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    Home » Institute’s Ray Neutron Captures Timeless Elegance in New Spots for Dickel Whisky

    Institute’s Ray Neutron Captures Timeless Elegance in New Spots for Dickel Whisky

    By RazPRThursday, July 25, 2024No Comments485 Views     In 247 day(s) login required to view this post. REGISTER HERE for FREE UNLIMITED ACCESS.
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    Screenshot
    LOS ANGELES -- (SPW) --

    Production company Institute and director Ray Neutron recently teamed with ad agency Quaker City Mercantile to create two new spots showcasing the timeless appeal of Tennessee whisky brand George Dickel. “Bottled in Bond” and “Cascade Hollow” both highlight Dickel whisky as a centerpiece of community connection, illustrating the brand’s authentic Tennessee roots and approachable elegance.

    The director’s cuts
    Bottled in Bond

    Video source: https://vimeo.com/985787739 

    Cascade Hollow

    Video source:  https://vimeo.com/985790610 

    As an inquisitive storyteller working across both photography and video, Ray had a clear vision to successfully balance the needs of a legacy brand while appealing to a modern and younger audience. “Often when trying to connect with that younger audience, brands want quick cuts or handheld camera moves to create a sense of dynamic action. But here, I really wanted to capture the brand’s heritage and presence throughout multiple generations. I had a wonderful collaboration with DP Cole Graham, and we were able to achieve an elegant cinematic flair with a slower pace, where shots can breathe even within just 15 seconds.”

    The spots were shot in April over two days on location in Tennessee, both in Nashville and in Tullahoma, the site of Dickel’s historic distillery. Ray credits Nashville’s close-knit creative community for an easy and intuitive casting process, where talent came into the project with established real-world connections – lending an authentic feeling of familiarity to each spot. 

    Ray also noted the upbeat energy and collaborative spirit of everyone on the crew, praising the shoot as a pleasant and seamless experience. Though it was his first time collaborating with DP Graham, the two instantly developed a shorthand and shared creative ideas back and forth. “This is a dream scenario working with a new DP for the first time, because you don’t want someone who’s just going to point the camera – you want someone who brings their own vision to the table and collaborates with you. Cole was recommended by our Institute EP Sean Lyness, and he was truly a pleasure to work with.”

    Ray has previously worked with several other spirit brands in varying roles spanning director, photographer, and agency creative. But as a Southerner himself, working with a whisky brand was a special experience. “There are so many moments and touch points throughout my life where you’re with family and friends and folks from every generation are drinking whisky. It’s such a part of southern culture and it was really fun to get to celebrate that.”

    For more information, please visit: http://institute.pictures/. 

    About Institute
    Institute is redefining how stories are told. Founded by award-winning filmmaker and photographer Lauren Greenfield, and producer and entrepreneur Frank Evers, Institute represents auteur-driven visual storytellers and brings multi-platform production expertise to brands and agencies worldwide. Alongside some of the most recognizable names in film and television, Institute has also been an industry leader in uplifting underrepresented talent behind the camera. Directors on the Institute roster include Bao Truong, Barbara Kopple, Courtney Brookes, Courtney Loo, Dawn Porter, Jackie van Beek, Karyn Kusama, Lauren Greenfield, Liz Unna, Pamela Adlon, Ray Neutron, Sandra Winther, and Sergii Shevtsov. http://institute.pictures/ 

    Screenwork Credits
    Agency: Quaker City Mercantile
    Executive Creative Director: Steven Grasse
    Creative Directors: Jerry Stifelman, Ron Pushkar
    Senior Art Director: Hannah Baker
    Account Lead/Producer: Joe Conti

    Production Company: Institute
    Director: Ray Neutron
    Founder/Creative Director: Lauren Greenfield
    Founder/President: Frank Evers
    Managing Director: Tori Palmatier
    Executive Producer: Sean Lyness

    On Set
    Production Supervisor: Jack Willkomm
    Production Coordinator: Patrick Jamison
    1st AD: Randolph Easy
    2nd AD: Boo Skyler
    DP: Cole Graham
    1st AC: Armada Costanza
    2nd AC: Mindy Cook
    DIT: Tracy Facelli
    Still Photographer: Justice Lowe
    Key Grip: Billy Gomes
    Best Boy Grip: Charlie Agnew
    Grip: Hunter Dixon
    Grip: Margo Chakinis
    Gaffer: Rob Bennett
    Best Boy Electric: Michelob Fedusenko
    Electric: Darin Dickerson
    Electric: Jay Siske
    VTR: Chris Hill
    Key Makeup Artist: Stacy Lockhart
    Key Hairstylist: Ryin Overton
    Stylist: Gabirella Tanner
    Style Assistant: Lora Lee Drammis
    Photographer: Michael Dwornik

    Post
    Post EP: Noah Wagner
    Editors: Dri Sommer & Taylor Ellis
    AE: Dustin Foster
    Color: Loren White
    Sound: Jack Goodman

    Talent
    Dylan Smucker
    Sabrina Ponte
    Sir’Quora Carroll
    Jennifer Heart
    Rob Ricotta
    Nolan Sritan
    Olivia Arokiasamy

    You have limited-time access to this page, (Access is valid until: 2026-01-24)

    Institute

    Media Contact

    Raz Public Relations
    (310) 450-1482
    Contact via email



    OddBeast Adds 3D Artist Alex Weber To Award-Winning Team

    Friday, May 16, 2025
    OddBeast 3D Artist Alex Weber

    OddBeast continues to expand its creative team to meet the needs of a growing client roster. The award-winning motion design and production studio has hired talented 3D artist Alex Weber after working with him extensively on a freelance basis. Weber’s portfolio includes 3D projects for TaylorMade, Jack Daniel’s and Old Spice, among others. Joining OddBeast full-time, Weber will dig in as the studio’s primary product visualizer, a role that requires significant self-motivation, attention to detail and organization, along with a willingness to “get it right,” even if that means no shortcuts. These skills will be essential in cleaning up CAD models, modeling products from scratch and processing all client artwork files to be used on 3D models. Weber will also control the most important part... lighting. “Alex has a combination of things we were looking for,” said OddBeast founder/president Ronny Young. “He went to school to be an engineer initially, so you know his eye is well-trained for the details our clients crave – a MUST for this position. We also wanted a self-starter who cares a lot about the quality of their work, and he has those traits in spades.” Alex Weber was an Engineering student when he began his studies at the University of Louisville. After quickly realizing he was more into pixels than physics, he changed his major to Graphic Design and graduated in 2018. Weber’s foray into 3D was a side hustle and some late-night YouTube tutorials before becoming a full-on obsession. During the pandemic, he moved to NKY and freelanced until he was offered a role at Durham Design Studio.... Read More

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