikowski, Post Production Supervisor: Sean Varga

    Design & Production Company: Leviathan lvthn.com 
    Creative Director, Designer & 2D/3D Animation: Bradon Webb. Producer: Ellen Schopler, 3D Animation: Anthony Malagutti, 3D Animation: Katrina Nelken, 2D/3D Animation and Compositing: Kyle Shoup, 2D/3D Animation: Ely Beyer, Logo Design: Sara Ridky, Executive Creative Director: Jason White, Executive Producer: Chad Hutson, Chief Scientist: Matt Daly

    Contact:

    Roger Darnell DWA for Leviathan Phone: 1.828.264.8898 Contact Roger via email

    SPW Category:New ScreenWork Releases (commercial, film, TV, online, etc)
    Tags:The Red RoadMain TitlesSundanceTVLeviathan



    Boris FX Continuum Pairs AI Precision and Advanced Creative Controls

    Thursday, May 14, 2026
    Boris FX Continuum 2026.5

    Boris FX Continuum, the acclaimed visual effects plugin collection, introduces its 2026.5 release. The latest version of the Emmy Award-winning software delivers a new AI deinterlace tool, four updated AI models, a new compositing workflow in the FX Editor, overhauled warp and displacement effects, upgraded wipe transitions, and greater creative control in Particle Illusion. “As we continue to leverage internal AI technology to build new tools, we always keep the needs of Continuum’s editors, artists, and content creators at the forefront,” states Boris Yamnitsky, CEO and Founder of Boris FX. “We carefully choose which types of tasks benefit from AI workflows, such as image restoration and masking. Accordingly, the 2026.5 release adds a new deinterlace tool that uses AI to instantly transform archival, analog footage into progressive-scan frames and also includes more accurate models on our popular face segmentation and license plate masking tools, as well as our motion blur and up-res effects.” AI Tools Continuum’s AI-assisted capabilities grow with a new image restoration effect, updated masking, motion blur, and upres models, and additional flexibility.

    • BCC+ Deinterlace ML: Automatically, precisely converts interlaced video, including analog TV, VHS tapes, etc., into progressive-scan frames.
    • Updated AI Models: Improved accuracy on Face ML, License Plate ML, Motion Blur ML, and UpRes ML.
    • BCC+ Face ML: Adds new nose and neck segmentation.
    • BCC+ Motion Blur ML: Adds a prismatic colored blur trails feature.
    Continuum 2026.5 also features a new ML/AI model unload system. If an ML model isn’t... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleNew York Festivals Torch Awards Announces Pitch Challenge Mentors; NYF’s Executive Jury Guides the Next Generation of Creative Talent
    Next Article SG Mobile By SpotGenie Available Free For iPhones And iPads From Apple App Store
    DWAgency

    Add A Comment
    What's Hot

    “Once Upon a Time in Harlem” Finally Has Its Time At The Cannes Film Fest, 50 Years After It Was Shot

    Thursday, May 21, 2026

    The Elements Music Wins Best In Show For General Motors’ “See You On The Road” At 2026 AMP Awards

    Wednesday, May 20, 2026

    As “The Boys” Ends, Actors Look Back and Ahead–With 2 Spinoffs On The Horizon

    Wednesday, May 20, 2026
    Shoot Screenwork

    Top Spot of the Week: Andrex, FCB London and Director She King Tackle The Labor Poo Taboo

    Thursday, May 21, 2026

    Andrex launches its latest campaign as part of its mission to help the nation “Get…

    Toyota, Burrell, Director Paul Hunter and Jim Henson’s Creature Shop Prove EV Skeptics Wrong In “Haters Anthem”

    Wednesday, May 20, 2026

    The Best Work You May Never See: Fela Director William Ukoh Puts Light Into Motion For Gantri

    Tuesday, May 19, 2026

    Francois Rousselet Directs The Rolling Stones’ “In The Stars”

    Monday, May 18, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.