Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » Mob Scene Names Award Winning Editors Josh Beaumont and Chris Nesheim as Co-Creative Directors Within the Agency’s Theatrical Division

    Mob Scene Names Award Winning Editors Josh Beaumont and Chris Nesheim as Co-Creative Directors Within the Agency’s Theatrical Division

    By Asbury PRWednesday, March 6, 2019Updated:Tuesday, May 14, 2024No Comments6401 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Josh Beaumont (l) and Chris Nesheim (r) have been named Co-Creative Directors for Mob Scene

    Mob Scene is One of Hollywood's Leading Entertainment Marketing Agencies

    LOS ANGELES -- (SPW) --

    Mob Scene, one of Hollywood’s leading entertainment marketing agencies for major motion picture studios, television networks, and streaming channels, has named award winning Editors Josh Beaumont and Chris Nesheim as Co-Creative Directors, Theatrical. They will both report to Craig A. Platt, Mob Scene’s Executive Vice President, Theatrical. The announcement was made today by Thomas Grane, CEO, Mob Scene.

    Mob Scene’s Theatrical Division works with the top movie studios and streaming networks to create and produce trailers, TV, and digital spots. The division works with studio executives to influence the creative strategy behind high profile campaigns promoting both major theatrical releases, as well as films and documentaries presented by the top streaming platforms.

    In their new positions, Beaumont and Nesheim will continue their editorial work, while also collaborating with Platt to innovate and push the creative work of the Theatrical division.  This will include business and creative development. In addition to their work collaborating on campaigns, they will mentor young talent currently on the rise within Mob Scene itself, and help Platt to grow the Theatrical division over the coming years.

    Before joining Mob Scene, Beaumont had been a Producer and Senior Editor at Buddha Jones, contributing to recent marketing campaigns for “Life of the Party,” “Night School,” and “The Marvelous Mrs. Maisel.” He also served as an Editor at Trailer Park, where he cut teasers and trailers for “Jungle Book,” “Life of the Party,” “Anchorman 2,” and both “Horrible Bosses” films.

    Prior to his promotion, Nesheim had been a Senior Editor at Mob Scene since 2012, most recently working on the promotional campaign for “Aquaman,” “Fantastic Beasts and Where to Find Them,” and the Clio Award winning teaser for “The Accountant.”

    Regarding today’s news, Grane said, “The key to success in the entertainment marketing industry is to work with the brightest and most creative talent available. Josh and Chris certainly represent the cream of the crop. They have contributed to countless highly successful marketing campaigns for some of the biggest hit films of the recent past. We are proud to be promoting Chris to his new post, and delighted to be adding Josh Beaumont to our award winning team.”

    Adds Platt, “I am extremely excited to have Josh and Chris in these new positions.  They are both award winning Editors with years of experience. I have worked with Josh in the past, and with Chris over the last three years, and they both exhibit very strong editorial talent and a proven ability to find unique and impactful ways by which to sell films. They can work successfully to shape creative campaigns by collaborating closely with both filmmakers and every other contributor along the way, including those in production, graphics, music, editorial and copywriting. Josh and Chris can always be counted on to go above and beyond the call of duty – their commitment to excellence is unmatched.”

    About JOSH BEAUMONT
    Josh Beaumont is an award-winning Editor who has worked for seventeen years within the entertainment marketing industry. While at Trailer Park, he edited notable theatrical trailers, including those promoting “The Jungle Book,” “Life of the Party,” “Going in Style,” “Daddy’s Home 2,” and “Horrible Bosses.” While there, he also contributed to the success of various additional theatrical campaigns, including “A Wrinkle in Time,” “Doctor Strange,” “Sherlock Holmes,” “Project X,” “Anchor Man 2,” and the “Night at the Museum” franchise.

    In his subsequent role as a Producer and Senior Editor at Buddha Jones, Beaumont lent his expertise in producing and editing to several feature film and television campaigns, including “Life of the Party,” “Night School,” and “The Marvelous Mrs. Maisel,” among others.

    About CHRIS NESHEIM
    Chris Nesheim is an award winning Editor and Creative Director. He started his career at The Cimmaron Group, moved onto Mojo, and has been at Mob Scene as a Senior Editor since 2012. Nesheim received the “Best in Show” honor at the 2016 Clio Awards for his teaser promoting the film “The Accountant.”

    Additionally, Nesheim has also worked on the campaigns for “Aquaman,” “Harry Potter and the Deathly Hollows: Parts 1 and 2,” “Fantastic Beasts and Where to Find Them,’ “X Men: Days of Future Past,” and “San Andreas,” to name some.

    About MOB SCENE
    Mob Scene, the winner of seven 2018 Clio “Key Art Awards” for Excellence in Entertainment Marketing, is more than just a full-service Hollywood agency. The company, founded in 2006, is a creative destination with a passionate and collaborative environment that inspires imagination, cultivates top talent, and delivers premium service.

    Mob Scene has diverse experience that spans advertising, branded integration, traditional film and television production, and post-production. The agency’s creative capabilities run the gamut: from short Instagram videos to 90-minute live broadcasts to complete 360-degree campaigns, as well as trailers, promos, documentaries, and unique, behind-the-scenes added value content. In addition, Mob Scene has also produced five television shows.

    Recent Mob Scene projects have included work promoting six feature films which were nominated for “Best Picture” at the 2019 Academy Awards: “Green Book,” “Roma,” “A Star is Born,” “Bohemian Rhapsody,” “Vice” and “The Favourite.” Other recent Mob Scene promotional campaigns include “Alita: Battle Angel,” “Aquaman,” “Fantastic Beasts: The Crimes of Grindelwald” and “Spider-Man: Into the Spider-Verse.” The company is also currently producing its fifth season of the FX television show “FX Movie Download.”

    Additional Mob Scene campaigns from the past few years include: “Deadpool 2,” “The Meg,” “Ready Player One,” “Wonder Woman,” “Jumanji: Welcome to the Jungle,” “A Quiet Place,” “Justice League” and “The Fate of the Furious,” to name a few. Among the agency’s television projects have been campaigns promoting “Ozark,” “Orange is the New Black,” “Stranger Things,” “The Walking Dead,” “The Handmaid’s Tale,” and dozens more.

    Mob Scene is located at 5750 Wilshire Blvd., Suite # 530, Los Angeles, CA, 90036. Phone is 323/648-7200.

    Please see:

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2020-09-04)

    www.mobscene.com

    media

    Dan Harary
    Publicist
    The Asbury PR Agency
    (310) 859-1831
    Contact via email
    SPW Category:People on the Move
    Tags:EditingtrailersMob SceneEntertainment marketing



    How Cutting “Wicked” Films Changed Oscar Nominee Myron Kerstein For Good

    Tuesday, January 13, 2026
    Myron Kerstein, ACE behind the scenes working on "Wicked" and "Wicked: For Good"

    While having a phenomenal range of credits across genres, Kerstein definitely cemented his reputation as a music man of the editing room with Tick, tick…. Boom! and Wicked earning him two Academy Awards® nominations. He shared with us some of his secrets on tackling the tremendous task of finishing this epic journey and how finding intimate moments in grand scenes shapes his approach to work. You have been Oscar® nominated for Tick, tick… Boom! and notable for Wicked last year. Are musicals like second nature, what do you love about working on them or what attracts you to them? I love working on musicals because when a character does not have the ability to say how they feel, singing it is another form of expression. So oftentimes that singing is sort of a version of a monologue inside their heads, and I love to explore that form of expression. It's unlike anything else in any other genre, like voiceover, because the musical is a very specific way in which characters can express themselves. I also happen to really love music. So cutting musicals satisfies this love of mine of this specific form of expression, but also my love for music and the genre itself. The genre has such a long history. There's so many incredible artists who have used this genre to express different stories from the Music Man or Grease or The Umbrellas of Cherbourg or Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleAlkemy X Signs Director Jonathan Yi
    Next Article House of Blues Music Forward Foundation Launches Scholarship to Help Homeless and Foster Youth Pursue Careers in Music Business
    Asbury PR

    Add A Comment
    What's Hot

    Review: Director Rebecca Zlotowski’s “A Private Life,” Starring Jodie Foster

    Thursday, January 15, 2026

    Jackie Brenneman Named Next President & CEO Of The Independent Film & Television Alliance

    Wednesday, January 14, 2026

    “Sinners” Tops Guild of Music Supervisors Awards With 3 Nominations

    Wednesday, January 14, 2026
    Shoot Screenwork

    The Best Work You May Never See: NFL Playoff Momentum Builds As Canadian Fans Change Writing On The Walls From “No” To “Go Bills”

    Wednesday, January 14, 2026

    Mosaic North America has been named Canadian agency of record for the Buffalo Bills. The…

    Team One and Director Frédéric Planchon Go “Miles & Miles” For Emotional Sanctuary To Launch The Electric 2026 Lexus RZ

    Tuesday, January 13, 2026

    The “A” In AI Stands For Awkward In Tongue-in Cheek Parody Ads Featuring The Jonas Brothers For Almond Breeze

    Monday, January 12, 2026

    Love Song’s Ja’Lisa Arnold Directs A Call To Rethink Aging For Timeline

    Friday, January 9, 2026

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.