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    Home » Kees van Oostrum to Serve Second Term as President of American Society of Cinematographers

    Kees van Oostrum to Serve Second Term as President of American Society of Cinematographers

    By SPW EditorWednesday, June 7, 2017Updated:Tuesday, May 14, 2024No Comments3615 Views
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    Kees van Oostrum

    Board Also Votes in Officers for 2017-1018

    LOS ANGELES -- (SPW) --

    The American Society of Cinematographers (ASC) has re-appointed Kees van Oostrum to a second term as president of the organization, based on votes at last night’s Board of Governors meeting. The ASC Board also elected its officers for the 2017-2018 term, including: Bill Bennett, John Simmons and Cynthia Pusheck as vice presidents; Levie Isaacks as treasurer; David Darby as secretary; and Isidore Mankofsky as sergeant-at-arms.

    “As an organization, we are focused on education, international outreach, diversity and preservation of our heritage,” van Oostrum says. “Over the past year, we expanded our Master Class program internationally to Toronto and China. We launched a Chinese version ofAmerican Cinematographer magazine. We are preparing for a third International Cinematography Summit, which sees attendees from several other societies around the world. And our Vision Committee has many initiatives planned after presenting two very successful ‘Day of Inspiration’ events in Los Angeles and New York, which were designed to inspire female cinematographers and crewmembers.”

    The 2017-2018 ASC Regular Board members include: Paul Cameron, Russell Carpenter, Curtis Clark, Richard Crudo, George Spiro Dibie, Fred Elmes, Victor J. Kemper, Stephen Lighthill, Karl-Walter Lindenlaub, Woody Omens, Robert Primes, Cynthia Pusheck, John Simmons, John Toll, and Amy Vincent. Roberto Schaefer, Dean Cundey, Lowell Peterson, Steven Fierberg, and Stephen Burum are Alternate Board members.

    Van Oostrum is also the chairman and originator of the renowned ASC Master Classes, which take place several times a year due to sell-out enrollment. Inaugurated in 2013, the Master Classes are taught exclusively by ASC members. It is designed for cinematographers with an intermediate-to-advanced skill set, and incorporates practical, hands-on demonstrations of lighting and camera techniques with essential instruction in current workflow practices.

    The ASC’s ongoing educational programs consist of the Student Heritage Awards, Coffee and Conversation Q&As with cinematographers, panel discussions by the Education and Outreach Committee, Friends of the ASC membership, and several other committee initiatives.

    Most notable are the award-winning efforts of the ASC Technology Committee, which has proven unique in its ability to shape the standards and practices of cinematography for digital workflows. The Committee works closely with the Academy’s Sci-Tech Council, and is regularly featured in the SMPTE Journal.

    Van Oostrum has earned two Primetime Emmy® nominations for his work on the telefilms Miss Rose White and Return to Lonesome Dove. His peers chose the latter for a 1994 ASC Outstanding Achievement Award. Additional ASC Award nominations for his television credits came for The Burden of Proof, Medusa’s Child, and Spartacus. He also shot the Emmy®-winning documentary The Last Chance. Currently, he serves as director of photography onThe Fosters which airs on Freeform.

    A native of Amsterdam, van Oostrum studied at the Dutch Film Academy with an emphasis on both cinematography and directing, and went on to earn a scholarship sponsored by the Dutch government, which enabled him to enroll the American Film Institute (AFI). Van Oostrum broke into the industry shooting television documentaries for several years. He has subsequently compiled a wide range of some 80-plus credits, including movies for television and the cinema, such as Gettysburg and Gods and Generals, and occasional documentaries.

    ASC was founded in 1919. There are 370-plus active members today who have national roots in some 20 countries. There are also 200 associate members from ancillary segments of the industry. 

    For additional information about the ASC, visit www.theasc.com, or join American Cinematographer on Facebook, Twitter (@AmericanCine) and Instagram (@the_asc).

    About the American Society of Cinematographers
    The American Society of Cinematographers (ASC) is a nonprofit organization dedicated to advancing the art of filmmaking. Since its charter in 1919, the ASC has been committed to educating aspiring filmmakers and others about the art and craft of cinematography. For additional information about the ASC, visit www.theasc.com, or join American Cinematographer on Facebook, Twitter and Instagram.

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    Sally Christgau
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    SPW Category:Industry Association, Union, Guild News
    Tags:American Society of CinematographersASCCinematographersCinematography



    Boris FX Continuum Pairs AI Precision and Advanced Creative Controls

    Thursday, May 14, 2026
    Boris FX Continuum 2026.5

    Boris FX Continuum, the acclaimed visual effects plugin collection, introduces its 2026.5 release. The latest version of the Emmy Award-winning software delivers a new AI deinterlace tool, four updated AI models, a new compositing workflow in the FX Editor, overhauled warp and displacement effects, upgraded wipe transitions, and greater creative control in Particle Illusion. “As we continue to leverage internal AI technology to build new tools, we always keep the needs of Continuum’s editors, artists, and content creators at the forefront,” states Boris Yamnitsky, CEO and Founder of Boris FX. “We carefully choose which types of tasks benefit from AI workflows, such as image restoration and masking. Accordingly, the 2026.5 release adds a new deinterlace tool that uses AI to instantly transform archival, analog footage into progressive-scan frames and also includes more accurate models on our popular face segmentation and license plate masking tools, as well as our motion blur and up-res effects.” AI Tools Continuum’s AI-assisted capabilities grow with a new image restoration effect, updated masking, motion blur, and upres models, and additional flexibility.

    • BCC+ Deinterlace ML: Automatically, precisely converts interlaced video, including analog TV, VHS tapes, etc., into progressive-scan frames.
    • Updated AI Models: Improved accuracy on Face ML, License Plate ML, Motion Blur ML, and UpRes ML.
    • BCC+ Face ML: Adds new nose and neck segmentation.
    • BCC+ Motion Blur ML: Adds a prismatic colored blur trails feature.
    Continuum 2026.5 also features a new ML/AI model unload system. If an ML model isn’t... Read More

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