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    Home » International Cinematographers Guild NAB Show Panels To Discuss Key And Peele’s Keanu and Filming With Drones

    International Cinematographers Guild NAB Show Panels To Discuss Key And Peele’s Keanu and Filming With Drones

    By weissmanmarkovitzcommWednesday, March 30, 2016Updated:Tuesday, May 14, 2024No Comments5120 Views
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    The International Cinematographers Guild (IATSE Local 600) is a national union representing 7,800 members who work in film, television and commercials as Directors of Photography, Camera Operators, Visual Effects Supervisors, Still Photographers, Camera Assistants, Film Loaders, all members of camera crews and Publicists.
    LAS VEGAS -- (SPW) --
    The International Cinematographers Guild (ICG, IATSE Local 600) will host two sessions at the 2016 NAB Show at the Las Vegas Convention Center. One will be a light-hearted look at Key and Peele’s cinematic debut, Keanu for Warner Bros., in which the hapless duo infiltrates a vicious gang to find their adorable ‘catnapped’ kitten. The other will explore one of the most exciting developments in film technology — drones.

    The first session, “Catnapped! Key and Peele’s Keanu,” will focus on the creative collaboration between director Peter Atencio and cinematographer Jas Shelton when they worked together on Keanu. David Geffner, Executive Editor of ICG Magazine, will moderate the session on Tuesday, April 19 from 1:30 to 2:30 pm in the South Upper Hall, Room 220.

    The second panel, “Drones…Opening New Vistas to Content,” is a super session about filmmaking with drones, the new tool in the storyteller’s toolbox. Panelists will delve into pre-production and production, technology, safety and permitting. Panelists are Dylan Goss, aerial cinematographer for Team5; Drew Roberts, aerial cinematographer for Wild Rabbit Aerial Productions; Tony Carmean, aerial producer for Aerial MOB and Nick Kolias, aerial cinematographer for Aerial Edge. Michael Chambliss, ICG Business Rep will moderate. The panel will be on Wednesday, April 20 from 10:30 am to 12:00 pm in the South Hall Upper, Room 222.

    Unmanned aerial vehicles enable filmmakers to position cameras in places they have never been before and to move them in ways that are dynamic and innovative. The panelists will discuss the unique creative capabilities of UAS cinematography, how it differs from helicopters, Steadicams and other production tools, and what to expect as the technology and its implementation matures.

    About THE INTERNATIONAL CINEMATOGRAPHERS GUILD
    The International Cinematographers Guild (IATSE Local 600) is a national union representing 7,800 members who work in film, television and commercials as Directors of Photography, Camera Operators, Visual Effects Supervisors, Still Photographers, Camera Assistants, Film Loaders, all members of camera crews and Publicists. ICG’s ongoing activities include the Emerging Cinematographer Awards and the Publicists Awards Luncheon. The Guild also publishes the award-winning ICG Magazine. www.ICG600.com
     

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    SPW Category:Industry Association, Union, Guild News
    Tags:ICG Publicists AwardsInternational Cinematographers GuildNAB



    Boris FX Optics Delivers New AI Masking and Image Restoration Tools To Photoshop Workflows

    Monday, December 1, 2025
    Boris FX Optics 2026

    Optics, the Adobe Photoshop/Lightroom plugin and standalone application developed by the award-winning team at Boris FX, introduces four new AI-driven tools that simplify previously traditional photo editing techniques. The 2026 release allows photographers and digital artists to tackle facial segmentation, depth map generation, noise removal, and upscaling with just a few clicks. It also delivers a smoother workflow directly within Photoshop, streamlines browsing through its vast Hollywood-ready effects library, and adds glossy new effects and presets. “Optics 2026 is all about doing more with your images without slowing you down. New tools like Depth Map ML make it easy to add atmosphere, color grading, sharpening, and detail in a way that still feels natural. Face ML speeds up repetitive retouching tasks, and the Photoshop Essentials Panel brings your favorite looks, presets, and go-to tools into one place,” states Renée Robyn, Optics product manager. “With the new filters and presets, I’m genuinely excited to see how people push these tools and make them their own. We’re building the tools for photographers and digital artists that I wish I had had my entire career.” “As a portrait photographer, I never thought of myself as a digital artist until I started using Optics as part of my workflow. Now the images I see in my head come to life without spending hours lost in Photoshop, making my business more efficient,” comments Matt Stagliano, portrait photographer. “Optics 2026 gives me more control than ever with hundreds of new filter & effect variants, redesigned... Read More

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