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    Home » King and Country Creates New On-Air Identity For Chiller

    King and Country Creates New On-Air Identity For Chiller

    By Priya PRThursday, December 10, 2015Updated:Tuesday, May 14, 2024No Comments3622 Views
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    The goal for King and Country was to create a dynamic, contemporary graphics toolkit that truly possessed the soul of the Chiller network.
    Santa Monica, CA -- (SPW) --

    King and Country (K&C), a full-service, design-centric production company has created the new on-air identity for horror network Chiller. The visually arresting rebrand package emphasizes Chiller's new mainstream horror/thriller content with the promise of compelling, high-quality entertainment – while still honoring the classic tagline, “Scary Good.”

    “In the time leading up to the rebrand, Chiller became the only network dedicated to horror entertainment 24/7,” says Shea Pepper, VP Creative, Marketing, Syfy/Chiller. “We wanted to fully embrace that identity, and King and Country gave us an on-air environment as premium as our new mainstream content.”

    The goal for K&C was to create a dynamic, contemporary graphics toolkit that truly possessed the soul of the Chiller network. Using a combination of live-action and VFX, K&C took Chiller's signature “sliced” screen look to a gritty level with photo-real cracked glass and creepy environments, such as a forest, an abandoned house, a victorian bedroom and a subway tunnel. The transitional device of mirrored footage allowed for endless graphically-composed scenes.

    “We wanted to develop a modern conceptual style that echoed Chiller’s film-dominated content without actually showing violence or gore," says Rick Gledhill, Partner/Creative Director at King and Country, who led the project. “It had to be atmospheric, textural, and gripping – but most of all, we wanted to establish a visceral response that made being scared fun.”

    Within each promo environment, an ominous character — a man with a chainsaw, an Edwardian nurse, a stalker or a forest nymph — randomly jumps out at the viewer from various places on the screen, depending on how the promo is edited. Animated shards of glass crack and slide to become the base for navigation of programming-related information.

    “King and Country's previous work for other partners was beautiful, captivating and distinctive, and we very quickly saw they would be a good fit for our kind of content,” says Pepper. “They not only demonstrated a knowledge of the type of branding we needed and wanted to achieve, but they also figured out how to ensure this package worked for us in the long term.”

    K&C developed a comprehensive messaging system that unified and encompassed all of Chiller’s current branding systems and looks, including their three signature nights: “Throwback Thursday,” “Friday Night Premiere,” and “Don’t Watch Alone.” It was imperative that the graphics toolkit not only be highly flexible and unified for a broad range of promotional material and packages, but also align with Chiller's overall brand identity.

    “We devised a curated system of short elements that act as modular building blocks, which can be effortlessly interchanged in many ways,” says Gledhill. “For instance, sometimes the stalker in the tunnel will get you, and sometimes he won’t. Sometimes you’ll see the ghost in the mirror, and sometimes you won’t. It’s the editor’s choice — and this ability to turn the characters on and off makes the package interactive for the the viewers and hopefully, sends a chill up their spines.”

    True to the K&C approach, every detail was well planned out, so there were no surprises during the shoot or in postproduction. The environments were created entirely in CG in After Effects and Cinema 4D. The characters were shot on green screen during a one-day shoot in Hollywood, CA. K&C shot the live-action on a 6K Red Epic Dragon camera, which also provided Chiller with print assets.

    Gledhill credits Chiller’s in-house team, which provided versioning support on a number of items, so K&C could concentrate on the main package elements, making for a great collaboration.

    “King and Country’s roots are in design-based animation and production, so we felt our sensibilities were very well-suited for this rebrand,” concludes Jerry Torgerson, Partner/Executive Producer of K&C. “Prior to this project, we had the privilege of working closely with this same creative team at Syfy and showed our proven talent and skills in design and branding. We went into this Chiller project with a lot of trust already established, and it was rewarding to see some of our more ambitious ideas come to life in the final identity.”

    About King and Country
    King and Country (K&C), a full-service, design-centric production company has earned international recognition for breakthrough projects spanning commercials, original promos and launch campaigns for major networks, and much more. The innovative production foundry, established in 2006 by directors Rick Gledhill and Efrain Montanez and executive producer Jerry Torgerson, unites A-list talents representing every facet of production and post, and delivers impactful films that blend original live-action content, 2D and 3D animation and seamless visual effects into new art forms.  http://www.kingandcountry.tv/
     

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    Video Credits

    Network: Syfy/Chiller


    VP Creative: Shea Pepper
    VP Design: Calvin Chu
    Art Director: Ariel Frost
    Production Manager: Meghan Dineen
    Production Coordinator: Louis Waxman
    Production Assistant: Jillian McCullagh

     

    Production Company: King and Country

    Director:  Rick Gledhill
    Executive Producer: Jerry Torgerson
    Managing Director Network & Brands: Lisa Miller
    Producer: Chris Hill, Seth Gantman
    DP: Andrew Cook
    Coordinator:Daniel Beldy
    Production Designer: Chase Sata
    FX Makeup: Tony Gardner
    Wardrobe Stylist: Day Madrigal

    Animation, VFX Company: King and Country


    CD:  Rick Gledhill
    VFX Supervisor: Andrew Cook
    Art Director: Henry Castleton
    Designers: Hyejung Bae, John Hwang, Josh Lewis
    Animators/Compositors: Henry Castleton, Greg Mitchell, Ted Gore, David Perry

     

    Sound Effects Company: Hum Music
    Audio Mixer: Dan Hart

    Contact:

    Shanna Green
    Priya PR
    310-363-1862
    Contact Shanna via email
     

    SPW Category:Visual Effects and Animation
    Tags:VFXKing and CountrytelevisionrebrandAnimation



    2026: Connect Today for a Better Tomorrow (And Beyond)

    Thursday, January 15, 2026
    Ross MacRae, CEO, Agency Source

    In 2026, the thing that stands out most is how fast this industry is moving, faster than at any point I’ve seen in my career. Agencies, brands, and production companies are constantly shifting, merging, restructuring, and rebuilding. And the people inside them are moving just as quickly. The average lifespan of an agency creative these days is about 18 months. That means if you connect with someone today, chances are they’ll be somewhere completely different by next year, maybe even brand-side. The good news is that you’re essentially building a relationship with multiple clients at once - as long as you keep track of where they go! That level of movement changes what sales and outreach actually mean. When I started, sales in our industry were seen as unnecessary, even a bit smarmy. Agencies had internal service buying teams whose role was to be aware of what production services were out there--which meant that production companies and reps could remain on the agencies' radar with little effort. But today, those agency-side roles have disappeared, and the responsibility has shifted wholly to production companies and reps to make sure they are continuously visible. Whether people like the word “sales” or not, the truth is that you cannot rely on posting your reels on your site and expecting the phone to ring. It never really worked that way, and it certainly doesn’t now. One of the biggest misunderstandings I still encounter is about what a contact database is for. People assume it’s just a place to download email addresses and send out massive blasts. That was never the right way to do it, not 15... Read More

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