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    Home » Director Robert J. Sexton Blazes New Trail in 360° VR Spot For Ghost Scream Hot Sauce

    Director Robert J. Sexton Blazes New Trail in 360° VR Spot For Ghost Scream Hot Sauce

    By LASpotShopTuesday, November 22, 2016Updated:Tuesday, May 14, 2024No Comments18777 Views
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    Director Robert J. Sexton blazes a new trail in 360° VR in the commercial world. http://www.hollywoodasylum.com/vr

    To promote Ghost Scream Hot Sauce, Director and Emmy Award Winning Producer Robert J. Sexton Created a 360° Virtual Reality Commercial Calculated To Set Tongues Ablaze

    LOS ANGELES -- (SPW) --

    To promote Ghost Scream™ Hot Sauce, director and Emmy® Award winning producer Robert J. Sexton created an unprecedented 360° VR (virtual reality) commercial that is calculated to set tongues ablaze.

    The spot takes place at the secretive Ghost Scream test lab where a culinary researcher subjects volunteers to the intense heat of the hot sauce, infused with the eye-watering naga jolokia (alias the "ghost pepper.") Thanks to Sexton's cunning use of visual cues to direct the viewer's eye through an organically flowing comedic narrative, the spot is one of the first forays in 360° technology that successfully fuses VR, storytelling and commercial marketing. 

    The VR clip was shot in Burbank, CA and was produced in conjunction with LA Sport Shop and Hollywood Asylum and lensed by DP (director of photography) Kara Stephens (West Coast Customs, Fractured) using the OMNI camera.

    The adept cast of comic actors includes Billy “Sly” Williams (Marriage Chronicles, Cheater's Club), Yolanda Romersa (Paloma, The Reward), Billy Armstrong (New Girl, Castle). and Otto Ferrous (Human, Psycho City, TX. – VR).

    Matt Sisson, Master Chef and the award winning Ghost Scream Hot Sauce creator says, “Ghost Scream is not your typical hot sauce, so we didn’t want to shoot a typical commercial. When I saw Sexton’s work in the VR world, there was no question that we wanted him on board to direct an ad for us and produce something never seen before.”

    Sexton's previous experience in 360° VR was noted in an article in The Wall Street Journal, where he commented on the potential of the technology. “VR is defining the future of both shared viewer experiences and storytelling," said Sexton. "We're pioneers in this space. Every piece of content we create forces us to reinvent everything we know about filmmaking and how an audience interacts with a story.”

    While speaking as a guest panelist on VR Tech and augmented reality for Midsummer Night Scream, Sexton spoke of the next wave of VR and AR storytelling. “With cameras like The Omni, Jaunt, Ozo, GoPro hybrids as well as consumer models like 360Fly and Gear 360, there is no stopping VR and the creator's ability to direct a viewer's experience and attention.” Continues Sexton, “HTC Vive, Oculus, Playstation, The HoloLens, YouTube and now Facebook makes VR a reality for viewers who want to have an experience.”

    The spot is designed to be best viewed with dedicated VR equipment like the Samsung Gear VR headset, Google Cardboard or the compact Himodo VR Mini and wearing headphones. If viewed on a computer, the Google Chrome browser is required. If viewed on a smart phone, the latest YouTube app needs to be installed to obtain the optimal VR effect.

    On working with The Omni, Sexton said, "Having remote capabilities, the devices synced to one main camera and all of them genlocked, made the shoot day less complicated. It allowed more time to work with my actors. The updated software allowed the post workflow to breeze by. The stitching was flawless. It was a beautiful thing."

    About LA Spot Shop & Hollywood Asylum
    LA Spot Shop (LASpotShop.com) and Hollywood Asylum (http://hollywoodasylum.com/vr) are production companies based in Los Angeles, CA. that produce long and short form traditional and non-traditional projects. 

    Hollywood Asylum VR has a virtual reality viewer IOS and android app in beta, produced by RealityGon Digital http://realitygon.com/ that is planned for release prior to the new year. 

    The clip will also be released on Facebook VR and available soon as a download.

    About Robert J. Sexton
    Robert J. Sexton’s CV includes numerous award wins and nominations, along with official selections and invitations from peer-driven entertainment award shows and film festivals around the world. www.robertsexton.net

    • He directed the first 360° VR heavy metal concept video and the first 360° VR live metal video, both in 2015.
    • Winner of 3 Emmy® Awards: Producing from the National Academy of Television Arts and Sciences for ad campaign and produced spots.
    • 2 Grammy Awards: Post producer on Paul McCartney DVD, "Live Kisses."
    • Nominations/wins: MTV, CMT, AMA, ACMA, VH1, GAC, Loudwire, DOVE, Screamfest. Shriekfest. The list goes on.
    • His experiences as a director landed him a guest panelist spot at the San Diego Comic-Con discussing his horror themed music videos, movie/TV projects and as a guest panelist on VR related presentations.
       
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    Video Credits

    Executive Producer/Director: Robert J. Sexton
    DP: Kara Stephens 
    Assoc. Producer: Aaron Teebor
    Assoc. Producer: Darrin Stephens
    Makeup Artist: Suzi Hale 
    Asst. Makeup: Rocky Calderon
    Production Designer: O.B. Ferrous
    Wardrobe: Aurora Culver
    VFX Artist: Yoshio Kohashi
    Graphics: Deandra Sisson
    Gaffer: Logan Wade
    Sound Recordist: Matthew Lucceshi
    Colorist: Christopher Pearson
    Creative Copy Consultant: Steve Dandois
    VR Technical Advisor: Mark “raz” Walden
    VR Camera: OMNI
    Tetra Mic from Core Sound from Audio Rents: Bob Burton, Traci Bradford, Kristen Weiss
    Software: FxFactory, Dashwood Cinema Solutions, Mettle Skybox, Kolor, DaVinci, Apple FCPX, Adobe Premiere, Adobe After Effects.
    Mantis by Motion Impossible 
    Radiant Images
     
    Special Thanks to Matt Sisson at www.ghostscream.com , Ryan Friedlinghaus at West Coast Customs, K.O.C. Productions, David Wong, Jonathan Thorn and Ed Nelson at GoPro, Ryan Scott Warren at Imagination Factory, Scott Pourroy. 

    Contact:

    Darrin Stephens
    LA Spot Shop
    Contact Darrin via email
     

    Contact:

    Contact Hollywood Asylum via email
     

    SPW Category:New ScreenWork Releases (commercial, film, TV, online, etc)
    Tags:immersive360° Virtual RealityHollywood AsylumLA Spot ShopRobert J. Sexton



    Frame Theory Brand Refresh Embodies Creative Film Company’s Evolution

    Thursday, November 6, 2025
    Examples of the new wordmark for Frame Theory, an award-winning creative film company specializing in multi-platform, human-centered storytelling for global brands.

    The award-winning creative film company Frame Theory (formerly: The Frame Theory) has refreshed its brand, unveiling new visuals and positioning that reflect its evolution as a trusted storytelling partner. The refresh comes as Frame Theory refines its capabilities to serve a changing industry, after building a reputation for helping such recognized names as KEEN Footwear, Elijah Craig Bourbon and Alzheimer’s Association tell their stories through brand films, commercial spots and digital mediums. Watch a highlight reel HERE. “Just as the industry has evolved, so have we – the way we engage with brands and the creative strategy we bring to each project,” explained Frame Theory executive producer Sarah Nix-Ward, who founded the company alongside partner & creative director Brandon M. Ward. “It was time that our own brand more clearly represented those changes.” To take on this project, the team commissioned artist Brian Steely (Steely Works Brand Design), who is known for his iconic designs for Nike, Element Skateboards and other global consumer brands and touring bands. Steely created Frame Theory’s original raven logo almost a decade ago, which he updated with a modern, simple and yet sleek vibe before dropping “The” from the wordmark. “In many cultures around the world, the raven is considered the bringer of light, so we’ve always felt that was an appropriate mark for a filmmaking company,” said Brandon. “We wanted to keep the raven, yet evolve it for this refresh.” The additional assets Steely created nod to Frame Theory’s style of cinematic naturalism,... Read More

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