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    Home » Escape Velocity’s Corbin Richardson Directs “A Story Of Passion” For Mazda

    Escape Velocity’s Corbin Richardson Directs “A Story Of Passion” For Mazda

    By rpg246Monday, March 12, 2018Updated:Tuesday, May 14, 2024No Comments8746 Views
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    Mazda "Passion Piece" directed by Escape Velocity's Corbin Richardson.

    Corbin Richardson directs passion piece for Mazda

    LOS ANGELES -- (SPW) --

    Escape Velocity Content Director Corbin Richardson recently chronicled the art and science behind engineering the latest model Mazda for agency Garage Team Mazda. The two-minute “passion piece”  was part of a larger campaign directed by Richardson for the automaker.

    The Story
    In the branding film, Richardson chronicles the passion of building the perfect car by interviewing four Mazda engineers whose work is integral to the final design. “We wanted to document the
    thought process and effort behind what makes a Mazda special,” says Richardson, who shot the branding film on location in Los Angeles and Austin, Texas.  “A visual analogy that takes you from car to special moments, and back again.”

    Warm Clay
    The “Passion Piece” begins with Mazda Modeler Cyrille Bordeau. Richardson captures the man working with clay, instead of taking a digital approach to exterior design. “Clay, it’s emotional, and it’s warm material,” he says, the camera following him shaving bits of organic material off the Mazda CX SUV body, to obtain the perfect shape.

    Kodo Design
    What a car looks like the moment its energy becomes motion is referred to as Kodo Design. Richardson interviews Mazda Exterior Design Manager Ethan Song, discussing how sheet metal can turn to liquid when put in motion. Images of ballets dancers and the bright red Mazda highlight the director’s artful approach. “I used to draw cars since second grade, he says. “I find mine inspiration from anything that moves.”

    A Visceral Interior
    Richardson then takes movers viewers to the Mazda’s interior, highlighting the importance of sound and music inside the car. He talks with Matthew Valbuena, Mazda’s Human-Machine Interface Engineer as he relates his being inspired by deaf parents. “I wanted to show them music that they could feel,” he says. Valbuena brought a visceral energy to the sound system in the car. Richardson captures images of a cello soloist intercut with details of the car’s audio system.

    One With The Machine
    The “Passion Piece” wraps with poignant images that celebrate the connection between man and machine. Richardson documents Kiri Kelley, Jinba Ittai  Ambassador, discuss the connection between horse and rider, driver and car, as applied to the Mazda. Richardson captures horse and rider in complete harmony, intercut with images of drivers confidently at the controls of their Mazda. “Making the human feel connected to the vehicle, the same as with horse and rider” she says.

    About Escape Velocity Content
    Escape Velocity Content is a full service film, commercial, digital and awesome content production company based in Southern California. For more information please visit www.evcontent.com

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    Steve Fisher
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    RPG Los Angeles
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    SPW Category:New ScreenWork Releases (commercial, film, TV, online, etc)
    Tags:Passion PieceMazdaDirector Corbin RichardsonEscape Velocity ContentRPG Publicity



    2026: Connect Today for a Better Tomorrow (And Beyond)

    Thursday, January 15, 2026
    Ross MacRae, CEO, Agency Source

    In 2026, the thing that stands out most is how fast this industry is moving, faster than at any point I’ve seen in my career. Agencies, brands, and production companies are constantly shifting, merging, restructuring, and rebuilding. And the people inside them are moving just as quickly. The average lifespan of an agency creative these days is about 18 months. That means if you connect with someone today, chances are they’ll be somewhere completely different by next year, maybe even brand-side. The good news is that you’re essentially building a relationship with multiple clients at once - as long as you keep track of where they go! That level of movement changes what sales and outreach actually mean. When I started, sales in our industry were seen as unnecessary, even a bit smarmy. Agencies had internal service buying teams whose role was to be aware of what production services were out there--which meant that production companies and reps could remain on the agencies' radar with little effort. But today, those agency-side roles have disappeared, and the responsibility has shifted wholly to production companies and reps to make sure they are continuously visible. Whether people like the word “sales” or not, the truth is that you cannot rely on posting your reels on your site and expecting the phone to ring. It never really worked that way, and it certainly doesn’t now. One of the biggest misunderstandings I still encounter is about what a contact database is for. People assume it’s just a place to download email addresses and send out massive blasts. That was never the right way to do it, not 15... Read More

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