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    Home » Motion Picture Sound Editors Presents 2014 Golden Reel Awards

    Motion Picture Sound Editors Presents 2014 Golden Reel Awards

    By Artisans PRTuesday, February 18, 2014Updated:Tuesday, May 14, 2024No Comments7785 Views
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    George Lucas at the 61st MPSE Golden Reel Awards
    HOLLYWOOD -- (SPW) --

    The Motion Picture Sound Editors presented the 61st MPSE Golden Reel Awards at a black-tie ceremony held at the Bonaventure Hotel in Los Angeles last night. Golden Reel Awards recognizing outstanding achievement in sound editing were presented in 24 categories encompassing feature films, long-form and short-form television, animation, documentaries and other media. Star Wars creator George Lucas presented the annual MPSE Career Achievement Award to Randy Thom, Director of Sound Design at Skywalker Sound. The evening also featured a Special Tribute to sound pioneer Ray Dolby, introduced by MPSE Career Achievement winner Walter Murch.

    MPSE president Frank Morrone gave the opening address. Supervising sound editor Glenn T. Morgan and casting director Jeremy Gordon presented the Verna Fields Award for Sound Editing in Student Films and the Ethel Crutcher Scholarship Award to students from England’s National Film and Television School. Other presenters included sound artists Mark Lanza, Joanie Diener, Kim Jimenez, Tom McCarthy and Erik Aadahl, as well as actors Navid Negahban, Julia Parker, Dayo Okeniyi and Callan McAuliffe, and producer/director Jon Chu.

    2014 Golden Reel Award Winners

    CAREER ACHIEVEMENT AWARD

    Randy Thom

    TV/Feature Animation & Documentary

    BEST SOUND & MUSIC EDITING: TELEVISION ANIMATION

    FAIRLY ODD PARENTS “DUMBBELL CURVE” (NICKELODEON )

    Directed by:    Randy Myers, Michelle Bryan
    Produced by:   Butch Hartman, George Goodchild

    Nominees:

    Supervising Sound Editor:   Heather Olsen, MPSE
    Sound Designer: Heather Olsen, MPSE
    Supervising Foley Editor:  Roy Braverman
    Supervising Dialogue Editor:  Robbi Smith, MPSE
    Foley Artist: John Lampinen

    BEST SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY SHORT FORM

    NORTH AMERICA: NO PLACE TO HIDE (DISCOVERY CHANNEL)

    Produced by:   Keith Scholey, Christine Weber

    Nominees:

    Supervising Sound Editors:  Kate Hopkins, Tim Owens
    Sound Effects Editor: Stephen Griffiths
    Assistant Dialogue Editor:  Owen Peters
    Music Editor: Michael Baber

    BEST SOUND & MUSIC EDITING: TELEVISION DOCUMENTARY LONG FORM

    DEADLIEST CATCH: THE FINAL BATTLE: THE FINAL BATTLE (DISCOVERY)

    Directed by: Jared Cook
    Produced by:  John Gray

    Nominees:

    Supervising Sound Editor:  Bob Bronow, CAS
    Sound Designer:  Bob Bronow, CAS
    Sound Effects Editors:  Kevin Skaggs, Selina Zakaria
    Dialogue/ADR Editor: Jason Tuttle
    Dialogue Editors: Kevin Skaggs, Edward Rodriguez
    Music Editor:  Doug Kern

    BEST SOUND & MUSIC EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN ANIMATION FEATURE FILM

    EPIC  (20TH CENTURY FOX )

    Directed by:    Chris Wedge
    Produced by:   Lori Forte, Jerry Davis

    Nominees:

    Supervising Sound Editors:  Gwendolyn Yates Whittle, MPSE, Randy Thom
    Sound Designers:  Randy Thom, Jeremy Bowker
    Supervising Foley Editor: Luke Dunn Gielmuda
    Supervising Dialogue Editor: Brad Semenoff
    Foley Artists: Denise Thorpe, Jana Vance
    Foley Editors:  Benny Burtt, Jim Likowski
    Dialogue Editor:  Michael Silvers 
    Sound Effects Editors:  Leff Lefferts, Andre Fenley, Kyrsten Mate, Kent Sparling
    Music Editors: Lisa Jaime, Bill Abbott

    BEST SOUND & MUSIC EDITING: DOCUMENTARIES – FEATURE FILM

    DIRTY WARS (IFC)

    Directed by:    Richard Rowley
    Produced by:   Anthony Arnove, Brenda Conklin

    Nominees:
    Supervising Sound Editor:  Christopher Barnett
    Sound Designers:  Christopher Barnett, Brandon Proctor

    Student Filmmaker

    VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMS & PRESENTATION OF SCHOLARSHIP AWARD

    ROBOMAX (NATIONAL FILM AND TELEVISION SCHOOL)

    NOMINEES:

    Supervising Sound Editor: Tingli Lim
    Sound Designer:  Tingli Lim
    Foley Artist: Ricky Butt
    Music Editors: Sarah Warne, Tingli Lim

    Computer/Direct to Video/Foreign Feature

    BEST SOUND & MUSIC EDITING: COMPUTER EPISODIC ENTERTAINMENT

    MORTAL KOMBAT: LEGACY SERIES  II – EP.4 (Warner Premiere)

    Directed by:    Kevin TancharoeN
    Produced by:   Kevin Tancharoen

    Nominees:

    Supervising Sound Editor:   Michael Babcock
    Sound Designers:  Michael Babcock, Tim GedemerSupervising 
    Foley Editor: Jeff Sawyer
    Foley Artist:  Gregg Barbanell
    Sound Effects Editors:  Ian Herzon, Bryan Jerden

    BEST SOUND & MUSIC EDITING: COMPUTER INTERACTIVE ENTERTAINMENT

    STARCRAFT 2: HEART OF THE SWARM CINEMATIC (BLIZZARD ENTERTAINMENT, INC.)

    Directed by:   Jeff Chamberlain, Nicholas S. Carpenter
    Produced by:   Caroline Hernandez, MPSE, Phillip Hillenbrand

    Nominees:

    Supervising Sound Editor: Paul Menichini, MPSE
    Sound Designers:  Paul Menichini, MPSE, David Farmer, Stuart Provine
    Supervising Foley Editor:  Darrin Mann
    Supervising ADR Editor:  Andrea Toyias
    Foley Artist: Gregg Barbanell, MPSE
    Sound Effects Editor:  Caroline Hernandez, MPSE
    Sound Editors:  Thomas C. Brewer, MPSE, John Kurlander
    Dialogue/ADR Editors:  Alexander Ephraim, Clinton D. Jones
    Music Editor:  Neal Acree

    BEST SOUND & MUSIC EDITING: DIRECT TO VIDEO – ANIMATION

    BATMAN: THE DARK KNIGHT RETURNS PT. 2 (WARNER BROS. ANIMATION)

    Directed by:    Jay Oliva
    Produced by:   Bruce Timm, Sam Register

    Nominees:      

    Supervising Sound Editor: Robert Hargreaves, MPSE
    Sound Designer:  Robert Hargreaves, MPSE
    Supervising Dialogue Editor:  Mark Keatts
    Foley Artist:  Gary Marullo
    Sound Effects Editor:  George Brooks
    Dialogue Editors:  Kelly Foley-Downs, Mike Garcia
    Foley Editor:  John Hegedes

    BEST SOUND & MUSIC EDITING: DIRECT TO VIDEO – LIVE ACTION

    MARVEL ONE-SHOT: AGENT CARTER  (WALT DISNEY STUDIO)

    Directed by:    Louis D' Esposito
    Produced by:   Kevin Feige, Brad Baruh, Brad Winderbaum, Victoria Alonso, Mitch Bell

    Nominees:      

    Supervising Sound Editor:  Andrew DeCristofaro, MPSE
    Sound Designers:  Ann Scibelli, MPSE, Michael Payne, MPSE
    Supervising Dialogue Editor:  Laura Harris-Atkinson
    Foley Artists: Gary A. Hecker, Gary Marullo

    BEST SOUND & MUSIC EDITING: SPECIAL VENUE

    TO THE ARTIC 3D (Warner Brothers Studios)

    Directed by:    Greg MacGillivray
    Produced by:   Shaun MacGillivray, Christopher N. Palmer

    Nominees:

    Supervising Sound Editor:  Andrew De Cristofaro, MPSE
    Sound Designers:  Stephen P. Robinson, MPSE, Peter Staubli, MPSE
    Sound Effects Editors:  Edmond Coblentz, Michael Payne, MPSE, Gayle Wesley, Bruce Tanis, MPSE
    Supervising Dialogue/ADR Editor: Tim Kimmel
    Dialogue Editor: Steve Judson
    Supervising Foley Editor:  Kerry Carmean-Williams
    Foley Artists: Gary A. Hecker, Gary Marullo
    Music Editor:   Steve Wood

    BEST SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE

    THE GRANDMASTER  (THE WEINSTEIN COMPANY)

    Directed by: Wong Kar Wai
    Produced by: Wong Kar Wai, Jacky Pang Yee Wah

    Nominees:

    Supervising Sound Editors:  Robert Mackenzie, Traithep Wongpaiboon
    Sound Designers:  Nopawat Likitwong, Steve Burgess
    Supervising Foley Editor: John Simpson
    Supervising Dialogue & ADR Editor:   Gary Chen
    Foley Artists:  Sam Rogers, Chumnan Chuponkrang
    Sound Effects Editors:  James Ashton, Chris Goodes, Luke Mynot, Sam Petty,Narubett Peamyai, Ekaratt Chungsanga

    BEST SOUND & MUSIC EDITING: FEATURE FILM – FOREIGN LANGUAGE

    THE PAST (SONY PICTURES CLASSICS)

    Directed by:    Asghar Farhadi
    Produced by:   Alexandre Mallet-Guy

    Nominees:

    Supervising Sound Editor:   Thomas Desjonqueres
    Supervising ADR Editor:   Frédérique Liebaut
    Foley Artists:  François Lepeuple

    Television Short Form

    BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC

    GAME OF THRONES: “THE RAINS OF CASTAMERE” (HBO ENTERTAINMENT)

    Directed by:    David Nutter
    Produced by:  David Benioff, D.B. Weiss

    Nominees:

    Supervising Music Editor:       David Klotz

    BEST SOUND EDITING IN TELEVISION: SHORT FORM – MUSIC, MUSICAL

    PEG + CAT: THE BEETHOVEN PROBLEM (PBS)

    Directed by:    Jennifer Oxley, Billy Aronson, Cory Bobiak
    |Produced by:   Alia Nakashima, Jaclynn (Demas) Gennawey

    Nominees:

    Supervising Music Editor:  Steven Rebollido
    Music Editors:  J. Walter Hawkes, Daniel Mennella

    BEST SOUND EDITING IN TELEVISION: SHORT FORM – DIALOGUE AND ADR

    GAME OF THRONES: “THE RAINS OF CASTAMERE” (HBO ENTERTAINMENT)

    Directed by:    David Nutter
    Produced by:   David Benioff, D.B. Weiss

    Nominees:

    Supervising Sound Editor:  Tim Kimmel
    Supervising Dialogue Editor:  Jed Dodge
    Supervising ADR Editor: Tim Hands
    ADR Editors:  Ruth Adelman, Martin Mahon

    BEST SOUND EDITING IN TELEVISION: SHORT FORM – SOUND EFFECTS AND FOLEY

    BREAKING BAD:FELINA (AMC)

    Directed by:  Vince Gilligan

    Produced by:   Diane Mercer, Bryan Cranston

    Nominees:

    Supervising Sound Editor:   Nick Forshager|
    Foley Artists:   Gregg Barbanell, Dominique Tabach Decaudain
    Sound Effects Editors:  Mark Cookson, Cormac FungeFoley Editors:  Timothy Boggs, Jeff Cranford

    Television Long Form

    BEST SOUND EDITING IN TELEVISION: LONG FORM – MUSIC, MUSICAL

    HISTORY OF THE EAGLES: PART ONE (SHOWTIME)

    Directed by:  Alison Ellwood
    Produced by:   Alex Gibney, Blair Foster

    Nominees:

    Music Editor:  Annette Kudrak

    BEST SOUND EDITING IN TELEVISION: LONG FORM – DIALOGUE & ADR

    THE BRIDGE: “PILOT” (SHINE AMERICA)

    Directed by:    Gerardo Naranjo
    Produced by:   Meredith Stiehm, Elwood Reid

    Nominees:

    Supervising Sound Editor:  Mike Marchain
    Supervising Dialogue/ADR Editor: Mike Marchain
    Dialogue Editors:   Paul Longstaffe, Charles Kolander, Robert Guastini, MPSE

    BEST SOUND EDITING IN TELEVISION: LONG FORM – SOUND EFFECTS AND FOLEY      

    SONS OF ANARCHY: SALVAGE (FX NETWORK)

    Directed by:    Adam Arkin
    Produced by:   Kurt Sutter, Craig Yahata

    Nominees:

    Supervising Sound Editor:  Erich Gann 
    Sound Designers:   Robert Costanza, Mike Dickeson
    Supervising Foley Editor:  Bill Bel
    Foley Artists:  Tim Chilton, Jill Sanders
    Assistant Sound Editor:  Kevin Meltcher

    Feature Film

    BEST SOUND EDITING IN FEATURE FILM – MUSIC

    THE GREAT GATSBY (WARNER BROS.)

    Directed by:    Baz Luhrman
    Produced by:   Catherine Knapman, Baz Luhrmann, Catherine Martin

    Nominees:

    Supervising Music Editors:   Jason Ruder, Tim Ryan
    Music Editor:   Craig Beckett

    BEST SOUND EDITING IN FEATURE FILM – MUSIC, MUSICAL FEATURE

    FROZEN (BUENA VISTA)

    Directed by:    Chris Buck, Jennifer Lee
    Produced by:   Peter Del Vecho

    Nominees:

    Music Editors:  Earl Ghaffari, Fernand Bos, MPSE

    BEST SOUND EDITING IN FEATURE FILM – DIALOGUE AND ADR

    CAPTAIN PHILLIPS (COLUMBIA PICTURES)

    Directed by: Paul Greengrass
    Produced by:  Scott Rudin, Michael De Luca

    Nominees:

    Supervising Sound Editor:  Oliver Tarney, MPSE
    Supervising Dialogue Editor:  Bjørn Schroeder
    Supervising ADR Editor:  Simon Chase
    Dialogue Editor:  Rob Killick

    BEST SOUND EDITING IN FEATURE FILM – SOUND EFFECTS AND FOLEY

    GRAVITY (WARNER BROS.)

    Directed by:  Alfonso Cuarón
    Produced by:   Alfonso Cuarón, David Heyman

    Nominees:

    Supervising Sound Editor:   Glenn Freemantle
    Sound Designer: Glenn Freemantle
    Foley Artist:   Nicolas Becker
    Sound Design Editors:   Niv Adiri, Ben Barker, Eilam Hoffman
    Sound Effects Editor:  Danny Freemantle
    Foley Editor:  Hugo Adams

    About MPSE
    Founded in 1953, the Motion Picture Sound Editors is a non-profit organization of professional sound and music editors who work in the motion pictures and television industry. The organization’s mission is to provide a wealth of knowledge from award winning professionals to a diverse group of individuals, youth and career professionals alike; mentoring and educating the community about the artistic merit and technical advancements in sound and music editing; providing scholarships for the continuing advancement of motion picture sound in education; and helping to enhance the personal and professional lives of the men and women who practice this unique craft.
     

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    Contact:

    MOTION PICTURE SOUND EDITORS
    Sandra Varela
    Executive Director818 506 7731 
    Contact Sandra via email
    www.mpse.org
     

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    ArtisansPR
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    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:Motion Picture Sound EditorsGeorge LucasGolden ReelMPSE



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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