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    Home » Episode Four Creates New Mythology at Legendary Colonial Golf Tournament For Charles Schwab

    Episode Four Creates New Mythology at Legendary Colonial Golf Tournament For Charles Schwab

    By LynneCFriday, May 31, 2019Updated:Tuesday, May 14, 2024No Comments8491 Views
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    One-of-a-kind, custom built 1973 Dodge Challenger given to the winner of the Charles Schwab Challenge. Designed and hand-built by Pure Visions’ Steve Strope.
    NEW YORK -- (SPW) --

    Episode Four, a NYC-based agency focused on making hits for brands, last week launched a massive integrated campaign designed to bring new energy and creativity to Charles Schwab’s golf sponsorship efforts coinciding with their debut as title sponsor on The PGA TOUR. The work for the “Charles Schwab Challenge” remixed the rich history of The Colonial tournament with the Charles Schwab challenger brand attributes to captivate audiences, driving up attendance at the event as well as CBS’ Sunday ratings by 8% from last year.

    CCO Teddy Lynn notes: “It was a lot of fun to bring Charles Schwab's challenger spirit to the world of professional golf and in doing so create a true ‘Sportscenter’ moment."

    The surprise “Sportscenter” moment unfolded as Tournament winner Kevin Na gave caddie Kenny Harms the custom 1973 Dodge Challenger he received for winning. The one-of-a-kind resto-mod vehicle was designed and hand-built by Episode Four collaborator and legendary hot rod builder, Pure Visions’ Steve Strope. It was a noteworthy addition to the Leonard Trophy and Scottish Royal Tartan Plaid jacket traditionally given to winners. Na’s unexpected act of generosity was the lead story on ESPN SportCenter (see clip); CBS This Morning, USA Today and countless local media outlets. Tweets alone have an estimated reach of 87 million.

    Lynn adds:  “When all was said and done, the series of golf firsts that Schwab created last week included: the first Throwback Thursday on tour, the first moment of silence on tour, the first ever slate of 18 TV spots each featuring a different hole, and of course the first hand-built muscle car as a prize. If that's not challenging the status quo, I don't know what is.” 

    The tournament kicked off with the PGA TOUR’s first ever “Throwback Thursday” where fans experienced the party atmosphere associated with the Colonial by dressing up in their best 1970s gear – a nod to the decade that Charles Schwab was founded – and were rewarded with throw-back concession pricing. The Five, an interactive fan experience, married Ben Hogan’s Five Fundamentals of golf with Schwab’s five fundamentals of investing.

    A strategic media plan consisted of more than 25 TV spots and over 6 million digital impressions, including a documentary on the Dodge Challenger’s restoration, a :60 spot promoting the prize, brand videos within live streaming digital coverage of the tournament and social support. 

    In addition, SchwabGolf.com features “The Challengers,” a five-part film series which celebrates influential individuals such as Greg Norman and Mike Keiser who have challenged the status quo in golf. “The Caddies,” a series of 18 :30 spots, features tour caddies breaking down every hole at Colonial as they make their course walk-throughs, such as Caddie Spot #18. 

    About Episode Four
    Episode Four is a boutique project-based creative agency focused on making hits for brands. Co-founded by Teddy Lynn and Mark Himmelsbach, the agency’s proprietary creative process unites first party data with experts in strategy, creative, media and production to provide a more flexible and collaborative solution through a combination of art and science.

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    SPW Category:Brand Marketers News
    Tags:SportsEpisode FoursponsorshipgolfEvent



    How Cutting “Wicked” Films Changed Oscar Nominee Myron Kerstein For Good

    Tuesday, January 13, 2026
    Myron Kerstein, ACE behind the scenes working on "Wicked" and "Wicked: For Good"

    While having a phenomenal range of credits across genres, Kerstein definitely cemented his reputation as a music man of the editing room with Tick, tick…. Boom! and Wicked earning him two Academy Awards® nominations. He shared with us some of his secrets on tackling the tremendous task of finishing this epic journey and how finding intimate moments in grand scenes shapes his approach to work. You have been Oscar® nominated for Tick, tick… Boom! and notable for Wicked last year. Are musicals like second nature, what do you love about working on them or what attracts you to them? I love working on musicals because when a character does not have the ability to say how they feel, singing it is another form of expression. So oftentimes that singing is sort of a version of a monologue inside their heads, and I love to explore that form of expression. It's unlike anything else in any other genre, like voiceover, because the musical is a very specific way in which characters can express themselves. I also happen to really love music. So cutting musicals satisfies this love of mine of this specific form of expression, but also my love for music and the genre itself. The genre has such a long history. There's so many incredible artists who have used this genre to express different stories from the Music Man or Grease or The Umbrellas of Cherbourg or Read More

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