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    Home » Director Kevin Smith of STORY Creates a Crime Drama With a Funny Twist For Gumout

    Director Kevin Smith of STORY Creates a Crime Drama With a Funny Twist For Gumout

    By Artisans PRThursday, August 5, 2021Updated:Tuesday, May 14, 2024No Comments4005 Views
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    Gumout's "Secret Meeting"
    CHICAGO -- (SPW) --

    A clandestine meeting between a pair of shady characters under a dank freeway overpass leads to an unexpectedly hilarious result in a new spot for Gumout directed by Kevin Smith of STORY.

    Conceived by Cramer-Krasselt (C-K), the clever ad is set up to look like a scene from a gritty TV crime drama as a craggy-faced older man hops into a younger man’s car and hands him a plain brown bag. “Do you think it will help?” the young guy asks. Offering terse assurance, the older guy extracts a bottle of Gumout from the bag and explains how it can enhance the performance of his car. “You know this is available over-the-counter, kid,” he says. “We don’t have to keep meeting like this.”

    Drawing out every ounce of noire tension, Smith directed the spot with deadpan restraint. “We stuck completely within the well-established conventions of a crime drama,” he explains. “Our big push was not to do anything funny.”

    Smith chose a grimy Chicago neighborhood for the location and benefitted by shooting on a gloomy, overcast day. He added to the suspenseful atmosphere by giving the imagery a cold, blue hue. He notes that the story was originally written to have the encounter occur outside the car. “Moving it inside created a womb of space,” he says. “There’s sound outside the car, but inside, it’s quiet.”

    The key element, Smith adds, was finding the right actor to play the tough older man. “We wanted someone like Mike from Breaking Bad,” he explains. “The obvious choice would have been to use someone who is physically threatening, but we went in a more psychological direction. Our actor is emotionally intimidating.”

    Smith credits Cramer-Krasselt’s creative team for a novel concept. “It’s rare to find something that is so well conceived and has this kind of depth,” he says. “That made it a great project for me, the cast and the crew. We had a lot of fun.”

    For more information, visit http://www.storyco.tv/

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    STORY

    company

    Mark Androw
    Executive Producer
    STORY
    (312) 642-3173
    Contact via email

    company

    Cliff Grant
    Executive Producer
    STORY
    (312) 642-3173
    Contact via email

    media

    Linda Rosner
    ArtisansPR
    (310) 837-6008
    Contact via email
    SPW Category:New ScreenWork Releases (commercial, film, TV, online, etc)
    Tags:c-kgumoutKevin SmithCramer-Krasseltstory



    Topshelf Launches As Curated Music Resource For brands That Can Hear The Difference

    Monday, March 16, 2026
    Elad Marish & Michael Frick

    Today, brands have access to more music than ever before. Streaming catalogs boast hundreds of millions of tracks, and algorithms can surface many options in seconds. Despite this abundance, the work, the advertising, branded content, and digital campaigns meant to resonate with audiences increasingly sound like they were scored by the same invisible hand, pulled from the same subscription library, or using the same reference tracks.  Topshelf, announced by music executives Michael Frick and Elad Marish, is a direct response to that problem. Not just another licensing catalog. Not another discovery platform. Topshelf is a curated, rights-centered, creative infrastructure built from genuine artist relationships. The kind that took twenty years to build and cannot be replicated with a better interface. The roster reflects that premise. Topshelf’s catalog draws from artists and composers including Groove Armada, Donavon Frankenreiter, and Ubiquity Records, as well as work from Italian label Blind Faith Records and stalwart indie dance label Dirtybird. Not simply catalog acquisitions, they are relationships with artists, managers, and labels who trust where their music ends up and collaborators who have worked with Frick and Marish directly over the course of their careers. “The music and ad industry runs on relationships, but the bridge between those two sides has never really been efficient. Consolidation is creating a quiet brain drain across both industries. Topshelf is built to improve that, helping the right artists,... Read More

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