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    Home » Cut+Run Is Honored To Have Contributed To Projects Earning 20 Cannes Lions (1 Glass, 3 Gold, 8 Silver, 8 Bronze) And 28 Shortlists

    Cut+Run Is Honored To Have Contributed To Projects Earning 20 Cannes Lions (1 Glass, 3 Gold, 8 Silver, 8 Bronze) And 28 Shortlists

    By HYPETuesday, July 5, 2016Updated:Tuesday, May 14, 2024No Comments4306 Views
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    CANNES -- (SPW) --

    Cut+Run Editors Frank Effron, Lucas Eskin, Christopher Kasper, Staci Levan, Ben McCambridge, Jay Nelson, Sam Ostrove, Sean Stender, Robert Ryang, Chris Roebuck, and Sally Cooper contributed to projects that earned 20 Cannes Lions and 28 shortlists at Cannes 2016.

    “We are deeply appreciative of our advertising agency, director and production company friends with whom we worked on these amazing, creative projects. We congratulate everyone on these spectacular Cannes honors, ” comments Cut+Run Managing Director Michelle Eskin.

    Watch the work here: http://cutandrun.com/cannes-2016/

    The Cannes Lion awarded projects are:

    GLASS Lion:

    • SK-II Marriage Market Takeover, Forsman & Bodenfors, Tool of North America / Director Floyd Russ, edited by ROBERT RYANG

    GOLD Lions:

    • GEICO Fast Forward Forest, The Martin Agency, Furlined / Director Nick Ball, edited by FRANK EFFRON
    • Lexus Amazing in Motion, CHI & Partners, Cap Gun Collective / Director Daniel Benmayer, edited by CHRIS ROEBUCK
    • SK-II Marriage Market Takeover, Forsman & Bodenfors, Tool of North America / Director Floyd Russ, edited by ROBERT RYANG

    SILVER Lions:

    • GEICO Fast Forward – Hike, Forest, Lake, Going Up – The Martin Agency, Furlined / Director Nick Ball, edited by FRANK EFFRON (Individual & Campaign)
    • Samsung Voices of Life, Leo Burnett Chicago, Whitelist / Director Ben/Bobby, edited by BEN MCCAMBRIDGE

    BRONZE Lions:

    • Huawei Shark Dancer, Ogilvy & Mather China, RSA Films /Director Juriaan Booij, edited by SALLY COOPER
    • GEICO Fast Forward, The Martin Agency, Furlined / Director Nick Ball, edited by FRANK EFFRON
    • Expedia Dream Adventures, 180LA, Ways & Means / Director Zachary Heinzerling, VFX/Finishing by Jogger Studios, edited by LUCAS ESKIN
    • Unacceptable Acceptance Letters – The Hunting Ground – Goodby Silverstein & Partners, Prettybird / Director Brewer, VFX/Finishing by Jogger Studios, edited by CHRISTOPHER KASPER & STACI LEVAN
    • Heinz Weiner Stampede, Heinz, DAVID The Agency, Biscuit /Director Jeff Low, edited by JAY NELSON
    • Compton, The Grammys, TBWAChiatDay, Alldayeveryday / Director Matt Baron, VFX/Finishing by Jogger Studios, edited by SAM OSTROVE & SEAN STENDER
    • SK-II Marriage Market Takeover, Forsman & Bodenfors, Tool of North America / Director Floyd Russ, edited by ROBERT RYANG

    For more on Cut+Run, please visit www.cutandrun.com
     

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    Contact:

    Contact: Jessie Nagel
    @ Hype 310.839.9834
    Contact Jessie via email
     

    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:EditingCut+RunEditorsCannesaward



    2026: Connect Today for a Better Tomorrow (And Beyond)

    Thursday, January 15, 2026
    Ross MacRae, CEO, Agency Source

    In 2026, the thing that stands out most is how fast this industry is moving, faster than at any point I’ve seen in my career. Agencies, brands, and production companies are constantly shifting, merging, restructuring, and rebuilding. And the people inside them are moving just as quickly. The average lifespan of an agency creative these days is about 18 months. That means if you connect with someone today, chances are they’ll be somewhere completely different by next year, maybe even brand-side. The good news is that you’re essentially building a relationship with multiple clients at once - as long as you keep track of where they go! That level of movement changes what sales and outreach actually mean. When I started, sales in our industry were seen as unnecessary, even a bit smarmy. Agencies had internal service buying teams whose role was to be aware of what production services were out there--which meant that production companies and reps could remain on the agencies' radar with little effort. But today, those agency-side roles have disappeared, and the responsibility has shifted wholly to production companies and reps to make sure they are continuously visible. Whether people like the word “sales” or not, the truth is that you cannot rely on posting your reels on your site and expecting the phone to ring. It never really worked that way, and it certainly doesn’t now. One of the biggest misunderstandings I still encounter is about what a contact database is for. People assume it’s just a place to download email addresses and send out massive blasts. That was never the right way to do it, not 15... Read More

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