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    Home » Filmotechnic USA Accelerates Into 2017

    Filmotechnic USA Accelerates Into 2017

    By rpg246Monday, June 19, 2017Updated:Tuesday, May 14, 2024No Comments6283 Views
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    Filmotechnic USA's new Apex Head.

    More Flight Heads/More Russian Arms/More Cars/More Options New HQ representing all Locations/Fabrication Quarters

    LOS ANGELES -- (SPW) --

    An expanding fleet and other exciting options highlight Filmotechnic USA’s ride into 2017. Upgraded flight heads, additional Russian Arms, new cars and new L.A. headquarters with expanded fabrication facilities mark brisk advancement for the company, along with rounding out our locations in Atlanta, Detroit and Orlando; Filmotechnic is known worldwide for its Academy-award winning fleet of stabilized camera car systems.

    Heads Up
    New for 2017 are advanced electronics on the new Flight Head 6, the successor to the well-proven Flight Head 5, allowing for better control and maneuverability. The Flight Head 6 also features programmable moves and custom image stability. The introduction of the Apex Head, the sister head of the lightweight Compact Head, offers multiple mounting options, fast and smooth response for more dynamic action sequences. “It’s been a very popular option,” says Filmotechnic USA Manager, John Urso. “All of our new Flight Heads have specially designed joysticks and hand wheels to provide backlash free operation.”

    More Russian Arms 
    Because of popular demand, Filmotechnic USA is adding more Russian Arms to its stable, bringing the total to ten in the US. Three of which are our popular Russian Arm 6’s capable of drone-like shots at 25 feet and racing through the canyons at lengths of 15, 18, or 22 feet.  The lightweight, ever versatile, Russian Arm Mini gives new perspective when mounted to the picture car. “We can box it up and ship it anywhere,” says Urso.

    New Cars/Cross-trained Crew
    Filmotechnic USA just built out its fifth Porsche Turbo Cayenne S and is currently fabricating its second Ford Raptor, both complete with HD monitors and picture recorders. “Our in-house fabricating crew works in concert with our cross-trained teams, resulting in the newest, best handling car platforms pairing perfectly with our arms and heads. Here at Filmo, we understand and strive to bring new energy to work with our veterans. Our cross-training program demonstrates our continuing commitment to the entertainment industry,” says Operations Manager Jeanine Wojtanowski.

    New HQ/Fabrication Facility
    Filmotechnic USA recently moved into an expanded 11,000 square foot Los Angeles based headquarters to support our locations in Atlanta, Detroit and Orlando. “It was time, we needed a bigger facility to work on our many custom fabrication projects,” comments Urso. “At twice the space, our new facility allows us complete flexibility.”

    More Options
    “We’re all about options,” adds Wojtanowksi.  “We understand all the variables in play; from the camera package, how heavy or light, how fast or slow do you want to go? What’s the lens height you’re looking for? You going off-road or racetrack? East Coast or West Coast? We have eight different camera cars, eight different heads and five different cranes to give you the right combination for your shoot.”

    About Filmotechnic
    Filmotechnic is the original in the industry and established the innovative standards with which other companies are now measured by. Over the past 25 years, Oscar Award Winner Anotoliy Kokush, along with Denis Kokush have built a legacy of advancing camera car systems. Our Academy Award winning developments coupled with other respected achievements in enabling camera movements and image stabilization, deliver a diverse range of professional camera systems, camera cranes and gyro stabilized heads for film, motion picture, and advertising industries. 

     

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    Filmotechnic USA | filmotechnicusa.com

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    Steve Fisher
    RPG
    (818) 688-1502
    Contact via email
    SPW Category:General News
    Tags:John Ursofilmotechnic USARPG PublicityTim Damon



    2026: Connect Today for a Better Tomorrow (And Beyond)

    Thursday, January 15, 2026
    Ross MacRae, CEO, Agency Source

    In 2026, the thing that stands out most is how fast this industry is moving, faster than at any point I’ve seen in my career. Agencies, brands, and production companies are constantly shifting, merging, restructuring, and rebuilding. And the people inside them are moving just as quickly. The average lifespan of an agency creative these days is about 18 months. That means if you connect with someone today, chances are they’ll be somewhere completely different by next year, maybe even brand-side. The good news is that you’re essentially building a relationship with multiple clients at once - as long as you keep track of where they go! That level of movement changes what sales and outreach actually mean. When I started, sales in our industry were seen as unnecessary, even a bit smarmy. Agencies had internal service buying teams whose role was to be aware of what production services were out there--which meant that production companies and reps could remain on the agencies' radar with little effort. But today, those agency-side roles have disappeared, and the responsibility has shifted wholly to production companies and reps to make sure they are continuously visible. Whether people like the word “sales” or not, the truth is that you cannot rely on posting your reels on your site and expecting the phone to ring. It never really worked that way, and it certainly doesn’t now. One of the biggest misunderstandings I still encounter is about what a contact database is for. People assume it’s just a place to download email addresses and send out massive blasts. That was never the right way to do it, not 15... Read More

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