Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » New High End Color Correction House Apache Digital Uses DaVinci Resolve

    New High End Color Correction House Apache Digital Uses DaVinci Resolve

    By stephanieh@blackmagicdesign.comFriday, September 26, 2014Updated:Tuesday, May 14, 2024No Comments3260 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Fremont, CA -- (SPW) --

    Blackmagic Design today announced that new Los Angeles based color correction house Apache Digital has built its two new color correction suites around DaVinci Resolve. The company has already completed a number of international commercial campaigns and long form productions on DaVinci Resolve within a few months of its opening, including commercials for a new Chevrolet campaign.

    Formed by co-founders Shane Reed, Steve Rodriguez and LaRue Anderson, Apache Digital has already provided color correction using DaVinci Resolve on a number of national commercial campaigns for Chevrolet, Coke Zero, Kay Jewelers and Lexus among others. They have also completed grading for music videos, a television series and an independent feature that debuted at Telluride, “Three Short Films About Peace.”

    Apache Digital provides color correction services to advertising agencies, production and editorial houses, with a focus on commercial productions. Rodriguez and Reed both bring years of color correction experience in commercial and long form productions, including working on campaigns for Toyota, Tide, Mazda, Nike, Nissan and Budweiser, while Anderson has produced campaigns for companies such as Nike, Coca-Cola, Pepsi and Proctor & Gamble.

    Apache Digital opened its doors at the beginning of July, 2014.

    “When the Chevrolet clients arrived at Apache, they were immediately at ease when they discovered we were grading on DaVinci Resolve. It’s a brand they’ve trusted for years,” said Rodriguez. “After setting some initial looks, the direction changed a bit when we started coloring some close up shots. Keeping in mind that we are selling sheet metal and glass, I quickly set up alternative versions and went in the new direction. The creatives in the room were impressed with the speed and accuracy of Resolve to accommodate the new look with just a few simple moves.

    “The tools inside Resolve are powerful and plentiful. Being able to audition several looks in a matter of seconds is key to the creative process. Every client that walks in our grading suites has the same reaction. We are clean, fast and efficient. A project’s delivery schedule is always hectic. With Resolve, the render speeds are stunning. We deliver a viewing codec for the clients to carry out on their laptops and a VFX qualified codec for finishing in just minutes,” continued Rodriguez.

    “Resolve easily handles a wide array of media from all cameras, formats and color spaces and can normalize these different media types into one consistent looking piece with minimal effort. As cameras continue to evolve and change, this ability to work with so many different media types effectively makes Resolve stand out in its field,” said Reed. “I primarily grade in the ACES color space which has a very good implementation within Resolve. Furthermore, it's great to be running a system that has such a large user community and robust knowledge base.

    “The native remote grading capabilities in Resolve also help us to establish intimate connections with our clients no matter where they are in the world in a way that's reliable and doesn't require our partnering facilities to have expensive fiber infrastructures. And another plus is that because Resolve is so widespread and has a user friendly "light" version, many of our clients' facilities already have a familiarity with the system. This facilitates our conversations with our clients and helps them to better understand our workflow, which makes all our sessions that much smoother,” Reed concluded.

    About Blackmagic Design
    Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy® award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST for UNLIMITED ACCESS to all SHOOT pages using either your email or social login (LinkedIn, Facebook, Google or X)

    The limited access duration has come to an end. (Access was allowed until: 2016-03-27)
    Contact:

    Stephanie Hueter
    Blackmagic Design
    Contact Stephanie via email
     

     

    SPW Category:Production and Post-Production Products and Services
    Tags:Apache Digitalcolor correctionBlackmagic Designpost productioncolor grading



    International Cinematographers Guild Announces 27th Emerging Cinematographer Award Honorees

    Wednesday, July 9, 2025
    From Left to Right, Top to Bottom: Isaac Banks, John B. Barrett, Daniel Cotroneo, Eythan Maidhof, Mariscela Beatríz Méndez, Josh Pickering, Steven Jacob Russell, Alexa Wolf.

    The International Cinematographers Guild (ICG, IATSE Local 600) has chosen eight honorees to receive the 2025 Emerging Cinematographer Awards (ECAs). The 27th annual awards gala and reception will be held at the Television Academy Saban Media Center Wolf Theatre, on Sunday, September 28, 2025. The eight filmmakers, selected from 100 submissions, are: Name, Film Title

    • Isaac Banks, “The Trophy King”
    • John B. Barrett, “Recall”
    • Daniel Cotroneo, “Yae: Blind Samurai Woman”
    • Eythan Maidhof, “Class Clown”
    • Mariscela BeatrĂ­z MĂ©ndez,  “The Middle”
    • Josh Pickering, “Boundless | HomeAid”
    • Steven Jacob Russell, “Hammer”
    • Alexa Wolf, “To Fade Away”
    The ECAs support the next generation of visual storytellers by spotlighting and honoring early-career and emerging Directors of Photography. A panel of established ICG members from across the country assess submissions from Local 600 members who are not yet classified as Directors of Photography. The awards are presented to the cinematographers of short films, under 30 minutes in length. “The Emerging Cinematographer Awards reflect the important values that ICG stands for — fostering talent, mentorship, and supporting a strong creative community,” says John Lindley, ASC, National President of the ICG. “These honorees represent the future of our... Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleSpikes Asia Announces 2014 Winners
    Next Article The Mission Kicks Off For Verizon
    stephanieh@blackmagicdesign.com

    Add A Comment
    What's Hot

    Larry David To Team With The Obamas For U.S. History Sketch Show On HBO

    Thursday, July 10, 2025

    BURN Studio Signs Directorial Duo Coming of Age For U.S. Representation

    Thursday, July 10, 2025

    Michael Douglas and Danny DeVito Revisit “One Flew Over the Cuckoo’s Nest” For Its 50th Anniversary

    Thursday, July 10, 2025
    Shoot Screenwork

    Top Spot of the Week: AlmapBBDO Lands Starring Roles In Netflix Series For VW Brazil’s Tera SUV

    Thursday, July 10, 2025

    Volkswagen’s latest South American launch is now taking a starring role in Money Heist, Wednesday,…

    Director Kasra Farahani Takes Us On A “Home Tour” Of The Fantastic Four’s Abode For Zillow

    Wednesday, July 9, 2025

    Caviar Director Alex Cook Does Heavy Lifting In Short Film For Onyx

    Tuesday, July 8, 2025

    The Best Work You May Never See: Agency TRY and Director Jakob Marky Deliver “Hope” For IKEA Norway

    Monday, July 7, 2025

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.