Facebook Twitter Instagram LinkedIn RSS
    Facebook Twitter Instagram LinkedIn RSS
    SHOOTonline SHOOTonline SHOOTonline
    Register
    • Home
    • News
      • MySHOOT
      • Articles | Series
        • Best work
        • Chat Room
        • Director Profiles
        • Features
        • News Briefs
        • “The Road To Emmy”
        • “The Road To Oscar”
        • Top Spot
        • Top Ten Music Charts
        • Top Ten VFX Charts
      • Columns | Departments
        • Earwitness
        • Hot Locations
        • Legalease
        • People on the Move
        • POV (Perspective)
        • Rep Reports
        • Short Takes
        • Spot.com.mentary
        • Street Talk
        • Tool Box
        • Flashback
      • Screenwork
        • MySHOOT
        • Most Recent
        • Featured
        • Top Spot of the Week
        • Best Work You May Never See
        • New Directors Showcase
      • SPW Publicity News
        • SPW Release
        • SPW Videos
        • SPW Categories
        • Event Calendar
        • About SPW
      • Subscribe
    • Screenwork
      • Attend NDS2024
      • MySHOOT
      • Most Recent
      • Most Viewed
      • New Directors Showcase
      • Best work
      • Top spots
    • Trending
    • NDS2024
      • NDS Web Reel & Honorees
      • Become NDS Sponsor
      • ENTER WORK
      • ATTEND
    • PROMOTE
      • ADVERTISE
        • ALL AD OPTIONS
        • SITE BANNERS
        • NEWSLETTERS
        • MAGAZINE
        • CUSTOM E-BLASTS
      • FYC
        • ACADEMY | GUILDS
        • EMMY SEASON
        • CUSTOM E-BLASTS
      • NDS SPONSORSHIP
    • Contact
    • Subscribe
      • Digital ePubs Only
      • PDF Back Issues
      • Log In
      • Register
    SHOOTonline SHOOTonline SHOOTonline
    Home » “NFL Sunday Ticket” Gets the ‘Keyboard Cat’ Treatment in YouTube’s Super Bowl Spot, Mixed at Alt_Mix

    “NFL Sunday Ticket” Gets the ‘Keyboard Cat’ Treatment in YouTube’s Super Bowl Spot, Mixed at Alt_Mix

    By avagnoniThursday, March 2, 2023Updated:Tuesday, May 14, 2024No Comments3249 Views
    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email
    Who better to announce that NFL Sunday Ticket is moving to YouTube and YouTube TV than Keyboard Cat? The music, sound design and voiceover for this Super Bowl promo were mixed and recorded at Alt_Mix by veteran mixer and sound designer Cory Melious.

    “Football Cat,” a humorous promo, announces the move to YouTube and YouTube TV with sound effects, music, explosions and that famous internet feline.

    NEW YORK -- (SPW) --

    To let football fans know that “NFL Sunday Ticket” is moving to YouTube and YouTube TV, the online and streaming video platforms chose the perfect time to run a humorous comedy promo spot: right before the kickoff of Super Bowl 57. In “Football Cat,” a thirty-second ad created by YouTube Creative Studio, the drumbeat of the familiar theme from NFL’s Thursday night coverage comes on as viewers are treated to a throwback to one of YouTube’s earliest viral hits, “Keyboard Cat.” 

    First posted to the site in 2007 although initially created back in 1984, “Keyboard Cat” has been viewed over 70 million times and unleashed an entire generation of cat videos and memes across the internet since it was first posted. 

    The music track used for “Football Cat” was extensively remixed at Alt_Mix, the startup audio post and sound design studio launched last year by veteran Senior Mixer and Creative Director Cory Melious. He also recorded a short voiceover that was integrated into a cheering crowd effect that factors into the spot’s crescendo and created additional sound design elements for the spot. Alt_Mix delivered a full 5.1 final mix for broadcast and streaming. To view the promo see below or go here. 

    Explaining the creative approach, YouTube Creative Studio’s Creative Director Justin Pedone says, “‘Keyboard Cat’ was one of the first viral videos on YouTube. Over the years, it’s become synonymous with the early days of the platform and a shorthand for the cultural impact of user-generated videos. As YouTube adds ‘NFL Sunday Ticket’ to its offering, ‘Keyboard Cat’ was a great way to introduce this new era to the world and show just how far watching videos on the Internet has come." 

    “We did a lot of versions experimenting with different intros, and a lot of variations of the explosion to get that to feel just right,” Melious explains about the mixing process. “We intentionally built the explosion sound to be a bit over-the-top, but without it feeling too much like a polished blockbuster film."

    “Music and sound design are central to this piece of work,” Pedone notes. “The track needed to create excitement while juxtaposing the silliness of ‘Keyboard Cat.’ Cory’s attention to detail and creative sensibility helped fine tune this balance in a way that only he could. As always, he delivered in spades, helping to give ‘Keyboard Cat’ another viral moment almost 15 years later.”

    The mix was demanding, Melious adds, even though the music track has been used frequently for NFL programming. “We only had access to the full mix of the song, so we had to get creative when adjusting the chime sound embedded in it,” he explains. “We didn’t want the chimes featured too much at the top, but we also didn’t want to lose the movement they represented to the melody. So we had to do a combination of hyper specific gain reduction to literally each note, adding a layer of strings from a different part of the song to give us melodic movement. We think the results worked perfectly with the tone of the piece and the tongue-in-cheek visuals.” 

    “Alt_Mix was a no-brainer for this assignment,” adds Creative/Art Director Dustin Blouse. “They’re extremely talented and collaborative at every turn. As a proven partner, we knew Alt_Mix would do everything possible to make the work the best it can be.”  

    For Melious, YouTube’s “Football Cat” is just the latest in a long series of Super Bowl spots he’s mixed. “I approached all of these spots just like any other project, even though the stage is much larger,” he notes. “I try to use the sonic elements to aid in telling the story. I want to feature the pieces that matter at any given moment, to convey the right feeling and engage the audience’s emotions where and when it's intended.” 

    For more information on Alt_Mix, contact Cory Melious or Creative Producer Simone Gurren at at contact info below..

    REGISTRATION REQUIRED to access this page.

    Already registered? LOGIN
    Don't have an account? REGISTER

    Registration is FREE and FAST.

    The limited access duration has come to an end. (Access was allowed until: 2024-08-31)

    AltMixStudio.com

    company

    Cory Melious
    Creative Director/Senior Mixer
    Alt_Mix
    (646) 265-5249
    Contact via email

    company

    Simone Gurren
    Creative Producer
    Alt_Mix
    Contact via email

    media

    Anthony Vagnoni
    El Presidente
    avagnoni communications
    (973) 493-8736
    Contact via email
    SPW Category:New ScreenWork Releases (commercial, film, TV, online, etc)
    Tags:Cory MeliousAlt_MixSuper Bowlyoutube



    Behind Two Festival Standouts: Line Producer Amanda Verhagen on Building Worlds in “A Nice Indian Boy” and “Love Me”

    Friday, December 12, 2025
    Amanda Verhagen

    In a year that saw A Nice Indian Boy and Love Me premiere at major festivals, line producer Amanda Verhagen found herself navigating two wildly different but equally ambitious projects, one an intimate, culturally grounded romance, the other a conceptual sci-fi love story brought to life through animatronics, VFX, and an entirely non-human cast. Known for her meticulous planning, adaptability, and collaborative leadership style, she reflects on the unique challenges behind these films: from constructing a large-scale wedding environment from scratch to coordinating global shoots with complex puppetry and post pipelines. In this interview, she breaks down the craft of line producing, her approach to supporting director-driven storytelling, and what emerging filmmakers can learn from making ambitious work with limited resources. Both A Nice Indian Boy and Love Me premiered at major festivals this year. What drew you to each of these projects, and how did your role as line producer differ between the two? A Nice Indian Boy and Love Me are very different films on the surface, but the similarities run deep. Both are stories of connection and fighting against all odds, whether literal space and time or your own insecurities, to be with the ones you love. I was incredibly lucky to be brought onto both films by legendary producer Daniel Bekerman and his team at Scythia Films. He is an incredible producer and mentor, with excellent taste in director-driven films. Read More

    No More Posts Found

    MySHOOT Profiles

    Facebook Twitter LinkedIn Telegram Pinterest Tumblr Reddit WhatsApp Email

    Previous ArticleThe Film and Episodic VFX Market to Create Over $5 Billion Opportunity Globally; Adoption of AR & VR Technology Booming in the Market
    Next Article Pegasus Bank Taps Baker & Bonner Creative Emporium as Branding and Creative Agency of Record
    avagnoni

    Add A Comment
    What's Hot

    Rob Reiner’s Son Nick Arrested After Director and His Wife Found Dead At Their L.A. Home

    Monday, December 15, 2025

    R/GA Taps Vanessa Lai To Advance AI-Driven Creative Innovation

    Monday, December 15, 2025

    “One Battle After Another” Tops London Critics’ Circle Film Awards With 9 Nominations

    Monday, December 15, 2025
    Shoot Screenwork

    The Best Work You May Never See: Cossette and Amnesty International Hit The Right Keys To “Write for Rights”

    Monday, December 15, 2025

    Helping to mark International Human Rights Day (12/10), Amnesty International has once again joined forces…

    UNICEF and Artplan Turn Classroom Into A Greenhouse To Show How Climate Change Is Disrupting Education Worldwide

    Friday, December 12, 2025

    The Best Work You May Never See: Erste Group, Directorial Duo Daniel&Szymon Reimagine A Christmas Parable From A Donkey’s POV

    Thursday, December 11, 2025

    FCB Chicago, Speck and Gordon “Love Trash” For Glad x Sesame Street

    Wednesday, December 10, 2025

    The Trusted Source For News, Information, Industry Trends, New ScreenWork, and The People Behind the Work in Film, TV, Commercial, Entertainment Production & Post Since 1960.

    Today's Date: Fri May 26 2023
    Facebook Twitter Instagram LinkedIn RSS
    More Info
    • Overview
    • Upcoming in SHOOT Magazine
    • Advertise
    • Privacy Policy
    • SHOOT Copyright Notice
    • SPW Copyright Notice
    • Spam Policy
    • Terms of Service (TOS)
    • FAQ
    STAY CURRENT

    SUBSCRIBE TO SHOOT EPUBS

    © 1990-2021 DCA Business Media LLC. All rights reserved. SHOOT and SHOOTonline are registered trademarks of DCA Business Media LLC.
    • Home
    • Trending Now

    Type above and press Enter to search. Press Esc to cancel.

    Type above and press Enter to search. Press Esc to cancel.