Goldcrest Post provided post-production services and support for three films debuting at this month’s 78th Venice International Film Festival.
Among them is The Lost Daughter, a dramatic feature marking the directorial debut of Oscar-winner Maggie Gyllenhaal that is screening in the festival’s international competition. Recently acquired by Netflix, the film stars Olivia Colman, Jessie Buckley, Dakota Johnson, Peter Sarsgaard and Paul Mescal in the story of a woman whose beach vacation turns dark when she confronts troubles from her past. Goldcrest Post provided editorial suites, support and technology, as well as editorial conforming and deliverables services.
Goldcrest Post provided color grading services for The Cathedral¸ Director Ricky Ambrose’s drama screening in the festival’s Biennale College Cinema program. The film, starring Brian d’Arcy James, Monica Barbaro, Mark Zeisler and Geraldine Singer, presents a child’s meditative account of the rise and fall of an American family. Alex Berman was supervising colorist and Steve Beganyi was colorist.
The facility also provided color grading for Life of Crime: 1984-2020. Spanning thirty-six years, Jon Alpert’s riveting documentary follows Rob, Freddie, and Deliris on a relentless ride through the streets and prisons of Newark, New Jersey. The film, which will air on HBO Max next year, is screening in the festivals Out of Competition – Non-Fiction program. Goldcrest Post’s Evan Anthony was the colorist.
About Goldcrest Post
Goldcrest Post is a leading, independent post-production facility, providing one-stop creative solutions for features films, episodic television, documentaries and other projects. Conveniently located in New York City’s West Village, the company provides editorial offices, on-set dailies, picture finishing, sound editorial, ADR and mixing, and related services. Recent credits include The Queen’s Gambit, P-Valley, 40-Year-Old Version, Godfather of Harlem, Baby God, The Expecting, What Breaks the Ice and She Dies Tomorrow.
