Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » IPV Announces The “Arrival” of Curator 3.0

    IPV Announces The “Arrival” of Curator 3.0

    By GrithausThursday, July 23, 2020Updated:Tuesday, May 14, 2024No Comments3737 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Updates to flagship MAM platform, Curator Arrival, allow remote and hybrid cloud-based video workflows, with tools for better monetizing existing content and increased ROI thanks to speed enhancements and overall improved usability

    CHICAGO -- (SPW) --

    IPV, experts in intelligent video content management for more than 20 years, today announced the availability of Curator Arrival, version 3.0 of its flagship media asset management platform. The release includes a host of performance-based improvements designed to support remote and hybrid workflows, increase user efficiency and ROI, and strengthen security. Topping the list are new features and enhancements to Clip Link and Curator for Adobe, the workflow extension panel that makes editing in Adobe® Premiere® Pro the fastest, most efficient and seamless way for teams to remotely collaborate on video in real-time. 

    “Our customers have made it clear that business continuity and uninterrupted video production workflows are critical to their operations; given the circumstances of the pandemic, the focus of this release was to ensure businesses could easily use Curator while working remotely, while also providing increased ROI for them,” states James Varndell, Product Manager at IPV. “With the release of Curator Arrival, we’re making it easier to remotely edit and collaborate on video projects in addition to simplifying administrative functions in Curator, improving user onboarding, and reducing cloud and hybrid cloud infrastructure costs.”

    New Feature Highlights in IPV Curator Arrival

    Clip Link: An Enhanced Search Experience. IPV has significantly improved the search experience in Curator Clip Link, building on the AI-enabled search results introduced in v2.3 with search highlighting – one of users’ most requested features. This includes highlighting for direct matches where the result corresponds directly with the asset’s metadata, as well as indirect results where the search has matched with parent metadata for a subclip. 

    A powerful new feature, search highlighting makes it easy for users to find content they need quickly and more efficiently – ideal for remote work when collaborators must work more independently and often with less input and oversight from managers. Plus, when users have a better understanding of their search results, it becomes easier to locate, manage and monetize their existing media assets, particularly archives, which is vital given that very little new video content has been produced since the pandemic started.

    Curator Clip Link also now features List View, which gives users the ability to organize search results in a list view and customize the metadata columns for a totally personalized user interface.

    Curator for Adobe Panel Powers Remote Workflows. IPV’s seamless integration for Adobe Premiere Pro, Curator for Adobe now has the same search highlighting functionality as Clip Link, greatly improving the user experience and creating consistency between Curator applications. The Panel also now features a new importer allowing cloud-hosted graphics files to be imported into Premiere Pro. This ensures editors can access the most up-to-date brand graphics assets stored in the cloud directly through Curator without needing access to other file storage devices – crucial for brand management when accessing on-prem storage is likely impossible. 

    “Swap to” and export functions, which were introduced in v2.3 with the ability to choose individual assets to swap, now includes the ability to choose which hi-res version to swap to if there are multiple renditions of the same file (4K, HD, etc.). And now, users can import subclips directly into the Panel by marking in and out points in clips to import only the section needed, rather than the entire clip. 

    Curator Connect Gets a Speed and Performance Boost – Plus Cost Savings for Users. Curator Connect is now even faster, increasing the already 3x faster file copies and bulk folder import introduced in the v2.3 release. Curator Connect’s new checksum architecture greatly reduces the strain on home Wi-Fi bandwidth as the amount of data transferred is significantly less – ideal in current work-from-home environments. The new approach has helped significantly cut down on infrastructure costs, contributing to overall cost savings up to as much as 80% for some customers. A visual indicator of the checksum and upload status improves the user experience by allowing users to see in an instant whether the upload and/or checksum has been successful.

    Curator Gateway Provides Fine-Grained User Controls for Secure Remote Operations. Introduced as a new application in the previous 2.3 release, Curator Gateway is designed to give users fine-grained control over their Curator accounts, making it a self-service setup when possible and reducing strain on IT teams and system administrators. Version 3.0 features improved security with built-in user authentication plus integrations with various authentication providers, and ease of use with single-sign-on across Curator’s end user applications. System admins can also now deactivate and reactivate user accounts – perfect for managing freelance users – and monitor user analytics for a deeper understanding of system use. Remote access is now smoother and more secure thanks to Curator Gateway. 

    Tool-Tip Walkthroughs Every Step of the Way. In Curator Arrival, IPV has built tool-tip walkthroughs into the release to help new and upgrading users master the system and new product features on their own time and at their own pace. In a time where on-premise training is not possible and new staff and/or freelancers are hired without access to hands-on training, these walkthroughs help editors to become more productive and use the tools at their fingertips to their greatest extent. Collaborating remotely using Curator becomes an asset to video teams, improving user adoption of the system and ROI on the Curator investment. 

    For more information on Curator Arrival, please visit https://blog.ipv.com/whats-new-in-curator-arrival-3.0.

    About IPV 
    IPV are serious about video and creating innovative ways to help broadcasters, brand managers, digital marketers and video creators of all kinds move, manage and monetize their media. Curator, IPV’s world-leading Media Asset Management Platform was built to help brands create, collaborate and automate more, smarter and faster. IPV works with some of the biggest names in broadcasting, sports and retail, simplifying complex digital media production so teams can focus on creating inspiring content – no matter where they’re located. 

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2022-01-22)

    IPV.com

    media

    Nick Govoni
    Zazil Media Group
    (978) 866-7354
    Contact via email
    SPW Category:Production and Post-Production Products and Services
    Tags:video content managementIPV



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleNominations Announced For The 7th Annual Location Manager Guild International Awards
    Next Article AMP Awards Names 2020 Curatorial Committee, Announces Benefit For Musicians Foundation
    Grithaus

    Add A Comment
    What's Hot

    3D Animation Director Liam Archibald Joins Blinkink For Worldwide Commercial Representation

    Friday, August 28, 2026

    Duane “Keffe D” Davis’ Murder Trial Heads To Closing In Tupac Shakur’s 1996 Killing

    Friday, August 28, 2026

    C. Kim Miles Shares Insights Into The Reimagining Of “Little House on the Prairie”

    Thursday, August 27, 2026
    Shoot Screenwork

    Apple, TBWA\Media Arts Lab and Director Nicos Livesey Deploy Clay Animation To Showcase “The Mighty Mac Mini”

    Friday, August 28, 2026

    TBWA\Media Arts Lab and director Nicos Livesey–via Blinkink and Stoopid Buddy Stoodios–teamed on this clay…

    TDA Boulder, Director Michael Downing Tackle Banking Clichés In “No Nonsense” Campaign For First Interstate

    Thursday, August 27, 2026

    JT Mega, Director Jake Zalutsky “Savor The Little Things” For Mahatma Rice

    Wednesday, August 26, 2026

    9/11 Day, Pete Davidson, David&Goliath Share Personal 9/11 Story and “UNIITE For Good”

    Tuesday, August 25, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.

    SHOOT
    click X to close window
    ×

    Farewell Note from the Publisher

    After 66 years of covering Commercial, Film & TV production & post, SHOOTonline ceased publishing as of Friday, August 28th, 2026.

    Although publishing activities concluded, the company will continue to operate through a transition period to ensure a smooth conclusion to all business dealings, including processing refunds for prepaid SPW tokens and collecting outstanding advertising invoices.

    A heartfelt Thank You to our readers, advertisers, sponsors, vendors, and of course the amazing staff throughout the decades who have made this wonderful SHOOT Magazine/SHOOTonline journey possible. And, a huge Thank You to all the executives, artisans, companies, agencies, associations, guilds, studios, networks, streaming services, manufacturers, and so many more who trusted us to share their news, milestones, insights, and points of view with the industry.

    Click Here to read more about SHOOT’s closure.

    Click Here to close window
    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.