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    Home » Motion Picture Sound Editors (MPSE) Present The 69th Annual Golden Reel Awards

    Motion Picture Sound Editors (MPSE) Present The 69th Annual Golden Reel Awards

    By Artisans PRMonday, March 14, 2022Updated:Tuesday, May 14, 2024No Comments2563 Views
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    Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion picture, television and gaming industries.
    HOLLYWOOD -- (SPW) --

    The Motion Picture Sound Editors tonight presented the 69th Annual MPSE Golden Reel Awards at a fully-virtual, international ceremony. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 17 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, and student work.

    Supervising Sound Editor Danny Pagan presented the MPSE Filmmaker Award to Academy Award-winning Director Ron Howard. The MPSE Career Achievement Award, honoring Supervising Sound Editor Anthony “Chic” Ciccolini III, was presented by Emmy Award-winning Supervising Sound Editor Rickley W. Dumm.

    The opening address was given by MPSE President Mark Lanza who congratulated the organization’s members for their perseverance during the pandemic. “These past two years, our members led the way in developing remote solutions that kept them working,” Lanza said. “We salute their ingenuity. MPSE has always stood for creativity and innovation.”

    Former MPSE Career Achievement Award honorees Harry Cohen (2017), John Roesch (2013), Cece Hall (2020), Richard L. Anderson (2007) and newly-minted Career Achievement-recipient Anthony J. “Chic” Ciccolini III (2022) were among category awards presenters. South Korean director Hwang Dong-hyuk, creator of the Netflix survival drama series Squid Game, also served as an awards presenter. The annual Verna Fields Award for student sound work was presented by EIPMA president Bernard Weiser; Richard Nevens, head of audio business development for Blackmagic Design; and Loren Nielsen, vice president, content & strategy at Xperi Corporation.

    69TH MOTION PICTURE SOUND EDITORS (MPSE) GOLDEN REEL AWARDS WINNERS

    FILMMAKER AWARD

    Ron Howard

    CAREER ACHIEVEMENT AWARD

    Anthony J. “Chic” Ciccolini III

    CATEGORY WINNERS

    Outstanding Achievement in Sound Editing – Animation Series or Short

    Love, Death + Robots: “Snow in the Desert”

    Netflix

    Supervising Sound Editor: Bradley North MPSE

    Sound Designer: Craig Henighan MPSE

    Foley Editor: Jeff Gross

    Foley Artists: Alicia Stevens, Dawn Lunsford

    Music Editor: Jeff Charbonneau

     

    Outstanding Achievement in Sound Editing – Limited Series or Anthology

    The Underground Railroad: Chapter 9: “Indiana Winter”

    Amazon Prime

    Supervising Sound Editor: Onnalee Blank MPSE

    Sound Designers: Jay Jennings, Harry Cohen MPSE

    Sound Effects Editor: Luke Gibleon

    Dialogue Editors: Chris Kahwaty MPSE, Katy Wood

    ADR Editor: Bryan Parker MPSE

    Foley Editors: Pietu Korhonen, Lars Halvorsen

    Foley Artist: Heikki Kossi MPSE

    Music Editor: John Finklea

     

    Outstanding Achievement in Sound Editing – Non-Theatrical Animation

    Arcane – League of Legends: “When These Walls Come Tumbling Down”

    Netflix

    Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE

    Supervising Music Editor: Alexander Temple

    Supervising ADR Editor: Shannon Beaumont

    Foley Editor: Alexander Ephraim MPSE

    Foley Artists: Dan O' Connell, John Cucci MPSE

    Music Editor: Alex Seaver

     

    Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

    The Beatles Get Back: “Part 3”

    Disney+

    Supervising Sound Editors: Brent Burge, Martin Kwok

    Sound Editors: Matt Stutter MPSE, Buster Flaws, Melanie Graham

    Dialogue Editor: Emile De La Rey

    Music Editors: Steve Gallagher MPSE, Tane Upjohn-Beatson

    Foley Editor: Michael Donaldson

    Foley Artist: Simon Riley

     

    Outstanding Achievement in Sound Editing – Non-Theatrical Feature

    Infinite

    Paramount+

    Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE

    Sound Designer: Hamilton Sterling

    Sound Effects Editor: Will Digby MPSE

    Dialogue Editors: Micah Loken MPSE, Sang Kim

    Foley Editor: Eryne Prine MPSE

    Music Editor: Mark "Vordo" Wlodarkiewicz

    Foley Artists: Dan O'Connell, John Cucci MPSE

     

    Outstanding Achievement in Sound Editing – ½ Hour – Comedy or Drama

    Only Murders in the Building: “The Boy From 6B”

    Hulu

    Supervising Sound Editor: Mathew Waters

    Dialogue Editor: Danika Wikke MPSE

    Sound Effects Editor: Meredith Stacy

    Music Editor: Micha Liberman

     

    Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR

    Succession: “Secession”

    HBO Max

    Supervising Sound Editor: Nicholas Renbeck MPSE

    Dialogue Editor: Michael Feuser

    ADR Editor: Angela Organ

     

    Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley

    The Witcher: “A Grain of Truth”

    Netflix

    Supervising Sound Editor: Matthew Collinge

    Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne

    Foley Editors: Adam Oakley, Rob Weatherall

    Foley Artists: Zoe Freed, Rebecca Heathcote

     

    Outstanding Achievement in Sound Editing – Series 1 Hour – Music

    Wu Tang: An American Saga: “Protect Ya Neck”

    Hulu

    Music Editor: Sebastian Zuleta

     

    Outstanding Achievement in Sound Editing – Feature Animation

    Raya and the Last Dragon

    Walt Disney Animation Studios

    Supervising Sound Editor: Shannon Mills

    Supervising Dialogue Editor: Brad Semenoff MPSE

    Sound Designer: Nia Hansen

    Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker

    Foley Editors: Chris Frazier, Steve Orlando

    Foley Artists: John Roesch MPSE, Shelley Roden MPSE

    Supervising Music Editor: Jim Weidman

    Music Editor: David Olson

     

    Outstanding Achievement in Sound Editing – Feature Documentary

    The Rescue

    Disney+

    Supervising Sound Editor: Deborah Wallach

    Sound Effects Editor: Roland Vajs, Mariusz Glabinski

    Foley Artist: Nuno Bentro

    Music Editor: Ben Smithers

     

    Outstanding Achievement in Sound Editing – Foreign Language Feature

    Cliff Walkers

    Viki

    Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE

    ADR Editor: Li Xinghui

    Foley Artist: Han Junsheng

    Sound Editors: Ann Scibelli, Xiao'ou Olivia Zhang MPSE, Iain Pattison, Alan Rankin

    Sound Designer: Mark Stoeckinger

     

    Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

    Nightmare Alley

    Searchlight Pictures

    Supervising Dialogue/ADR Editor: Jill Purdy MPSE

    Dialogue Editor: Nelson Ferreira MPSE

     

    Outstanding Achievement in Sound Editing – Feature Effects / Foley

    Dune

    Warner Bros.

    Supervising Sound Editors: Theo Green, Mark Mangini MPSE

    Sound Designer: Dave Whitehead

    Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE, Piero Mura

    Foley Editor: Christopher Bonis

    Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox

     

    Outstanding Achievement in Sound Editing – Feature Music

    West Side Story

    20th Century Studios

    Music Editors: Joe E. Rand, Ramiro Belgardt

    Scoring Editor: David Channing

     

     

    Outstanding Achievement in Sound Editing – Game Audio

    Call of Duty: Vanguard

    Sledgehammer Games

    Audio Director: David Swenson MPSE

    Audio Leads: Matthew Grimm, Ryan McSweeney, Michael Caisley, Eric Wedemeyer

    Supervising Sound Editors: Charles Deenen MPSE, Nick Interlandi, Nick Martin

    Supervising Dialogue Editors: Emilio Lopez-Centellas, Adam Boyd MPSE, Hilary Long

    Supervising Music Editors: Ted Kocher, Anthony Caruso

    Sound Designers: Kegan Chau, Fernando Labarthe, Sheridan Willard, Tyler Cannan, Michael Tornabene, Peter Wayne, Liam Underwood, Don Veca, Jeremiah Sypult, Andy Bayless, Darren Blondin, Nicholas D'Amato, Jacob Denny, Jacob Harley, Vadim Nuniyants, Timothy Schlie, Aaron Brown, Ian Mika, Tory Bader, Corina Bello, Darrell Tung, Jonathan Gosselin, Nick Tremblay, Mathieu Denis, Mikael Frithiof, Jon Persson, Braden Parkes, Erick Ocampo, Mike Maksim, Matt Hall, Chris Diebold, Jeff Sawyer, Josh Moore, Igor Comes, Tim Gedemer MPSE, Klaus Shipman, Jim Schaefer, Rashaad Wiggins, Jonathan McCavish, Gavin Hislop, Michael Jones, Shawn Jimmerson, Lee Staples, Ryan Garigliano, Garrett Oshiro

    Sound Editors: Daniel Petras, Jordan Ruhala, Matthew Schaff MPSE

    Dialogue Editors: Robert Jackson, Maggie Wolf, Alvaro Vela, Serge J. Isaac, Stiv Schneider, Juliana Henao Mesa, David Price

    Music Editors: Scott Shoemaker, Tao-Ping Chen, Adam Kallibjian, Rob Goodson, Andrew Buresh

    Foley Artist: Foley Walkers

     

    Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

    Build Me Up

    The National Film and Television School

    Supervising Sound Editor: Wong Hui Grace

     

    About MPSE
    Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion picture television and gaming industries. The organization’s mission is to provide a wealth of knowledge from award-winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.

     

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    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:Motion Picture Sound EditorsSound EditingGolden Reels AwardsRoad To OscarMPSE



    Production Company Field Work Breaks The Ice With Launch Film For New NHL Team, The Utah Mammoth

    Wednesday, July 9, 2025
    The NHL’s newest franchise, the Utah Mammoth, has launched a cinematic brand film that trades traditional sports tropes for something that leans into myth, mystery, and mountains. Directed by Zeppelin Zeerip of Salt Lake City-based production company Field Work Creative, the piece introduces the Mammoth not just as a team, but as a legend awakening in the Utah mountains, directed by Zeppelin Zeerip of Salt Lake City-based production company Field Work Creative.

    In a dramatic departure from traditional sports marketing, the NHL’s newest franchise, the Utah Mammoth, has launched a cinematic brand film that trades traditional sports tropes for something that leans into myth, mystery, and mountains. Directed by Zeppelin Zeerip of Salt Lake City-based production company Field Work Creative, the piece introduces the Mammoth not just as a team, but as a legend awakening in the Utah mountains. Click here to watch the new Utah Mammoth launch spot. “This wasn’t just a rebrand or a promo piece,” says Zeerip. “It was the birth of an NHL identity — and they needed a production partner who could move fast, push creatively, and carry some weight, literally. When they called, we jumped in with both feet.” Crafted in close collaboration with the Utah Mammoth’s internal marketing team, the film blends suspense, folklore, and visually rich storytelling to capture the cultural moment of hockey's arrival in Utah, positioning the Mammoth brand as something much deeper: a presence that has always been here, waiting to emerge. Zeerip, known for his roots in outdoor filmmaking, brought an atmospheric, cinematic tone to the project, which marks a striking pivot from the usual fast-cut, high-intensity norm of sports hype videos. Zeerip, instead, tells a masterful multi-leveled story in just 90 seconds that follows a group of kids exploring a history museum, as well as a hiker uncovering a tusk deep in a cave. Those two stories collide with a third of a mammoth itself stirring back to life from under the arena ice. The final shot, designed to evoke awe and scale, shows a tusk bursting through the ice,... Read More

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