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    Home » Motion Picture Sound Editors Announces 71st Annual MPSE Golden Reel Awards Nominees

    Motion Picture Sound Editors Announces 71st Annual MPSE Golden Reel Awards Nominees

    By Artisans PRTuesday, January 16, 2024Updated:Sunday, July 7, 2024No Comments1602 Views
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    Awards Ceremony Scheduled for Sunday, March 3, 2024 in Los Angeles. 

    HOLLYWOOD -- (SPW) --

    The Motion Picture Sound Editors (MPSE) today announces nominees for the 71st Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment, and student productions.

    “It’s been a great year for entertainment sound,” said MPSE president David Barber. “We are so impressed with the creative excellence of sound artists across all media and from around the world. We extend our sincere congratulations to this year’s stellar nominees.”

    The 71st Annual MPSE Golden Reel Awards will take place on Sunday, March 3, 2024 at the Wilshire Ebell Theatre in Los Angeles.

    MPSE FILMMAKER AWARD

    Michael Dinner

    MPSE CAREER ACHIEVEMENT AWARD

    Dane A. Davis, MPSE

    71st Annual MPSE Golden Reel Awards Sound Editorial Nominees

     

    Outstanding Achievement in Sound Editing – Broadcast Animation

     

    Rick and Morty: "Unmortricken"

    Cartoon Network

    Supervising Sound Editor: Hunter Curra MPSE

    Sound Editor: James A. Moore

    Sound Effects Editor: Corbin Bumeter

    Dialogue Editor: Ricardo Watson

     

    Star Trek Lower Decks: “Old Friends, New Planets”

    Paramount+

    Supervising Sound Editor: James Lucero

    Sound Effects Editors: Mak Kellerman, John Wynn, James Singleton

    Foley Editor: Michael Britt

     

    Star Wars: The Bad Batch: "Faster"

    Disney

    Supervising Sound Editors: David W. Collins, Matthew Wood

    Sound Designer: David W. Collins

    Sound Effects Editors: Justin Doyle, Kevin Bolen MPSE, Kimberly Patrick

    Supervising Foley Editor: Frank Rinella

    Foley Artists: Kimberly Patrick, Margie O'Malley, Andrea Gard

     

    Star Wars: Visions: "The Pit"

    Disney

    Supervising Sound Editor: David W. Collins

    Sound Designer: David W. Collins

    Sound Effects Editors: Kevin Bolen MPSE, Bill Rudolph

    Dialogue Editor: David W. Collins

    Supervising Foley Editor: Alex Wilmer

    Foley Artists: John Roesch MPSE, Shelley Roden MPSE, Xiuzhu (Mimi) Guo

     

    Transformers: Earthspark: "Security Protocols"

    Nickelodeon

    Supervising Sound Editor: Brad Meyer MPSE

    Sound Effects Editor: Natalia Saavedra Brychcy MPSE

    Dialogue Editor: Christine Gamache

    Foley Editor: Carol Ma MPSE

     

    Young Jedi Adventures: "The Young Jedi/Yoda's Mission"

    Disney

    Sound Effects Editor: Heather Olsen MPSE

    Dialogue Editor: Robbi Smith MPSE

    Foley Editor: David Bonilla MPSE

    Foley Artist: John "J" Lampinen

     

     

    Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR

     

    All the Light We Cannot See: Episode 4

    Netflix

    Supervising Sound Editors: Craig Henighan MPSE, Ryan Cole MPSE

    Dialogue Editors: Emma Present, Jill Purdy MPSE

     

    Succession: “Connor's Wedding”

    HBO

    Supervising Sound Editor: Nicholas Renbeck MPSE

    Dialogue Editor: Dan Korintus

    Supervising ADR Editor: Angela Organ

    Dialogue Editor/ ADR Editor: Andy Kris

     

    Ted Lasso: "So Long, Farewell"

    AppleTV+

    Supervising Sound Editor: Brent Findley MPSE

    Dialogue Editors: Bernard Weiser MPSE, Bruce Honda, Scott Haller MPSE

    ADR Editor: Daniel Douglass MPSE

     

    The Crown: "Ritz"

    Netflix

    Supervising Sound Editor: Lee Walpole MPSE

    Supervising Dialogue Editor: Iain Eyre

    ADR Supervisor: Steve Little

    ADR Editors: Abbie Shaw, Matthew Mewett

     

    The Last of Us: "Long, Long Time"

    HBO

    Supervising Sound Editor: Michael J. Benavente

    ADR Supervisor: Michael J. Benavente

    Dialogue Editor: Joe Schiff

     

    The Marvelous Mrs. Maisel: "Four Minutes"

    Amazon Prime

    Supervising Sound Editor: Ron Bochar

    Dialogue Editor: Sara Stern

    ADR Editor: Ruth Hernandez MPSE

     

     

    Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley

     

    Ahsoka: "Part Four: Fallen Jedi"

    Disney

    Supervising Sound Editors: Bonnie Wild, Matthew Wood

    Sound Designer: David Acord

    Sound Effects Editors: Kimberly Patrick, Tim Farrell

    Supervising Foley Editor: Joel Raabe

    Foley Artist: Shelley Roden MPSE, Ronni Brown, Heikki Kossi MPSE

     

    All the Light We Cannot See: Episode 4

    Netflix

    Supervising Sound Editors: Craig Henighan MPSE, Ryan Cole MPSE

    Sound Effects Editor: David Grimaldi

    Foley Editor: Matt Cloud

    Foley Artist: Steve Baine

     

    The Continental: From the World of John Wick: "Theatre of Pain"

    Peacock

    Supervising Sound Editor: Luke Gibleon

    Sound Designer: Nick Interlandi

    Sound Effects Editor: Joshua Adeniji

    Foley Editors: Adrian Medhurst MPSE, Duncan Campbell

    Foley Artist: Adrian Medhurst MPSE

     

    Loki: "Glorious Purpose"

    Disney

    Supervising Sound Editor: Bjørn Ole Schroeder

    Sound Designer: David Chrastka

    Sound Effects Editors: Andre Zweers, Malcolm Fife, Jamey Scott MPSE

    Supervising Foley Editor: Alyssa Nevarez

    Foley Editor: Dawit Zemene MPSE

    Foley Artist: Sandra Fox

     

    Star Trek: Picard: "The Last Generation"

    Paramount+

    Supervising Sound Editor: Matthew E. Taylor

    Sound Designers: Michael Schapiro, Harry Cohen MPSE

    Sound Editors: Alex Pugh MPSE, Deron Street, Jim Gallivan

    Foley Editors: John Sanacore MPSE, Clay Weber MPSE

    Foley Artist: Rick Owens MPSE

     

    The Last of Us: "When You're Lost in the Darkness"

    HBO

    Supervising Sound Editor: Michael J. Benavente

    Sound Designers: Chris Battaglia MPSE, Chris Terhune

    Sound Effects Editors: Mitchell Lestner, Matt Yocum MPSE, Jacob Flack MPSE

    Supervising Foley Editor: Randy Wilson

    Foley Editors: Davi Aquino, Justin Hale

    Foley Artists: Justin Charbonneau, Stefan Fraticelli, William Kellerman

     

     

    Outstanding Achievement in Sound Editing – Broadcast Short Form

     

    American Horror Story: Delicate Part 1: "When the Bough Breaks"

    FX

    Supervising Sound Editors: Christian Buenaventura MPSE, Gary Megregian MPSE

    Sound Effects Editor: Tim Cleveland

    Dialogue Editor: Steve Stuhr

    Foley Editor: Lyndsey Schenk

    Foley Artist: Noel Vought

     

    Barry: "wow"

    HBO

    Supervising Sound Editors: Sean Heissinger, Matthew E. Taylor

    Sound Designer: Rickley W. Dumm MPSE

    Sound Editor: Deron Street

    Dialogue Editor: John Creed MPSE

    Supervising Foley Editor: Clay Weber MPSE

    Foley Editor: Darrin Mann

    Foley Artists: Alyson Dee Moore MPSE, Chris Moriana

     

    BEEF: "The Great Fabricator"

    Netflix

    Supervising Sound Editor: Christopher Gomez MPSE

    Sound Effects Editor: Jerry Lafuente MPSE

    Dialogue Editor: Nathan Efstation

    Foley Editor: Igor Yashin

    Foley Artist: Ruslan Schebisty

     

    The Bear: "Fishes"

    FX

    Supervising Sound Editors: Steve "Major" Giammaria MPSE, Andrea Bella

    Sound Effects Editors: Jonathan Fuhrer, Matt Snedecor

    Dialogue Editors: Evan Benjamin, John Werner

    ADR Editor: John Bowen

    Foley Editors: Annie Taylor, Nick Seaman

    Foley Artists: Leslie Bloome, Shaun Brennan

     

    The Mandalorian: "The Return"

    Disney

    Supervising Sound Editors: Trey Turner, Matthew Wood

    Sound Designer: David W. Collins

    Sound Effects Editors: Luis Galdames MPSE, Kevin Bolen MPSE

    ADR Editors: Brad Semenoff MPSE, Ryan Cota MPSE

    Supervising Foley Editor: Frank Rinella

    Foley Editors: Joel Raabe, Alyssa Nevarez

    Foley Artist: Shelly Roden MPSE

     

    Outstanding Achievement in Sound Editing – Feature Animation

     

    Elemental

    Disney / Pixar

    Supervising Sound Editors: Ren Klyce, Coya Elliott

    Sound Designer: Ren Klyce

    Sound Effects Editors: Jonathan Stevens, Ben Burtt, Kim Patrick, Steve Bissinger

    Supervising Dialogue Editor: Rich Quinn

    Dialogue Editor: Lisa Chino

    Supervising Foley Editor: Dee Selby

    Foley Editor: Nicolas Docter

    Foley Artists: Shelley Roden MPSE, Heikki Kossi MPSE

    Music Editor: Shinnosuke Miyazawa

     

    Migration

    Illumination

    Supervising Sound Editors: Daniel Laurie, Josh Gold

    Sound Effects Editors: Richard Gould, Luke Dunn-Gielmuda, Scott Guitteau

    Dialogue Editor: Bjørn Ole Schroeder

    Supervising Foley Editor: Thom Brennan

    Foley Editor: E. Larry Oatfield

    Foley Artists: Sean England, Andrea Gard

    Music Editor: Bill Bernstein

     

    Spider-Man: Across The Spider-Verse

    Sony Pictures Animation

    Supervising Sound Editor: Geoffrey G. Rubay

    Sound Designers: John J. Pospisil, Alec G. Rubay, Kip Smedley

    Sound Effects Editors: Cathryn Wang, David Werntz, Bruce Tanis MPSE, Greg ten Bosch MPSE, Daniel McNamara MPSE, Will Digby, Andy Sisul

    Supervising Dialogue Editor: James Morioka MPSE

    Dialogue Editors: Robert Getty MPSE, Jason W. Freeman, Kai Scheer, Ashley N. Rubay

    Foley Supervisor: Colin Lechner MPSE

    Foley Artists: Gregg Barbanell MPSE, Jeff Wilhoit MPSE, Dylan Wilhoit, Alex Ulrich

    Supervising Music Editor: Katie Greathouse

    Music Editor: Barbara McDermott

     

    The Super Mario Bros Movie

    Universal Pictures

    Supervising Sound Editor: Daniel Laurie

    Sound Designers: Randy Thom MPSE, Jamey Scott MPSE

    Sound Effects Editors: Leff Lefferts, Qianbaihui Yang MPSE, Scott Guitteau

    Dialogue / ADR Supervisor: Jacob Riehle

    Supervising Foley Editor: E. Larry Oatfield

    Foley Editor: Zach Martin

    Foley Artists: Ronni Brown, Jana Vance, Sean England

     

    Outstanding Achievement in Sound Editing – Feature Documentary

     

    32 Sounds

    Department of Motion Pictures and Free History Project

    Supervising ADR Editor: Eliza Paley

    Sound Designer: Mark Mangini MPSE

    Sound Editor: Robert Kellough MPSE

    ADR Editor: Mari Matsuo

    Foley Editor: Blake Collins

    Foley Artist: Joanna Fang MPSE

     

    American Symphony

    Netflix

    Supervising Sound Editor: Tristan Baylis MPSE, Tom Paul

    Foley Artist: Leslie Bloome          

    Sound Effects Editors: Matt Snedecor, Mark Filip

                  

    Mourning In Lod

    Medalia Productions

    Supervising Sound Editors: Yossi Appelbaum, Lior Weitzman        

    Sound Designer: Yossi Appelbaum            

     

    Still: A Michael J. Fox Movie

    AppleTV+

    Supervising Sound Editor: Skip Lievsay

    Sound Effects Editor: Rich Bologna

    Dialogue Editor: Michael Feuser

    Foley Supervisor: Matt Haasch

    Foley Editor: Heather Gross

    Foley Artist: Jay Peck

     

    Taylor Swift | The Eras Tour

    Taylor Swift Productions

    Sound Editor: Phil DeTolve

    Music Supervisor: David Cook

     

     

    Outstanding Achievement in Sound Editing – Foreign Language Feature

     

    Anatomy of a Fall

    NEON

    Sound Editors: Fanny Martin, Jeanne Delplancq

     

    The Zone of Interest

    A24

    Supervising Sound Editor: Johnnie Burn MPSE

    Sound Effects Editors: Simon Carroll, Max Behrens, Joe Mount, Brendan Feeney

    Foley Editors: Ewa Mazurkiewicz, Natalia Lubowiecka MPSE, Dawid Konecki, Kamil Kwiatkowski

    Foley Artist: Jacek Wiśniewski

     

    Godzilla Minus One

    Robot Communications

    Sound Editors: Natsuko Inoue, Hisashi Takeuchi

     

    Society of the Snow

    Netflix

    Supervising Sound Editor: Oriol Tarragó

    Sound Designer: Oriol Tarragó

    Sound Effects Editors: Iosu Martinez, Guillem Giró

    Sound Editors: Sarah Romero, Marc Bech, Brendan Golden

    Dialogue Editor: Jorge Alarcón

    Foley Artists: Erik Vidal, Kiku Vidal

    Music Editor: John Finklea

     

     

    Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

     

    Barbie

    Warner Bros.

    Supervising Sound Editors: Ai-Ling Lee, Dan Kenyon

    Supervising Dialogue / ADR Editor: Brian Bowles MPSE

    Dialogue Editors: Kate Bilinski, Tony Martinez, Tyler Newhouse

     

    Killers of the Flower Moon

    AppleTV+

    Supervising Sound Editors: Philip Stockton, Eugene Gearty           

    Dialogue Editors: Julia Stockton, Philip Stockton

    ADR Editor: Marissa Littlefield

     

    Maestro

    Netflix

    Supervising Sound Editors: Richard King, Rich Bologna    

    Supervising Dialogue / ADR Editor: Tony Martinez

    Dialogue Editors: Eliza Paley, Jac Rubenstein, Fred Rosenberg      

    Supervising Music Editor: Jason Ruder

     

    Napoleon

    AppleTV+

    Supervising Sound Editors: Oliver Tarney MPSE, James Harrison

    Supervising Dialogue Editor: Michael Maroussas

    Dialogue Editor: Rachael Tate MPSE

    Crowd Editor: Rob Killick

     

    Oppenheimer

    Universal Pictures

    Supervising Sound Editor: Richard King

    Supervising Dialogue Editor: David Bach

    Dialogue Editors: Russell Farmarco, Albert Gasser MPSE

     

    Poor Things

    Searchlight Pictures

    Supervising Sound Editor: Johnnie Burn MPSE

    Dialogue Editors: Tristan Baylis MPSE, Peter Russell

                  

     

    Outstanding Achievement in Sound Editing – Feature Effects / Foley

     

    Gran Turismo

    Columbia Pictures

    Supervising Sound Editors: Kami Asgar MPSE, Erin Oakley             

    Sound Designer: Charles Deenen

    Sound Effects Editors: Sam Fan, Matt Cavanaugh MPSE, James Evans, Nick Spradlin

    Sound Designer: Tim Gedemer MPSE

    Foley Artists: Gary Hecker MPSE, Mike Horton

    Foley Editor: Jessica Parks

                  

    Ferrari

    NEON

    Supervising Sound Editors: Tony Lamberti, Bernard Weiser MPSE

    Sound Designer: David Werntz

    Sound Effects Editor: Brent Findley MPSE, Steven Ticknor, Benjamin Cook MPSE

    Supervising Foley Editor: Beso Kacharava MPSE

    Foley Artist: Biko Gogaladze

    Foley Editors: Alexander Sanikidze, Rati Chkhetiani

     

    John Wick Chapter 4

    Lionsgate

    Supervising Sound Editor: Mark Stoeckinger

    Co-Supervising Sound Editor: Paul Soucek MPSE

    Sound Designer: Mark Stoeckinger

    Sound Effects Editors: Alan Rankin, Luke Gibleon, Xiao'ou Olivia Zhang MPSE, Stephen Robinson MPSE, Gael Nicolas, Casey Genton, Nicolas Interlandi

     

    Napoleon

    AppleTV+

    Supervising Sound Editors: Oliver Tarney MPSE, James Harrison

    Sound Designers: Mike Fentum

    Sound Effects Editors: Aran Clifford, Kevin Penney, Rowan Watson

    Foley Supervisor: Hugo Adams

    Foley Artists: Oliver Ferris, Sue Harding, Andrea King

     

    Oppenheimer

    Universal Pictures

    Supervising Sound Editor: Richard King

    Sound Effects Editor: Michael Mitchell

    Sound Designer: Randy Torres

    Supervising Foley Editor: Christopher Flick

    Foley Artists: Dan O'Connell, John Cucci MPSE

     

    The Killer

    Netflix

    Sound Designer: Ren Klyce

    Sound Effects Editors: Jonathon Stevens, Malcolm Fife

    Supervising Sound Editor: Jeremy Molod

    Supervising Foley Editor: Thom Brennan

    Foley Editor: Dee Selby

    Foley Artists: Shelley Roden MPSE, John Roesch MPSE

     

     

    Outstanding Achievement in Sound Editing – Non-theatrical Animation

     

    Blue Eye Samurai: "All Evil Dreams and Angry Words"

    Netflix Animation

    Supervising Sound Editor: Myron Nettinga

    Supervising Dialogue Editor: Paulette Lifton MPSE

    Sound Designers: Sam Hayward, Jared Dwyer MPSE, Andrew Miller MPSE

    Sound Editor: Johanna Turner

    Foley Artists: Jason Charbonneau, Stefan Fraticelli

    Foley Editor: Justin Helle

     

    Blue Eye Samurai: "Hammerscale"

    Netflix Animation

    Supervising Sound Editor: Paul N.J Ottosson

    Sound Effects Editor: Leo Marcel

    Dialogue Editor: Daniel Saxlix MPSE

    Foley Editor: Shawn Kennelley

    Foley Artists: Melissa Kennelley, Vince Nicastro

     

    Justice League: "Warworld"

    Warner Bros. Animation

    Sound Designer: Robert Hargreaves MPSE

    Supervising Dialogue Editor: Mark Keatts

    Dialogue Editors: Mike Garcia MPSE, Kelly Foley-Downs

     

    The Monkey King

    Netflix Animation

    Supervising Sound Editors: David Giammarco, Eric A. Norris MPSE

    Dialogue Editor: Sean Massey MPSE

    Sound Designers: Jon Title MPSE, Tim Nielsen     

    Foley Artists: Dan O'Connell, John Cucci MPSE

     

     

    Outstanding Achievement in Sound Editing – Non-theatrical Documentary

     

    100 Foot Wave: "Lost at Sea"

    HBO

    Supervising Sound Editor: Keith Hodne

    Dialogue Editor: Max Holland

    Sound Designer: Eric Di Stefano

    Sound Effects Editors: Eli Akselrod, Mika Anami

    Sound Designer: Kevin Senzaki MPSE

     

    David Attenborough's Conquest of The Skies

    Atlantic Productions

    Supervising Sound Editor/ Sound Designer: Oliver Kadel

     

    Formula 1: Drive to Survive: "Over the Limit"

    Netflix

    Supervising Sound Editors: Steve Speed, Nick Fry

    Sound Supervisors: Adam King, Doug Dreger

    Sound Designers: Ivan Onek, James Spooner

     

    Our Planet II: "Chapter 3: The Next Generation"

    Netflix

    Sound Editor: George Fry

     

    Waco: American Apocalypse "In the Beginning…"

    Netflix

    Supervising Sound Editor: Trip Brock MPSE

    Sound Designer: Itai Levy

    Sound Effects Editor: Eric Gillingham MPSE, GW Pope, III

    Dialogue Editor: Jackie Johnson

     

    World War II: From the Front Lines: "Turning Point"

    Netflix

    Supervising Sound Editor: Luke Hatfield

    Sound Designer: Sophie-Alice Davies

     

     

    Outstanding Achievement in Sound Editing – Non-theatrical Feature

     

    Black Mirror: Beyond the Sea

    Netflix

    Supervising Sound Editor: Antony Bayman

    Dialogue/ADR Editor: Alex Sawyer

    Sound Effects Editor: Jane Lo

    Supervising Foley Editor: Adam Méndez

    Foley Editor: Rob Davidson

    Foley Artists: Sue Harding, Oli Ferris

     

    The Last Kingdom: Seven Kings Must Die

    Netflix

    Supervising Sound Editor: Jack Gillies

    Dialogue/ADR Supervisor: Michael Williams

    ADR Editor: Steve Berezai

    Foley Supervisor: Sam Walsh

    Foley Editor: Neale Ross

    Foley Artist: Jason Swanscott

     

    Mr. Monk's Last Case: A Monk Movie

    Peacock

    Supervising Sound Editor: Brent Findley MPSE

    Sound Effects Editor: Dan Kremer MPSE

    Dialogue Editor: Dan Douglass MPSE

    Foley Editor: Lyndsey Schenk

    Foley Artists: Brian Staub, Vincent Deng

     

    Publish or Perish

    Alation Media

    Supervising Sound Editor: Leslie Gaston-Bird MPSE

    Supervising Foley Editor: Anna Sulley MPSE

    Dialogue Editors: Lora Cornes, Naomi Graham, Jahmai Bruce

    Foley Artists: Ruth Sullivan, Karo Jedrzejczyk

     

     

     

    71st Annual MPSE Golden Reel Awards Music Editorial Nominees

     

    Outstanding Achievement in Music Editing – Broadcast Long Form

     

    Daisy Jones and the Six: “Track 8: Looks Like We Made It”

    Amazon Prime

    Supervising Music Editor: Amber Funk MPSE

    Music Editor: Mike Poole

     

    Fargo: “The Tiger”

    FX

    Music Editor: Ben Schor

     

    Loki: “Glorious Purpose”

    Disney

    Supervising Music Editor: Anele Onyekwere

    Music Editors: Nashia Wachsman, Richard Armstrong, Ed Hamilton

     

    The Last of Us: “When You’re Lost in the Darkness”

    HBO

    Music Editor: Maarten Hofmeijer

     

    The Marvelous Mrs. Maisel: “Susan”

    Amazon Prime

    Lead Music Editor: Annette Kudrak

     

    Ted Lasso: “Sunflowers”

    AppleTV+

    Lead Music Editor: Richard David Brown MPSE

     

     

    Outstanding Achievement in Music Editing – Broadcast Short Form

     

    BEEF: “The Great Fabricator”

    Netflix

    Music Editors: Jason Tregoe Newman, Bryant J. Fuhrmann, Andrew Ransom

     

    Dave: “Met Gala”

    Hulu

    Supervising Music Editor: Amber Funk MPSE

    Music Editor: James Sullivan

     

    Only Murders in the Building: “Opening Night”

    Hulu

    Music Editor: Micha Liberman

     

    The Bear: “Fishes”

    FX

    Music Editors: Jason Lingle, Jeff Lingle

     

     

    Outstanding Achievement in Music Editing – Documentary

     

    American Symphony

    Netflix

    Lead Music Editor: Ignacio Bonet

     

    Pianoforte

    Greenwich Entertainment

    Supervising Music Editor: Michal Fojcik MPSE

    Music Editor: Joanna Popowicz

     

    Still: A Michael J. Fox Movie

    AppleTV+

    Music Editor: Bill Bernstein

     

    WHAM!

    Netflix

    Music Editor: Greg Gettens

     

     

    Outstanding Achievement in Music Editing – Feature Motion Picture

     

    Barbie

    Warner Bros.

    Supervising Music Editor: Suzana Perić

    Music Editor: Mick Gormaley

     

    Creed III

    Amazon / MGM

    Music Editor: Nicholas Fitzgerald

     

    Maestro

    Netflix

    Supervising Music Editor: Jason Ruder    

    Music Editor: Victoria Ruggiero 

     

    Oppenheimer

    Universal Pictures

    Supervising Music Editor: Amanda Goodpaster

    Music Editors: Felipe Pacheco, Alex Gibson

     

    Spider-Man: Across the Spider-Verse

    Sony Pictures

    Supervising Music Editor: Katie Greathouse

    Music Editor: Barbara McDermott

     

    Wonka

    Warner Bros.

    Supervising Music Editor: Katrina Schiller MPSE

    Music Editors: Mark Willsher MPSE, Michael Connell, Janet Grab

     

     

     

    71st Annual MPSE Golden Reel Awards Game Editorial Nominees

     

    Outstanding Achievement in Sound Editing – Game Dialogue / ADR

     

    Alan Wake 2

    Remedy Entertainment

    Audio Director: Richard Lapington

    Senior Dialogue Designers: Taneli Suoranta, Arthur Tisseront

     

    Call Of Duty: Modern Warfare III

    Sledgehammer Games

    Audio Director: Matthew Grimm MPSE

    Supervising Sound Editors: David Swenson MPSE, Mikael Frithiof, Adam Boyd MPSE

    Cinematics Supervising Sound Editors: Charles Deenen, Nick Martin

    Supervising Dialogue Editors: Dave Natale, Alexandria Kiser, Alvaro Vela

    Audio Leads: Eric Wedemeyer, Robbie Elias, Cameron Britton, Ian Mika, Collin Ayers

    Expert Audio Artists: Jomo Kangethe, Kyle Fraser

    Senior Audio Artist: Kegan Chau, Fernando Labarthe MPSE, Travis Didluck, Michael Tornabene, Peter Wayne, Dennis Bestafka, Scott Eckert, James McCawley, Lee Staples, Jasmine Jia, Ryan Garigliano, Shawn Jimmerson  

    Audio Artists: Tyler Cannan, Liam Underwood, Shawn Maldonado, Stephan Vankov, Pierce Cram, Dave Rowe MPSE, Brian Tuey, William Wise, Sunglae Park, Tommy Serioglou, Daniel Francis MPSE, Garrett Montgomery MPSE, Bryan O. Watkins

    Dialogue Director: Scott Cresswell

    Senior Dialogue Editor: Andrew Giardino

    Audio Programmer: Don Veca

    Dialogue Editors: Samuel Hoffman, Michal Jaskuła, Daniel Granberg, Aaron Wolff, Alejandro Jaramillo, Sergio Jaskuła, Sebastian Martinez, Rafael Castaño, Andrew Rice, Austin Conway, Colette Dahanne, Gustavo Bruce, Hilary Long, Jacob Kinch, Terrence Vitali, Serge J. Isaac, Stefan Richter, Carlon Assells, Emilio Lopez-Centellas

     

    Marvel's Spider-Man 2

    Insomniac Games

    Supervising Dialogue Designers: Ryan Schaad, Benjamin Gendron-Smith

    Director, Audio Management: Karen Read

    Audio Managers: Jesse James Allen, Patrick Michalak

    Senior Manager, Dialogue: Leilani Ramirez MPSE

    Senior Dialogue Designer: Jaime Marcelo, Alyssa Galindo

    Senior Director of Sound: Phillip Kovats MPSE

    Dialogue Director: Keith Asack

    Dialogue Designers: Daniel Davila, Evan Hodick, Matthew Strasser, Michelangelo Muscariello, Mitchell Kenney, Tyler Held MPSE, Emma Burlingame, Rory Given, Andrew Rahimi

    Dialogue Editors: Glen Gathard, Luke Duffin, Dionne Wong, Eugene Tong Haw Cheng, Huberth Varela, Harry Watchman, Robert Kubicki, Vyvyan Napoletani

     

    Star Wars Jedi: Survivor

    Respawn Entertainment

    Audio Director: Nick von Kaenel

    Dialogue Lead: Harrison Deutsch

    Dialogue Supervisor: Eric Marks MPSE, Emma Emrich

    Senior Dialogue Editor: Nick Friedemann

    Dialogue Editors: Austin Chase MPSE, Christopher Garcia, Paul Fonarev, Daniel Khim, Rob

    Marshall MPSE, Jeff Miley, Eric Schwartz, Ryan Vaughan, Carlon Jesse Assells, Daniel P.

    Francis MPSE, James Yamagami Scullion, Tommy Sarioglou, Alexandria Kiser, Peter Mack

    Associate Dialogue Editor: Collin Gregory Peck

    Lead Narrative Technical Designer: David Midgley

    Lead Dialogue Designer: Todd Piperi

     

     

    Outstanding Achievement in Music Editing – Game Music

     

    Alan Wake 2

    Remedy Entertainment

    Audio Director: Richard Lapington

    Senior Sound Designer: Koca Kastavarac

    Music Editor: Kilian Oser

    Senior Sound Designer: Dobrivoje Milijanovic

     

    Diablo IV

    Blizzard Entertainment

    Audio Director: Kris Giampa

    Music Director: Derek Duke

    Scoring Editor: John Kurlander

     

    Marvel's Spider-Man 2

    Insomniac Games

    Supervising Music Editor: Rob Goodson

    Music Editors: Scott Bergstrom, Ted Kocher, Tao-Ping Chen, Nicholas Mastroianni, Monty Mudd, Andrew Buresh, Sonia Coronado, Paul Thomason, Julie McLaughlin, Yuen Man Chung Kelvin, Matthew Kelly, Seira McCarthy, Sam McCormick, Cherron Arens

     

    Star Wars Jedi: Survivor

    Respawn Entertainment

    Audio Director: Nick von Kaenel

    Music Director: Nick Laviers

    Music Implementers: Colin Andrew Grant MPSE, Andrew Karboski

     

     

    Outstanding Achievement in Sound Editing – Game Effects / Foley

     

    Alan Wake 2

    Remedy Entertainment

    Audio Director: Richard Lapington

    Principal Audio Designer: Tazio Schiesari

    Senior Audio Designers: Gulli Gunnarsson, Thomas Holmes

    Senior Technical Audio Designer: Joshua Adam Bell

     

    Call Of Duty: Modern Warfare III

    Sledgehammer Games

    Audio Director: Matthew Grimm MPSE

    Audio Leads: Eric Wedemeyer, Robbie Elias, Cameron Britton, Ian Mika, Dave Rowe, Brian Tuey, Collin Ayers

    Supervising Sound Editors: David Swenson MPSE, Mikael Frithiof, Adam Boyd MPSE

    Cinematics Supervising Sound Editors: Charles Deenen, Nick Martin

    Sound Designers: Kelly Baffoni, Landen Belardes, Gregory Bonini, Tom Brewer MPSE, Alexander Ephraim MPSE, James Evans, Tim Gedemer, Mark Jasper, Sean Madsen, James Miller, Josh More, Myron Nettinga, Ryan Nowak, Travis Prater, Alec Rubay, John Sawa MPSE, Matt Severin, Carlos Solis, Nick Spradlin, Conrad Ytuarte, Jessica Arkoff

    Expert Audio Artists: Jomo Kangethe, Kyle Fraser

    Senior Audio Artists: Kegan Chau, Fernando Labarthe MPSE, Travis Didluck, Michael Tornabene, Peter Wayne, Dennis Bestafka, Scott Eckert, James McCawley, Lee Staples, Jasmine Jia, Ryan Garigliano, Shawn Jimmerson

    Audio Artists: Tyler Cannan, Liam Underwood, Stephan Vankov, Pierce Cram, Shawn Maldonado, William Wise, Sunglae Park, Tommy Serioglou, Daniel Francis MPSE, Garrett Montgomery MPSE, Bryan O. Watkins

    Audio Programmer: Don Veca

    Supervising Foley Artist: Gary Hecker MPSE

    Foley Editor: Jeff Gross

    Foley Artists: Michael Broomberg, Michael Horton

     

    Marvel's Spider-Man 2

    Insomniac Games

    Supervising Sound Editors: Ben Minto MPSE, Chris Sweetman MPSE, Csaba Wagner MPSE, Samuel Justice, Gary Miranda

    Supervising Sound Designers: Emile Mika, Herschell Bailey, Aaron Sanchez

    Senior Director of Sound: Phillip Kovats MPSE

    Director, Audio Management: Karen Read

    Audio Managers: Daniel Birczynski, Jesse James Allen

    Director of Sound Design: Jeremie Voillot MPSE

    Senior Audio Directors: Paul Mudra, Jerry Berlongieri, Dwight Okahara

    Senior Technical Sound Designer: Ben Pantelis

    Technical Sound Designers: Sebastian Ruiz, Nick Jackson, Enoch Choi, Cameron Sonju, Gavin Booth

    Lead Sound Designer: Blake Johnson

    Senior Sound Designers: Eddie Pacheco MPSE, Tyler Cornett, Johannes Hammers MPSE, Zack Bogucki, Alex Previty, Matt Ryan, Juliet Rascon, Andres Herrera, Robert Castro MPSE, Jeff Darby, Beau Anthony Jimenez MPSE, Derrick Espino, Jon Rook

    Sound Designers: Tyler Hoffman, Daniele Carli, Bob Kellough MPSE, Bryan Jerden, Eilam Hoffman, Graham Donnelly MPSE, Jason W. Jennings MPSE, Matt Hall, Michael Leaning, Michael Schapiro, Randy Torres, Richard Gould, Stephano Sanchinelli, Tim Walston MPSE, Tobias Poppe, Tom Jaine MPSE, Jeremy Neroes, Adam Sanchez, Brendan Wolf, Roy Lancaster, Rodrigo Robinet, Daniel Barboza, Charlie Ritter, David Goll, Chris Kokkinos MPSE, TJ Schauer, Ryan See, Alexis Tran, Brooke Yap

    Foley Editors: Blake Collins, Annie Taylor, Austin Creek

    Foley Artist: Joanna Fang MPSE

     

    Star Wars Jedi: Survivor

    Respawn Entertainment

    Audio Director: Nick von Kaenel

    Audio Leads: Nathaniel Daw, Nicholas Raynor

    Senior Sound Designers: Alex Barnhart, Oscar Coen, Kevin Notar, Sian Harris, Douglas

    Waters, Steve Cowell

    Senior Cinematic Sound Designer: Tom Jaine MPSE

    Sound Designers: Ashton Faydenko, Tom Volpe, Mariana Botero Rico, Eric Notar, Jack

    Sandall, Will Dunn, Tomas Bancroft, Priscilla Achampong, Earl J. Scioneaux III MPSE, Owen

    Packer, Chris Walasek

    Associate Sound Designer: Kartika Dewi Luky

    Senior Cinematic Sound Designer: Tom Jaine MPSE

    Sound Implementer: Tori Ano

    Technical Sound Designers: Braeger Moore, Gaetan Lourmiere

    Cinematic Supervising Sound Editors: Csaba Wagner MPSE, Samuel Justice

    Cinematic Sound Designers: Jason W. Jennings MPSE, Graham Donnelly MPSE, Bryan Jerden, Tobias

    Poppe, Michael Shapiro, Eilam Hoffman

    Cinematic Sound Editors: Alexis Tran, Stephano Sanchinelli

    Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana, Ginger Geary, Doug Madick

    Foley Editor: Caron Weidner, Tommy Sarioglou

    Audio Programmer: Ryan Redetzke, Chris Hopkins

     

     

    Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

     

    Buyers Beware

    Savannah College of Art & Design

    Supervising Sound Editor: Matt Lemberger

     

    Canary

    Chapman University

    Supervising Sound Editor: Mengchen Sun

     

    Dive

    National Film & Television School

    Supervising Sound Editor: Simon Panayi

     

    From The Top

    National Film & Television School

    Supervising Sound Editor: Etienne Kompis

     

    Gossip

    National Film & Television School

    Supervising Sound Editor: Itzel Gonzalez Estrada

     

    Heimen

    Amsterdam University of the Arts

    Supervising Sound Editor: Eran Brinkman

    Sound Effects Editor: Sam Titshof

     

    The Tornado Outside

    National Film & Television School

    Supervising Sound Editor: Marios Themistokleous

     

    Tree of Many Faces

    National Film & Television School

    Sound Designer: Siim Skepast

     

    About MPSE
    Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion picture television and gaming industries. The organization’s mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.

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    Motion Picture Sound Editors (MPSE)

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    Motion Picture Sound Editors (MPSE)
    (818) 506-7731
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    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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