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    Home » HOUND Content Teams Up With Management Shop Maavven For Commercial Endeavors

    HOUND Content Teams Up With Management Shop Maavven For Commercial Endeavors

    By Press KitchenFriday, July 28, 2017Updated:Tuesday, May 14, 2024No Comments7968 Views
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    LOS ANGELES -- (SPW) --

    Los Angeles-based branded content studio HOUND has teamed up with visual artist management company Maavven for commercial representation of their diverse slate of artists. The Maavven roster includes visual artists working across all mediums, including products, design, experiences, storytelling and music.

    Click HERE to view Maavven artists’ work on the HOUND site.

    “Every industry is being forced to think outside the box, and advertising is shifting to where brands are poised to be content providers. Working directly with artists really allows me to not worry about the formula and just focus on the talent,” notes Maavven founder Coleen Haynes. “I’ve worked with HOUND EP Missy Galanida before and she has the experience and industry knowledge to bring our artists to the commercial world.”

    “Coleen has a distinct eye for creative talent and has really created something special with Maavven by really focusing on the artists,” adds HOUND Executive Producer/Partner Missy Galanida. “We are looking forward to giving brands the opportunity to work with Maavven artists on a wide range of nontraditional projects.”

    Haynes spent over a decade in commercial production, serving as Executive Producer for HSI Productions and Black Dog Films before launching Maavven in 2014. She brings an artist-centric approach to the creative management shop, focusing on connecting talent across all styles and mediums with dynamic ideas and creativity for all applications. HOUND will allow Haynes’ artists to segue into the commercial space, connecting their diverse talents and authentic approach to nontraditional creative projects for brands.

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    SPW Category:Company News (New start-ups, mergers, joint ventures)
    Tags:productionMaavvenHOUNDartist management



    How Cutting “Wicked” Films Changed Oscar Nominee Myron Kerstein For Good

    Tuesday, January 13, 2026
    Myron Kerstein, ACE behind the scenes working on "Wicked" and "Wicked: For Good"

    While having a phenomenal range of credits across genres, Kerstein definitely cemented his reputation as a music man of the editing room with Tick, tick…. Boom! and Wicked earning him two Academy Awards® nominations. He shared with us some of his secrets on tackling the tremendous task of finishing this epic journey and how finding intimate moments in grand scenes shapes his approach to work. You have been Oscar® nominated for Tick, tick… Boom! and notable for Wicked last year. Are musicals like second nature, what do you love about working on them or what attracts you to them? I love working on musicals because when a character does not have the ability to say how they feel, singing it is another form of expression. So oftentimes that singing is sort of a version of a monologue inside their heads, and I love to explore that form of expression. It's unlike anything else in any other genre, like voiceover, because the musical is a very specific way in which characters can express themselves. I also happen to really love music. So cutting musicals satisfies this love of mine of this specific form of expression, but also my love for music and the genre itself. The genre has such a long history. There's so many incredible artists who have used this genre to express different stories from the Music Man or Grease or The Umbrellas of Cherbourg or Read More

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