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    Home » New Aveeno Kids Campaign from Doner, The Barkers, and Sarofsky Celebrates Children’s Independence

    New Aveeno Kids Campaign from Doner, The Barkers, and Sarofsky Celebrates Children’s Independence

    By DWAgencyTuesday, October 25, 2022Updated:Tuesday, May 14, 2024No Comments6375 Views
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    Aveeno Kids Launch Campaign image courtesy of Sarofsky.
    CHICAGO -- (SPW) --

    A new Aveeno Kids cross-media campaign entitled “Kids Can” has recently debuted from full-service advertising agency Doner. With three :15 spots (“Dad,” “Mom,” and “Curly Hair”) and numerous shorter versions, the spots were helmed by the directing team of The Barkers, with animation, VFX, and finishing support from one-stop cross-media production company Sarofsky.

    Deftly using the brand’s original Care Crew animated characters featured across the Aveeno Kids product line, the storylines pair Mika the Racoon, Sage the Elephant, Romer the Horse, and Lucky the Llama with vibrant children using the products themselves, and achieving other can-do moments.

    “Kids taking care of themselves is powerful,” The Barkers began. “From our points of view, independence is the inspiration behind this entire campaign. We take the simple moment of taking a bath and show how impactful it can be.”

    The directors continued, “Growing up happens all the time … it’s the routine moments where we learn big things. Every step our children take solo ignites imaginations and inspires confidence. The gentle nudges from our super-caring animated characters help our heroes take the lead in important ways. It’s all about the wonder of growing up.”

    Over two days in Mexico City, The Barkers filmed their live-action talents in collaboration with Goodgate Films, with a team that included Director of Photography Serguei Saldivar. Paying meticulous attention to every detail, from casting through location choice, production design, and lighting, the emphasis during production was on creating bright and fun moments where anything seems possible. 

    Adding to the magic of each finished vignette, Sarofsky’s efforts were led by Executive Creative Director Erin Sarofsky herself. The team also included Managing Director/Executive Producer Steven Anderson, Senior Producer Joel Signer, Supervising Editor Tom Pastorelle, Editor Cassandra Tyler, Animators James Wignall, Eric Larson, and Dave Kiehl, and Flame Artist Cory Davis.

    “Not only do we get incredibly excited about bringing animated characters to life, we also love it when we get to use type in playful, fun, and imaginative ways,” Sarofsky added. “We have a giant soft-spot for heartwarming stories like these, and we feel honored to be part of this wonderful team effort.”

    According to Anderson, “Any opportunity to collaborate with The Barkers and see a project through from start to finish is a huge win for us.”

    For Doner, credit goes to EVP Executive Creative Director Karen Cathel, Associate Creative Directors Matt Reising, Ana Da Silva Figueira, and Andres Justo, VP Brand Leader Heather Jenkins, Executive Producer Autumn Hines, and Senior Project Manager Christina Feuerstein. Complete project credits are available upon request. 

    To learn more about Aveeno Kids, visit https://www.aveeno.com/kids. 

    About Sarofsky
    Director, creative director and designer Erin Sarofsky kick-started Sarofsky in 2009 and formed a group of extraordinarily talented makers who have been providing their services to leaders in the advertising and entertainment industries worldwide. Today, Sarofsky's makers use animation, visual effects, motion design and live-action to collaborate with customers from concept to delivery, producing work that is visceral, innovative and diverse. With artistry that encapsulates in-house long format, sublime commercials, brand films, title sequences and much more, Sarofsky's reputation for breakthrough design, its proven multi-media production expertise, and its fabulous Olson Kundig-designed studio in Chicago's West Loop all constitute key components of the attraction. Learn more at https://www.sarofsky.com.

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    Roger Darnell
    DWA for Sarofsky
    (828) 424-7698
    Contact via email
    SPW Category:New ScreenWork Releases (commercial, film, TV, online, etc)
    Tags:AveenoDonerSarofskyThe BarkersCommercials



    How Cutting “Wicked” Films Changed Oscar Nominee Myron Kerstein For Good

    Tuesday, January 13, 2026
    Myron Kerstein, ACE behind the scenes working on "Wicked" and "Wicked: For Good"

    While having a phenomenal range of credits across genres, Kerstein definitely cemented his reputation as a music man of the editing room with Tick, tick…. Boom! and Wicked earning him two Academy Awards® nominations. He shared with us some of his secrets on tackling the tremendous task of finishing this epic journey and how finding intimate moments in grand scenes shapes his approach to work. You have been Oscar® nominated for Tick, tick… Boom! and notable for Wicked last year. Are musicals like second nature, what do you love about working on them or what attracts you to them? I love working on musicals because when a character does not have the ability to say how they feel, singing it is another form of expression. So oftentimes that singing is sort of a version of a monologue inside their heads, and I love to explore that form of expression. It's unlike anything else in any other genre, like voiceover, because the musical is a very specific way in which characters can express themselves. I also happen to really love music. So cutting musicals satisfies this love of mine of this specific form of expression, but also my love for music and the genre itself. The genre has such a long history. There's so many incredible artists who have used this genre to express different stories from the Music Man or Grease or The Umbrellas of Cherbourg or Read More

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