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    Home » EditShare Lands at Beach House Pictures in Singapore

    EditShare Lands at Beach House Pictures in Singapore

    By GrithausWednesday, November 30, 2016Updated:Tuesday, May 14, 2024No Comments4847 Views
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    EditShare is a technology leader in networked shared storage and tapeless, end-to-end workflow solutions for the post-production, TV, and film industries.

    EditShare media infrastructure eliminates content silos to bring continuity across media production workflow; Flow MAM, XStream EFS and Ark create tiered storage with extensive media sharing, production and automation capabilities

    Basingstoke, UK -- (SPW) --

    EditShare, a technology leader in intelligent shared storage and media management solutions, announced today that Singapore-based Beach House Pictures has upgraded its legacy media infrastructure with EditShare media management solutions: EditShare Flow media asset management (MAM), 235 TB EditShare EFS XStream shared storage and EditShare Ark tape-based archiving. Known for producing highly rated series such as the David Attenborough-narrated Wild City (CNA), China from Above (Nat Geo), Asia’s Next Top Model Season 3 (Starworld), Nomad Chef (Discovery) and Hiccup & Sneeze (Okto), Beach House is a global production and post production media power house with locations in Australia, China, Taiwan and the United States. 

    Replacing the existing attached storage units with a MAM-enabled tiered storage environment provides Beach House with a media infrastructure and control layer that supports production and post activities from ingest to archive. Steve Pelluet, head of technology for Beach House, comments on the evolution of the team and its operation, as well as the pain points they experience, saying, “Beach House Pictures now employs up to 100 people who work on an ever growing range of content. The established “sneaker-net” workflow of drives being passed from one stage to another is just not conducive to the demands of the industry anymore.” Steve explains the challenges in detail, “In any given project, we can log up to 50 terabytes of rushes and transcoded files, stored on attached drives which are shared among the various producers, transcribers, editors and other creatives. Swapping drives from one docking station to another to share and access content was fine when we were much smaller and delivering more traditional broadcast content, but today it simply does not work. We needed a logical way to centralize content and make it easily accessible to users in the way best suited to their needs.”

    Under the existing workflow, Beach House Pictures production and post production staff would copy content from one drive to another to share media, requiring an enormous amount of attached drives and a manual cataloging system via Microsoft Excel to track media assets. “We have been wanting something like EditShare for quite some time,” comments Jocelyn Little, Managing Director of Beach House Pictures. “With the support of the Info-communications Media Development Authority, we are able to implement a state-of-the-art media infrastructure that will not only make us more productive, it will give younger staff more time to learn the more creative aspect of editing content and weaving together a story.” 

    The Beach House Pictures installation features EditShare’s most advanced storage platform, XStream EFS. The distributed architecture is designed to manage large media volumes and workgroups with a fault-tolerant design that ensures no work is ever lost. The XStream EFS is fully integrated with the tape-based archiving system EditShare Ark, with Flow MAM serving as global media governance across the facility. “EditShare will make content readily available across the facility without the headache of tracking down drives or resources to navigate complex systems,” states Peter Lambert, Head of Sales for EditShare. “Producers and directors can log into Flow from any laptop or system on the EditShare network, search the EditShare main storage system or archives and pull up their project. No more copying content from one drive to the next or waiting in an edit bay for someone to be available. They can call up a project, view the proxies, storyboard or make notes and send back to the editor. It’s really a game changer for how they will manage their productions going forward.” 

    In addition to the fast search and production tools, EditShare Flow offers key automation capabilities for a wide range of media processes, including transcoding the many formats Beach House Pictures must deal with. Under the new workflow and infrastructure, the Beach House Pictures team can freely share assets, collaborate on stories and repurpose content for trailers, commercials and even vignettes for social media quickly and easily. Steve adds, “EditShare really helps us eliminate inefficiencies and a lot of the risks that we had in the siloed workflow. Previously we had at least ten media copying steps, which meant there was more chance of the wrong media or sequence going to the next person in the chain. We do not have this with EditShare. There are only three file copying steps now, including the final export. At every stage we know exactly where the media is, which project to open and the right sequence to use.’

    Developed by seasoned filmmakers, the EditShare system’s design and approach to media management was a key selling point for Beach House. Steve explains, “The toolset in EditShare is fantastic because it has really taken into consideration the actual user, which makes it a much easier transition for the team from a traditional to digital workflow.”

    Beach House plans to move all of its existing content from the various attached drives onto the EditShare Ark, making past programs searchable through the Flow database.

    For more information on EditShare solutions, visit www.editshare.com.

    About Beach House Pictures Singapore
    Singapore-headquartered Beach House Pictures (BHP) has produced such highly rated series as the David Attenborough narrated Wild City (CNA), China from Above (Nat Geo), Asia’s Next Top Model Season 3 (Starworld), Nomad Chef (Discovery) and Hiccup & Sneeze (Okto). Together with its teams in China, Taiwan, the US and Australia, it has built a reputation for creating new and exciting factual content that are watched worldwide. To date, BHP has produced over 500 hours of HD and UHD content and growing, across a wide array of genres – from travel to science, kids to reality formats and food to wildlife. Since 2014, BHP expanded its capabilities and brand by launching four new divisions – Beach House Kids (children’s content), Beach House Entertainment (drama, formats), Beach House Studios (animation, VR/AR) and Beach House Labs (Digital, Branded). BHP is a multiple international awards winner and was recently voted into Realscreen’s Global 100 of the world’s most innovative and influential production companies. BHP recently launched a brand new global series Machine Impossible (Nat Geo) and the third season of Photo Face Off (History). It is currently in production on a 10-part series on Borneo for Discovery, as well as close to 100 new episodes of kids’ content for Okto and Australia’s Channel Nine. 

    About EditShare
    EditShare is a technology leader in networked shared storage and tapeless, end-to-end workflow solutions for the post-production, TV, and film industries. Our groundbreaking products improve efficiency and workflow collaboration every step of the way. They include video capture and playout servers, high-performance central shared storage, archiving and backup software, media asset management, and Lightworks – the world’s first 3-platform (Windows/OS X/Linux) professional non-linear video editing application.

    ©2016 EditShare LLC. All rights reserved. EditShare® is a registered trademark of EditShare LLC. All other trademarks mentioned herein belong to their respective owners.
     

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    SPW Category:Filmmaking Products and Services
    Tags:MAMDistributionArchivingShared StorageEditShare



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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