Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Hula Post Creates Hybrid Workflow For “The Valet” Editorial Team

    Hula Post Creates Hybrid Workflow For “The Valet” Editorial Team

    By Jay HopkinsTuesday, May 31, 2022Updated:Tuesday, May 21, 2024No Comments3821 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Sandra Montiel, ACE, used Avid Media Composer to cut “The Valet” now streaming on Hulu (Photo Credit: Philicia Endelman).

    Hulu’s Latest Feature Marks A Return to Editing Normalcy

    Burbank, CA -- (SPW) --

    Hula Post supported a hybrid workflow with remote and local systems for the streaming feature, The Valet.  Starring Eugenio Derbez and Samara Weaving, it premiered on Hulu on May 20, 2022.  The movie is a remake of the 2006 French film The Valet.  In the new version, a movie star (Weaving) enlists a Mexican parking valet (Derbez) at a Beverly Hills restaurant to pose as her lover to cover for her relationship with a married man.

    The Valet began principal photography in April 2021, on location in Atlanta, well into the pandemic, but in the early stages of vaccine rollout; therefore, safety protocols remained in place.  Edited by Sandra Montiel, ACE, the editorial team used a hybrid editing workflow solution.  Initially, everyone worked from home for the editor’s cut.  Hula Post installed an Avid Media Composer system for Montiel so that she could work locally.  First Assistant Editor Jeremy Mattheis, Second Assistant Editor Annie Popko, and Apprentice Editor Henry Mendoza used the Hula Post Everywhere remote editing solution.  It consisted of three Avid Media Composers set up at Hula Post’s Victory Blvd location in Burbank, CA.  Media was stored in the Datacenter, set up in a unique, secure environment there.  Using a Residential Remote Interface in-home installation, they accessed their systems via a secure connection with dedicated bandwidth and Nexis storage.  “Working with a computer remotely is strange initially, especially when the industry returned to work during the pandemic because everyone was learning a new workflow, " said Mattheis.  “Now, at this stage, the process is much smoother, and once I get involved in a project, I forget that I’m working remotely, so it’s business as usual.”

    In July 2021, once shooting ended, Sandra and her team moved into a creative suite at Hula Post’s West Los Angeles location to begin the director’s cut so that the director, Richard Wong, could come in.  Post Producer Renee Minasian, Post PA Nayeli Fernandez, and Post Coordinator McKenzie Mosely also joined them at that point.  Hula Post relocated the Media Composers originally installed in Burbank and Montiel’s home system so that everyone was then networked together.  But the remote access to the systems remained in place at the assistants’ homes, giving them the option to work from home and in the office.  It became particularly important when the Omicron variant of Covid emerged later in the year.

    Overall, cutting from start to finish went smoothly with little interruption due to COVID.  She started The Valet at the end of April 2021 and finished the third week of February 2022.  According to Montiel, “To me, editing The Valet was a return to normalcy in the editing process because we delivered it in ten months which is typical for a feature of this size that isn’t an action one.”

    Montiel feels that The Valet represents the Latino culture in Los Angeles and that many people will relate to it, therefore, enjoy it.  Further, although considered a comedy, she said, “The Valet has a range of emotions, there’s laughter of course but also sadness, excitement, crying and through all that the audience can see the characters change, becoming a better person who has integrity and values.”


    Trailer source: YouTube

    About Hula Post
    Hula Post is the leading independent provider of postproduction editing, storage, and finishing solutions for features, television, and streaming platforms.  It creates customized workflow solutions for all its clients and provides illustrious technical support.  Hula Post installs systems at studios, production offices, or in one of its three high-end creative spaces across Los Angeles.  It also offers in-home remote editing capabilities through its Hula Post Everywhere service.  Additionally, Hula Post offers in-house finishing and related services, including online editing on Avid Media Composer, color grading on Resolve, and sound editorial and mixing on ProTools in state-of-the-art suites at its Burbank headquarters. Hula Post is also one of few woman-owned postproduction companies in the industry.  For more information, visit Hula Post and follow us on Instagram, Twitter, Facebook & LinkedIn.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2023-11-30)

    HulaPost.com

    media

    Jay Hopkins
    Greenwood Drive Entertainment
    (310) 975-4162
    Contact via email
    SPW Category:Production and Post-Production Products and Services
    Tags:EditingAvid Media ComposerHuluLionsgateHula Post



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleKatharina Baron Frames Peter Cohen 2022 Winter Collection Alongside Contemporary Art At The SEIS Gallery
    Next Article BREAK+ENTER Multiplies Mike Myers For Netflix Comedy “The Pentaverate”
    Jay Hopkins

    Add A Comment
    What's Hot

    3D Animation Director Liam Archibald Joins Blinkink For Worldwide Commercial Representation

    Friday, August 28, 2026

    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    C. Kim Miles Shares Insights Into The Reimagining Of “Little House on the Prairie”

    Thursday, August 27, 2026
    Shoot Screenwork

    Apple, TBWA\Media Arts Lab and Director Nicos Livesey Deploy Clay Animation To Showcase “The Mighty Mac Mini”

    Friday, August 28, 2026

    TBWA\Media Arts Lab and director Nicos Livesey–via Blinkink and Stoopid Buddy Stoodios–teamed on this clay…

    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    JT Mega, Director Jake Zalutsky “Savor The Little Things” For Mahatma Rice

    Wednesday, August 26, 2026

    9/11 Day, Pete Davidson, David&Goliath Share Personal 9/11 Story and “UNIITE For Good”

    Tuesday, August 25, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    SHOOT
    click X to close window
    ×

    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

    Click Here to read more about SHOOT’s closure.

    Click Here to close window
    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.