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    Home » Motion Picture Sound Editors Announces 69th Annual Golden Reel Award Nominees

    Motion Picture Sound Editors Announces 69th Annual Golden Reel Award Nominees

    By Artisans PRMonday, January 24, 2022Updated:Tuesday, May 14, 2024No Comments2984 Views
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    International virtual ceremony slated for March 13th

    LOS ANGELES -- (SPW) --

    The Motion Picture Sound Editors (MPSE) today announces nominees for the 69th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment, and student productions.

    “It’s been a fantastic year for sound and we look forward to celebrating the incredible work sound editors have performed for movies, television, games, documentaries and other creative media last year,” said MPSE president Mark Lanza. “We are excited this year to recognize Ron Howard with our Filmmaker Award and Chic Ciccolini as our Career Achievement recipient. Building on the success of our first-ever virtual ceremony last year, we are planning an even more spectacular night of fun, surprises and great achievements in sound.”

    The MPSE Golden Reel Awards recognize outstanding achievement in sound editing in 17 categories encompassing feature films, television, animation, computer entertainment, and student work. This year, the awards ceremony will be held as an international virtual event on Sunday, March 13, 2022. 

    Tickets to the 69th Annual MPSE Golden Reel Awards may be purchased here:

    2022 MPSE FILMMAKER AWARD

    Ron Howard

    2022 MPSE CAREER ACHIEVEMENT AWARD

    Anthony “Chic” Ciccolini, III

    69th ANNUAL MPSE GOLDEN REEL AWARD NOMINEES

     

    Outstanding Achievement in Sound Editing – Animation Series or Short

    Jurassic World – Camp Cretaceous: “Eye of the Storm”

    Netflix

    Supervising Sound Editor: Rob McIntyre MPSE

    Sound Designer: Evan Dockter

    Sound Effects Editors: Marc Schmidt, D.J. Lynch

    Dialogue Editor: Anna Adams

    Foley Editor: Aran Tanchum

    Foley Artists: Ezra Walker, Vincent Guisetti

     

    Love, Death + Robots: “Snow in the Desert”

    Netflix

    Supervising Sound Editor: Brad North MPSE

    Sound Designer: Craig Henighan MPSE

    Foley Editors: Jeff Gross, Dawn Lunsford

    Foley Artist: Alicia Stevens

    Music Editor: Jeff Charbonneau

     

    Star Trek: Lower Decks: “Strange Energies”

    Paramount+

    Supervising Sound Editor: James Lucero

    Sound Effects Editors: James Singleton, Mak Kellerman

    Dialogue Editor: Michael LaFerla

    Foley Artist: Michael Britt

     

    Star Wars: Visions: “The Duel”

    Disney+

    Supervising Sound Editors: David W. Collins, Matthew Wood

    Sound Designer: David W. Collins

    Sound Editor: Luke Dunn Gielmuda

    Foley Artist: Jana Vance

     

    Star Wars: The Bad Batch: “Reunion”

    Disney+

    Supervising Sound Editor: Matthew Wood

    Sound Designer: David W. Collins

    Sound Editor: David W. Collins

    Foley Editor: Frank Rinella

    Foley Artist: Kimberly Patrick

     

    Star Wars: A Galaxy of Sounds: “Excitement”

    Disney+

    Supervising Sound Editor: David W. Collins

    Sound Designers: Ben Burtt, David Acord, Ren Klyce, Tim Nielson, Chris Scarabosio, Tom Bellfort, Sam Shaw, Gary Rydstrom MPSE

    Sound Editor: Matthew Wood

     

    Outstanding Achievement in Sound Editing – Limited Series or Anthology

     

    The Book of Boba Fett                             

    Disney+

    Supervising Sound Editors: Matt Wood, Bonnie Wild

    Sound Designer: David Acord

    Sound Effects Editor: David Collins

    ADR Editors: Angela Ang, Ryan Cota

    Foley Editor: Alyssa Nevarez

    Foley Artists: Ronni Brown, Andrea Gard, Sean England, Margie O'Malley

     

    Loki: “Journey Into Mystery”

    Disney+

    Supervising Sound Editors: David Acord, Matthew Wood

    Sound Effects Editors: Kyrsten Mate MPSE, Adam Kopald

    Supervising Dialogue Editor: Steve Slanec

    ADR Editor: Brad Semenoff MPSE

    Sound Designer: David Farmer MPSE

    Foley Editor: Joel Raabe

    Foley Artists: Shelley Roden MPSE, John Roesch MPSE

    Supervising Music Editor: Anele Onyekwere

    Music Editors: Nashia Wachsman, Ed Hamilton

     

    Mare of Easttown: “Illusions”

    HBO Max

    Supervising Sound Editor: Bradley North MPSE

    Dialogue Editor: Tiffany S. Griffith

    Sound Effects Editor: Jordan Wilby MPSE

    Foley Editor: Antony Zeller MPSE

    Foley Artist: Zane Bruce

    Music Editor: Stephanie Lowry

     

    The Underground Railroad: Chapter 9: “Indiana Winter”

    Amazon Prime

    Supervising Sound Editor: Onnalee Blank MPSE

    Sound Designers: Jay Jennings, Harry Cohen MPSE

    Sound Effects Editor: Luke Gibleon

    Dialogue Editors: Chris Kahwaty MPSE, Katy Wood

    ADR Editor: Bryan Parker MPSE

    Foley Editors: Pietu Korhonen, Lars Halvorsen

    Foley Artist: Heikki Kossi MPSE

    Music Editor: John Finklea

     

    Wandavision: “The Series Finale”

    Disney+

    Supervising Sound Editors: Gwen Whittle MPSE, Kimberly Foscato

    Sound Designer: Steve Orlando

    Sound Effects Editors: Scott Guitteau, Jon Borland, Samson Neslund, Richard Gould

    Supervising Music Editor: Anele Onyekwere

    ADR Editors: James Spencer, Chris Gridley

    Foley Editor: Luke Dunn Gielmuda

    Music Editors: Fernand Bos MPSE, Tom Kramer

    Foley Artists: Ronni Brown, Shelley Roden MPSE, John Roesch MPSE

     

    The White Lotus

    HBO Max

    Supervising Sound Editor: Kathryn Madsen MPSE

    Supervising Dialogue Editor: Paul Hammond

    Sound Effects Editor: Mark Allen MPSE

    Foley Artist: Stefan Fraticelli

    Music Editor: Mikael Sandgren

     

    Outstanding Achievement in Sound Editing – Non-Theatrical Animation

    Arcane – League of Legends: “When These Walls Come Tumbling Down”

    Netflix

    Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE

    Supervising Music Editor: Alexander Temple

    Supervising ADR Editor: Shannon Beaumont

    Foley Editor: Alexander Ephraim MPSE

    Foley Artists: Dan O' Connell, John Cucci MPSE

    Music Editor: Alex Seaver

     

    Lego Star Wars: “Terrifying Tales”

    Disney+

    Supervising Sound Editors: David W. Collins, Matthew Wood

    Sound Designer: David W. Collins

    Sound Editors: Justin Doyle, Bonnie Wild

    Foley Editor: Frank Rinella

    Foley Artists: Kimberly Patrick, Andrea Gard

     

    Maya and the Three: “Chapter 9: The Sun and the Moon”

    Netflix

    Supervising Sound Editor: Scott Martin Gershin MPSE

    Sound Designers: Chris Richardson, Andrew Vernon MPSE

    Sound Designer: Scott Martin Gershin MPSE

    Sound Effects Editors: David Barbee MPSE, Masanobu “Tomi” Tomita

    Foley Artist: Dan O’Connell

    Music Editor: Andres Locsey

     

    What if…Doctor Strange Lost His Heart Instead of His Hands?

    Disney+

    Supervising Sound Editor: Mac Smith

    Sound Effects Editors: Bill Rudolph, Alyssa Nevarez

    Dialogue Editor: Cheryl Nardi

    Supervising Music Editor: Anele Onyekwere

    Music Editor: Tom Kramer

    Foley Artists: John Roesch MPSE, Shelley Roden MPSE

     

    White Snake 2: “The Tribulation of the Green Snake”

    Netflix

    Supervising Sound Editor: Gary Chen

    Sound Designer: Gary Chen

    Sound Effects Editors: Wang Shuangshuang, Gary Chen, Mango Mok, Ji Hongrui, Irene Sun, Qiu Yi

    ADR Editors: Listen Zhang, Liu Huizhe

    Foley Editors: Liu Huizhe, Cui Lin

    Foley Artist: Wang Ziwei, Miao Yin, Zhang Jindong, Xin Shengnan

     

    Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

    1971: The Year That Music Changed Everything: “Episode 1”

    Apple TV+

    Supervising Sound Editors: Andy Shelley, Stephen Griffiths

    Sound Effects Editors: Tae Hak Kim, Justin Dolby

    Dialogue Editor: Claire Ellis

    Foley Editors: Adam Oakley, Paolo Pavesi

    Music Editors: Dan Johnson, Nas Parkash

    Foley Artists: Zoe Freed, Rebecca Heathcote

     

    The Beatles Get Back: “Part 3”

    Disney+

    Supervising Sound Editors: Brent Burge, Martin Kwok

    Sound Editors: Matt Stutter MPSE, Buster Flaws, Melanie Graham

    Dialogue Editor: Emile De La Rey

    Music Editors: Steve Gallagher MPSE, Tane Upjohn-Beatson

    Foley Editor: Michael Donaldson

    Foley Artist: Simon Riley

     

    Bob Ross: Happy Accidents, Betrayal & Greed

    Netflix

    Supervising Sound Editor: Trevor Gates

    Dialogue Editors: Ryan Briley, Taylor Jackson

    Sound Effects Editors: Paul B. Knox, Russell Topal MPSE, Mark Coffey

    Foley Editor: Alex Jongbloed

    Foley Artist: Tara Blume

    Music Editor: Liam Rice

     

    Exterminate All the Brutes

    HBO / HBO Max

    Sound Editors: Séverin Favriau, Emeline Aldeguer

    Dialogue Editor: Daniel Irribaren

    Foley Artist: Vincent Maloumian

     

    Formula 1: Drive to Survive: “Down to the Wire”

    Netflix

    Supervising Sound Editors: Steve Speed, Nick Fry

    Sound Effects Editor: Hugh Dwan

    Sound Designer: James Evans

    Dialogue Editor: Hugh Dwan

     

    Life in Colour with David Attenborough: “Seeing in Color”

    Netflix

    Supervising Sound Editor: Wayne Pashley MPSE

    Sound Effects Editor: Paul Fisher

    Foley Artists: Jonathan Cawte, Andy Devine, Richard Hinton

    Music Editor: James Dorman

     

    McCartney 3, 2, 1

    Hulu

    Supervising Sound Editor: Jonathan Greber

    Sound Editor: Leff Lefferts

    Dialogue Editors: E. Larry Oatfield, Bjorn Ole Schroeder

    Music Editor: Kim Foscato

     

    Welcome to Earth

    Disney+

    Supervising Sound Editor: Jay Price

    Sound Effects Editor: Jay Price

    Dialogue Editor: Tom Foster

    Foley Editor: Stuart Bagshaw

    Music Editor: Ben Smithers

     

    Outstanding Achievement in Sound Editing – Non-Theatrical Feature

     

    Fear of Rain

    Hulu

    Supervising Sound Editor: David Barber MPSE

    Foley Editor: David Kitchens MPSE

    Sound Effects Editor: Ben Zarai

    Sound Designer: David Barbee, MPSE

    Foley Artist: Gonzalo "Bino" Espinoza

    ADR Editor: Michael Kreple

     

    Fear Street: “Part Two – 1978”

    Netflix                                                                         

    Supervising Sound Editor: Trevor Gates

    Supervising Dialogue Editor: Jason Dotts

    Sound Effects Editors: Matthew Thomas Hall, Russell Topal MPSE, Mark Coffey

    Dialogue Editors: Kristen Hirlinger, Harrison Meyle

    Foley Artist: Sandra Fox

    Music Editor: Brett "Snacky" Pierce MPSE

     

    The Ice Road

    Netflix

    Supervising Sound Editor: Trip Brock MPSE

    Sound Designer: Charles Maynes MPSE

    Supervising ADR Editor: Jacob Ortiz MPSE

    Dialogue Editor: Jackie Johnson

    Sound Effects Editors: Raymond Park MPSE, Demetri Evdoxiadis

    Foley Artists: Lorita de la Cerna, G.W. Pope, III MPSE

    Music Editor: Nicholas Fitzgerald

     

    Infinite

    Paramount+

    Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE

    Sound Designer: Hamilton Sterling

    Sound Effects Editor: Will Digby MPSE

    Dialogue Editors: Micah Loken MPSE, Sang Kim

    Foley Editor: Eryne Prine MPSE

    Music Editor: Mark "Vordo" Wlodarkiewicz

    Foley Artists: Dan O'Connell, John Cucci MPSE

     

    Oslo

    HBO Max

    Supervising Sound Editor: Lewis Goldstein

    Supervising ADR Editor: Gina Alfano MPSE

    Sound Designer: Peter John Still

    Sound Effects Editors: Alex Soto, Alfred DeGrand

    Dialogue Editor: Thomas Ryan

    Foley Editor: Wen Tseng

    Foley Artists: Leslie Bloome, Joanna Fang

     

    Outstanding Achievement in Sound Editing – ½ Hour – Comedy or Drama

    Hacks: “There Is No Line”

    HBO Max

    Supervising Sound Editor: Brett Hinton

    Sound Effects Editor: Marc Glassman MPSE

    Dialogue Editor: Ryne Gierke

    Foley Editor: Samuel Munoz

    Foley Artist: Noel Vought

    Music Editor: Jason Tregoe Newman

     

    The Kominsky Method: “The Round Toes, of the High Shoes”

    Netflix

    Supervising Sound Editor: Lou Thomas

    Sound Effects Editors: Mark Messick, TJ Jacques

    Foley Editor: Clay Weber MPSE

    Foley Artist: Sanaa Kelley

     

    Mythic Quest: “Everlight”

    Apple TV+

    Supervising Sound Editor: Matthew E. Taylor

    Sound Designer: Pete Nichols

    Sound Effects Editor: Matthew Wilson

    Dialogue Editor: Sean Heissinger

    Foley Editor: David Jobe

    Foley Artists: Elizabeth Rainey, Jody Holwadel Thomas

    Music Editor: Joe Deveau

     

    Only Murders in the Building: “The Boy From 6B”

    Hulu

    Supervising Sound Editor: Mathew Waters

    Dialogue Editor: Danika Wikke MPSE

    Sound Effects Editor: Meredith Stacy

    Music Editor: Micha Liberman

     

    Schmigadoon: “Suddenly”

    Apple TV+

    Supervising Sound Editor: Cormac Funge

    Sound Effects Editor: Peter Nichols

    Dialogue Editor: John Green

     

    We Are Lady Parts: “Sparta”

    Peacock                                                   

    Supervising Sound Editor: Jay Price

    Sound Editor: Tom Foster

    Dialogue Editor: Dario Swade

    Foley Editor: Sam Walsh

     

    What We Do in the Shadows: “The Escape”

    FX

    Supervising Sound Editor: Steffan Falesitch

    Sound Effects Editor: David Barbee MPSE

    Dialogue Editor: Chris Kahwaty MPSE

    Foley Editors: John Guentner, Sam Lewis

    Foley Artist: Ellen Heuer

    Music Editor: Steve Griffen

     

    Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR

    For All Mankind: “And Here’s to You”

    Apple TV+                

    Supervising Sound Editor: Vince Balunas MPSE

    Dialogue Editor: Vince Balunas MPSE

    ADR Editor: Vince Balunas MPSE

     

    The Handmaid’s Tale: “Vows”

    Hulu

    Supervising Sound Editor: David McCallum MPSE

    Dialogue Editor: Krystin Hunter

     

    The Morning Show: “My Least Favorite Year”

    Apple TV+

    Supervising Sound Editor: Mark Relyea MPSE

    Supervising ADR Editor: Julie Altus

    Dialogue Editor: Robert Guastini MPSE

    Supervising Dialogue Editor: Pernell Salinas

     

    The Nevers: “Pilot”

    HBO Max

    Supervising Sound Editor: Tim Kimmel MPSE

    Supervising ADR Editor: Tim Hands

    Supervising Dialogue Editor: John Matter MPSE

     

    Squid Game: “VIPS”

    Netflix                                         

    Supervising Sound Editors: Hye-Young Kang, Tae-Young Choi

    Supervising ADR Editor: Byung-In Kim

    Supervising Dialogue Editor: Eun-Ji Ye

     

    Star Trek Discovery: “Kobayashi Maru”           

    Paramount+

    Supervising Sound Editor: Matthew E. Taylor

    Supervising Dialogue Editors: Sean Heissinger, Cormac Funge

    ADR Editor: Cormac Funge

     

    Succession: “Secession”

    HBO Max

    Supervising Sound Editor: Nicholas Renbeck MPSE

    Dialogue Editor: Michael Feuser

    ADR Editor: Angela Organ

     

    Ted Lasso: “Rainbow”

    Apple TV+

    Supervising Sound Editor: Brent Findley MPSE CAS

    Dialogue Editor: Bernard Weiser MPSE

    Crowd Editor: Kip Smedley

     

    Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley

     

    Foundation: “The Emperor’s Peace”      

    Apple TV+

    Sound Designer: Tyler Whitham MPSE

    Sound Effects Editors: Paul Germann, Dave Rose

    Foley Artist: Steve Baine

     

    The Handmaid’s Tale: “Chicago”

    Hulu                          

    Supervising Sound Editors: Jane Tattersall MPSE, David McCallum MPSE

    Sound Effects Editor: Brennan Mercer

    Foley Editor: David Caporale

    Foley Artist: Sandra Fox

     

    Lost in Space: “Trust”

    Netflix

    Supervising Sound Editor: Branden Spencer MPSE

    Sound Designer: Benjamin Cook MPSE

    Sound Effects Editors: Shaughnessy Hare, Brendan Croxon

    Foley Artist: Paul Pirola

     

    Squid Game: “VIPS”

    Netflix                                         

    Supervising Sound Editor: Hye-Young Kang

    Sound Designer: Ye-Jin Jo

    Sound Effects Editor: Hye-Jin Yang

    Foley Editor: Taek-Hyun Hong

    Foley Artist: Chung-Gyu Lee

     

    Star Trek Discovery: “Kobayashi Maru”

    Paramount+

    Supervising Sound Editors: Matthew E. Taylor, Michael Schapiro

    Sound Designers: Harry Cohen MPSE, Katie Halliday MPSE

    Sound Effects Editor: Andrew Twite

    Foley Editor: Clay Weber MPSE

    Foley Artists: Alyson Moore, Chris Moriana

     

    Ted Lasso: “Beard’s Night Out”

    Apple TV+

    Supervising Sound Editor: Brent Findley MPSE CAS

    Sound Effects Editors: Kip Smedley, Mark Cleary

    Foley Editors: Jordan McClain, Arno Stephanian MPSE

    Foley Artists: Sanaa Kelley, Matt Salib

     

    The Witcher: “A Grain of Truth”

    Netflix

    Supervising Sound Editor: Matthew Collinge

    Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne

    Foley Editors: Adam Oakley, Rob Weatherall

    Foley Artists: Zoe Freed, Rebecca Heathcote

     

    Wu Tang: An American Saga: “Protect Ya Neck”

    Hulu

    Supervising Sound Editor: Thomas E. de Gorter MPSE

    Sound Designer: Michael O'Conner

    Foley Editors: Geordy Sincavage, Alex Jongbloed

    Foley Artists: Tara Blume, Monique Reymond

     

    Outstanding Achievement in Sound Editing – Series 1 Hour – Music

    Cobra Kai: “The Rise”

    Netflix

    Music Editor: Andres Locsey

     

    See: Rock-a-Bye

    Apple TV+

    Music Editor: Dan Farkas

     

    Squid Game: “Red Light, Green Light”

    Netflix

    Music Editor: Jae-il Jung

     

    Star Trek Discovery: “Kobayashi Maru”

    Paramount+

    Supervising Music Editor: Moira Marquis

    Scoring Editor: Matea Prljevic

     

    Ted Lasso: “Rainbow”

    Apple TV+

    Supervising Music Editor: Richard David Brown

    Music Editor: Sharyn Gersh MPSE

     

    The Witcher: “A Grain of Truth”

    Netflix

    Music Editor: Arabella Winter MPSE

     

    Wu Tang: An American Saga: “Protect Ya Neck”

    Hulu

    Music Editor: Sebastian Zuleta

     

    Outstanding Achievement in Sound Editing – Feature Animation

    Encanto

    Walt Disney Animation Studios

    Supervising Sound Editor: Shannon Mills

    Supervising Dialogue Editor: Brad Semenoff MPSE

    Sound Designer: Nia Hansen

    Sound Effects Editors: Samson Neslund, Justin Doyle, Cameron Barker, Qianbaihui Yang MPSE

    Dialogue Editor: Richard Quinn

    Foley Editor: Alyssa Nevarez

    Foley Artists: John Roesch MPSE, Shelley Roden MPSE

    Supervising Music Editor: Earl Ghaffari

    Music Editors: Angie Rubin, Kendall Demarest MPSE

     

    Luca

    Pixar Animation Studios

    Supervising Sound Editors: Chris Scarabosio, André Fenley

    Supervising Dialogue Editor: Rich Quinn

    Supervising Foley Editor: Ronni Brown

    Sound Effects Editors: Justin Doyle, Pascal Garneau

    Foley Editor: E. Larry Oatfield

    Foley Artists: Jana Vance, Ronni Brown

    Music Editor: Lodge Worster      

     

    The Mitchells vs. the Machines

    Sony Pictures Animation

    Supervising Sound Editor: Geoffrey G. Rubay

    Supervising ADR Editor: James Morioka

    Sound Designer: John Pospisil

    Sound Effects Editors: Kip Smedley, Andy Sisul MPSE, Alec G. Rubay, Dan Kenyon, Greg Ten Bosch MPSE

    ADR Editor: Curt Schulkey

    Foley Artist: Gregg Barbanell MPSE

    Foley Artist: Rick Owens MPSE

    Music Editors: Dominick Certo MPSE, Barbara McDermott

     

    Raya and the Last Dragon

    Walt Disney Animation Studios

    Supervising Sound Editor: Shannon Mills

    Supervising Dialogue Editor: Brad Semenoff MPSE

    Sound Designer: Nia Hansen

    Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker

    Foley Editors: Chris Frazier, Steve Orlando

    Foley Artists: John Roesch MPSE, Shelley Roden MPSE

    Supervising Music Editor: Jim Weidman

    Music Editor: David Olson

     

    Sing 2

    Illumination / Universal Pictures

    Supervising Sound Editor: Dennis Leonard

    Supervising Dialogue Editor: Jonathan Greber

    Supervising ADR Editor: Daniel Laurie

    Sound Designer: Josh Gold

    Sound Effects Editors: Lucas Miller, Benjamin A. Burtt

    Foley Editors: Shaun Farley MPSE, Jonathon Stevens

    Music Editors: Michael Connell, Charles Inouye         

     

    Outstanding Achievement in Sound Editing – Feature Documentary

    Billie Eilish: The World’s a Little Blurry

    Apple TV+

    Supervising Sound Editor: Richard Yawn MPSE

    Music Editor: Michael Brake MPSE

    Dialogue Editor: Rob Getty MPSE

    Sound Effects Editor: Steven Avila MPSE

    Foley Editor: Shawn Kennelly

    Foley Artists: Melissa Kennelly, Vince Nicastro

     

    Flee

    NEON

    Supervising Sound Editor: Edward Björner

    Dialogue Editor: Jens Johansson

    Sound Designer: Fredrik Jonsäter

    Foley Artists: Rune Van Deurs, Bengt Öberg

     

    The Rescue

    Disney+

    Supervising Sound Editor: Deborah Wallach

    Sound Effects Editor: Roland Vajs

    Foley Artist: Nuno Bentro

    Music Editor: Ben Smithers

     

    Summer of Soul (or, when the Revolution Could Not Be Televised)

    Searchlight Pictures

    Supervising Sound Editor: Joshua L. Pearson

    Supervising Music Editor: Jimmy Douglass

     

    VAL

    Amazon Prime

    Supervising Sound Editor: John Bolen

    Dialogue Editor: John Bolen

    Sound Effects Editor: John Bolen

    Foley Editor: John Bolen

     

    The Velvet Underground

    Apple TV+

    Supervising Sound Editor: Leslie Shatz

    Music Editor: Jahn Sood

     

    Outstanding Achievement in Sound Editing – Foreign Language Feature

    Cliff Walkers

    Viki

    Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE

    ADR Editor: Li Xinghui

    Foley Artist: Han Junsheng

    Sound Editors: Ann Scibelli, Xiao'ou Olivia Zhang MPSE, Iain Pattison

     

    The Hand of God

    Netflix

    Supervising Sound Editor: Silvia Moraes

     

    A Hero

    Amazon Prime

    Supervising Sound Editor: Mohammadreza Delpak

    Dialogue Editor: Mohammadreza Delpak

    Sound Effects Editor: Mohammadreza Delpak

     

    Titane

    Amazon Prime

    Sound Editor: Séverin Favriau

    Foley Artist: Céline Bernard

     

    A Writer’s Oddyssey

    Netflix

    Supervising Sound Editor: Xiao Sha Liu

    Supervising ADR Editor: Xiao Sha Liu

    Sound Designer: Gang Wang

    Sound Effects Editors: Shuang Shuang Wang, Hong Rui Ji, Gang Wang, Ruo Qi Mo, Tobias Poppe, Zi Jian Jiang

    Dialogue Editor: Zi Jin

    Foley Editor: Pei Ya Zhang

    Foley Artists: Zi Wei Wang, Yin Miao

    Music Editor: Fei Yu

     

    Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

    Dune

    Warner Bros.

    Dialogue Editor: David Bach

     

    Last Night in Soho

    Universal Pictures

    Supervising Sound Editors: Dan Morgan, Julian Slater MPSE

    Supervising ADR Editor: Dan Morgan

     

    The Matrix Resurrections

    Warner Bros.

    Supervising Sound Editors: Stephanie Flack, Dane A Davis MPSE

    Dialogue Editors: Marek Forreiter, Benjamin Hörbe, Dominik Schleier, Immo Trümpelmann

     

    Nightmare Alley

    Searchlight Pictures

    Supervising Sound Editor: Jill Purdy MPSE

    Supervising Dialogue Editor: Jill Purdy MPSE

    Supervising ADR Editor: Jill Purdy MPSE

    Dialogue Editor: Nelson Ferreira MPSE

     

    No Time to Die

    Universal Pictures

    Supervising Dialogue & ADR Editors: Becki Ponting, Michael Maroussas

    Dialogue Editors: Rachael Tate MPSE, Adele Fletcher

    Supervising Sound Editor: Oliver Tarney MPSE

     

    The Power of the Dog

    Netflix

    Supervising Dialogue & ADR Editor: Leah Katz

     

    A Quiet Place Part II

    Paramount Pictures

    Supervising Sound Editor: Ethan Van der Ryn

    Supervising Dialogue & ADR Editors: Vanessa Lapato, Nancy Nugent

    Dialogue Editor: Matt Cavanaugh MPSE

     

    The Tragedy of Macbeth

    Apple TV+

    Supervising Sound Editor: Skip Lievsay

    Supervising Dialogue Editor: Michael Feuser

     

    Outstanding Achievement in Sound Editing – Feature Effects / Foley

    Belfast

    Focus Features

    Sound Designer: James Mather

    Sound Editor: Tomas Blazukas

    Foley Editor: Arthur Grayley

    Foley Artists: Sue Harding, Oliver Ferris

     

    Dune

    Warner Bros.

    Supervising Sound Editors: Theo Green, Mark Mangini MPSE

    Sound Designer: Dave Whitehead

    Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE, Piero Mura

    Foley Editor: Christopher Bonis

    Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox

     

    The Matrix Resurrections

    Warner Bros.

    Supervising Sound Editors: Dane A. Davis MPSE, Stephanie Flack

    Sound Effects Editors: Bryan O. Watkins, Jeremy Peirson, Markus Stemler, Michael Schapiro, Eric Lindemann, Albert Gasser MPSE, Laurent Kossayan MPSE, Caron Weidner

    Foley Editors: Frank Kruse, Kuen Il Song

    Foley Artist: Daniel Weiss

     

    Nightmare Alley

    Searchlight Pictures

    Supervising Sound Editor: Nathan Robitaille MPSE

    Sound Effects Editor: Dashen Naidoo

    Foley Editor: Chelsea Body

    Foley Artists: Goro Koyama, Andy Malcolm

     

    No Time to Die

    Universal Pictures

    Supervising Sound Editors: Oliver Tarney MPSE, James Harrison

    Sound Designers: Bryan Bowen, Eilam Hoffman

    Sound Effects Editor: Dawn Gough

    Foley Editor: Hugo Adams

    Foley Artists: Sue Harding, Andrea King

     

    A Quiet Place Part II

    Paramount

    Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE

    Sound Designers: Malte Bieler, Brandon Jones

    Sound Effects Editors: Chris Diebold, Matt Cavanaugh MPSE

    Foley Editor: Jonathan Klein

    Foley Artists: Steve Baine, Peter Persaud

     

    Spider-Man: No Way Home

    Sony Pictures

    Supervising Sound Editor: Steven Ticknor MPSE

    Sound Designer: Anthony Lamberti

     

    Outstanding Achievement in Sound Editing – Feature Music

    Dune

    Warner Bros.

    Supervising Music Editors: Clint Bennett, Ryan Rubin

    Music Editor: Peter Myles

     

    Ghostbusters: Afterlife

    Sony Pictures

    Supervising Music Editor: Curt Sobel

     

    In the Heights

    Warner Bros.

    Music Editors: Jim Bruening, Jennifer Dunnington, Ben Holiday

     

    The Matrix Resurrections

    Warner Bros.

    Supervising Music Editor: Gabriel Isaac Mounsey

    Music Editors: Hans Hafner, Jonathan Levi Shanes

     

    Nightmare Alley

    Searchlight Pictures

    Music Editors: Clint Bennett, Kevin Banks MPSE

    Scoring Editor: Cecile Tournesac

     

    A Quiet Place Part II

    Paramount

    Music Editors: Jim Schultz, Nancy Allen MPSE, Del Spiva MPSE, Ramiro Belgardt

     

    tick tick…BOOM!

    Netflix

    Music Editors: Nancy Allen MPSE, John Davis, Bri Holland

     

    West Side Story

    20th Century Studios

    Music Editors: Joe E. Rand, Ramiro Belgardt

    Scoring Editor: David Channing

     

    Outstanding Achievement in Sound Editing – Game Audio

    The Ascent

    Neon Giant

    Audio Director   : Samuel Justice

    Audio Leads: Stefan Rutherford, Joe Thom

    Supervising Sound Editor: Csaba Wagner

    Sound Designers: Lee Banyard, Michael Benzie, Jordan Lee Colins, Luke Hatton, Joe Hudson, Jason W. Jennings, Michael Leaning, Barney Oram, Jack Raeburn, Stephano Sanchinelli, Chris Sweetman, John Tennant

    Sound Editors: Graham Donnelly, Eilam Hoffman

     

    Call of Duty: Vanguard

    Infinity Ward

    Audio Director: David Swenson MPSE

    Audio Leads: Matthew Grimm, Ryan McSweeney, Michael Caisley, Eric Wedemeyer

    Supervising Sound Editors: Charles Deenen MPSE, Nick Interlandi, Nick Martin

    Supervising Dialogue Editor: Emilio Lopez-Centellas, Adam Boyd MPSE, Hilary Long

    Supervising Music Editors: Ted Kocher, Anthony Caruso

    Sound Designers: Kegan Chau, Fernando Labarthe, Sheridan Willard, Tyler Cannan, Michael Tornabene, Peter Wayne, Liam Underwood, Don Veca, Jeremiah Sypult, Andy Bayless, Darren Blondin, Nicholas D'Amato, Jacob Denny, Jacob Harley, Vadim Nuniyants, Timothy Schlie, Aaron Brown, Ian Mika, Tory Bader, Corina Bello, Darrell Tung, Jonathan Gosselin, Nick Tremblay, Mathieu Denis, Mikael Frithiof, Jon Persson, Braden Parkes, Erick Ocampo, Mike Maksim, Matt Hall, Chris Diebold, Jeff Sawyer, Josh Moore, Igor Comes, Tim Gedemer MPSE, Klaus Shipman, Jim Schaefer, Rashaad Wiggins

    Sound Editors: Daniel Petras, Jordan Ruhala, Matthew Schaff MPSE

    Dialogue Editors: Robert Jackson, Maggie Wolf, Alvaro Vela, Serge J. Isaac, Stiv Schneider, Juliana Henao Mesa, David Price

    Music Editors: Scott Shoemaker, Tao-Ping Chen, Adam Kallibjian, Rob Goodson, Andrew Buresh

    Foley Artist: Foley Walkers

     

    Halo Infinite

    Xbox Game Studios

    Audio Director: Sotaro Tojima

    Audio Leads: Kyle Fraser, Jomo Kangethe, Robbie Elias, Chase Thompson

    Supervising Sound Editors: Samuel Justice, Csaba Wagner

    Supervising Dialogue Editors: Josh Bandy, Emma Emrich

    Supervising Music Editor: Joel Yarger

    Sound Designers: Noa Lothian, Daniel Raimo, Pax Helgesen, Nick D’Amato, Gary Spinrad MPSE, Michael Leaning, Stefan Rutherford, Mitchell Osias, Bryan O. Watkins, Andrew Lackey, Laura Taylor, David Farmer MPSE, Adam Boyd MPSE, Graham Donnelly, John Loranger MPSE, Barney Oram, Frank Petreikis, Austin Shannon, Chris Sweetman, Matthew Wesdock, Robert Blake, Paul Hackner MPSE

    Sound Effects Editors: Zeke Fenelon, Stephen Brown, Adam Croft, Joshua Du Chene, Thornton Prime VI, Kochun Hu, Ben Kersten, Spencer Riedel

    Foley Artists: John Roesch MPSE, Alyson Dee Moore, Christopher Moriana, Bogdan Zavarzin

    Dialogue Editors: Monet Gardiner, Garret Montgomery MPSE, Daniel P. Francis MPSE, Peret Von Sturmer

    Music Editors: Colin Andrew Grant, Cameron Konner

     

    Ratchet & Clank: A Rift Apart

    Insomniac Games

    Audio Leads: Daniel Birczynski, Dwight Okahara, Jamie McMenamy

    Audio Director   : Paul Mudra

    Supervising Sound Editors: Jeremie Voillot, Emile Mika

    Supervising Dialogue Editors: Patrick Michalak

    Supervising Music Editor: Scott Hanau

    Sound Designers: David Yingling, Blake Johnson, Jeff Dombkowski, Brooke Yap, Daniele Carli MPSE, Tyler Cornett, Tyler Hoffman, Christian Kjeldsen, Jeff Darby, Zack Bogucki, Aaron Sanchez, Kei Matsuo MPSE, David Goll, Adam Lidbetter, Alex Previty, Erik Buensuceso, Casey Slocum, Rob Castro, Gregory McCoach, Andres Herrera, Maria Rascon, Nathaniel Bonisteel, Noburo Masuda, Keiichi Kitahara

    Dialogue Editors: Keith Asack, Michelangelo Muscariello, Evan Hodick, Matthew Strasser, Jaime Marcelo, Ryan Schaad, Tim Schumann

    Music Editors: Andrew Buresh, Anthony Caruso, Ernest Johnson, James Zolyak, Justin Lieberman, Nicholas Mastroianni, Rob Goodson, Scott Bergstrom, Tao-Ping Chen, Ted Kocher, Tyler Crowder

     

    Star Wars: Tales from the Galaxy’s Edge – Last Call

    Oculus Quest

    Supervising Sound Editors: Michael Brinkman, Paul Stoughton, Kevin Bolen

    Sound Designers: Bill Rudolph, Jonathan Do, Andy Martin

    Dialogue Editors: Ryan Cota, Chris Gridley

    Music Editor: Clark Rhee

     

    Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

     

    Build Me Up

    The National Film and Television School

    Supervising Sound Editor: Wong Hui Grace

     

    Cocon

    Netherlands Film Academy

    Supervising Sound Editor: Freija Hogenboom

    Foley Artists: Camiel Povel, Annika Epker

     

    Do Not Feed the Pigeons

    The National Film and Television School

    Supervising Sound Editor: Joe De-Vine

    Sound Designer: Joe De-Vine

     

    The Many Faces of Ava

    The National Film and Television School

    Supervising Sound Editor: Dominika Latusek

     

    Night of the Living Dread

    The National Film and Television School

    Supervising Sound Editor: Miles Sullivan

     

    Other Half

    The National Film and Television School

    Supervising Sound Editor: Zoltán Kadnár

     

    Pressure

    The National Film and Television School

    Supervising Sound Editor: Antek Rutczynski

    Sound Designer: Antek Rutczynski

     

    Échale Ganas, The Villa’s Tacos

    Chapman University

    Supervising Sound Editor: Mingxin Qiguan

    Sound Designer: Mingxin Qiguan

     

    About MPSE
    Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion picture television and gaming industries. The organization’s mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.

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    Tags:Golden Reel AwardsMotion Picture Sound EditorsMPSE Career Achievement AwardThe Road To Oscar



    Production Company Field Work Breaks The Ice With Launch Film For New NHL Team, The Utah Mammoth

    Wednesday, July 9, 2025
    The NHL’s newest franchise, the Utah Mammoth, has launched a cinematic brand film that trades traditional sports tropes for something that leans into myth, mystery, and mountains. Directed by Zeppelin Zeerip of Salt Lake City-based production company Field Work Creative, the piece introduces the Mammoth not just as a team, but as a legend awakening in the Utah mountains, directed by Zeppelin Zeerip of Salt Lake City-based production company Field Work Creative.

    In a dramatic departure from traditional sports marketing, the NHL’s newest franchise, the Utah Mammoth, has launched a cinematic brand film that trades traditional sports tropes for something that leans into myth, mystery, and mountains. Directed by Zeppelin Zeerip of Salt Lake City-based production company Field Work Creative, the piece introduces the Mammoth not just as a team, but as a legend awakening in the Utah mountains. Click here to watch the new Utah Mammoth launch spot. “This wasn’t just a rebrand or a promo piece,” says Zeerip. “It was the birth of an NHL identity — and they needed a production partner who could move fast, push creatively, and carry some weight, literally. When they called, we jumped in with both feet.” Crafted in close collaboration with the Utah Mammoth’s internal marketing team, the film blends suspense, folklore, and visually rich storytelling to capture the cultural moment of hockey's arrival in Utah, positioning the Mammoth brand as something much deeper: a presence that has always been here, waiting to emerge. Zeerip, known for his roots in outdoor filmmaking, brought an atmospheric, cinematic tone to the project, which marks a striking pivot from the usual fast-cut, high-intensity norm of sports hype videos. Zeerip, instead, tells a masterful multi-leveled story in just 90 seconds that follows a group of kids exploring a history museum, as well as a hiker uncovering a tusk deep in a cave. Those two stories collide with a third of a mammoth itself stirring back to life from under the arena ice. The final shot, designed to evoke awe and scale, shows a tusk bursting through the ice,... Read More

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