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    Home » Nice Shoes Senior Colorist Maria Carretero Behind The Look of Sundance Doc “Sirens”

    Nice Shoes Senior Colorist Maria Carretero Behind The Look of Sundance Doc “Sirens”

    By Artisans PRTuesday, January 25, 2022Updated:Tuesday, May 14, 2024No Comments2951 Views
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    "Sirens" feature-length documentary.

    Rita Baghdadi’s film about a female metal band from Lebanon premieres January 23rd in the festival’s World Documentary Competition

    NEW YORK -- (SPW) --

    Making its world premiere at this year’s Sundance Film Festival, Producer/Director/Director of Photography Rita Baghdadi’s riveting feature-length documentary Sirens focuses on the Middle East’s first all-female metal band, Slaves to Sirens, who pursue their dreams of stardom while struggling with issues of friendship, sexuality and the chaos of their homeland. 

    Premiering as part of Sundance’s World Documentary Competition, Sirens is the first feature documentary from Executive Producers Natasha Lyonne, Maya Rudolph and Danielle Renfrew-Behrens’ Animal Pictures. The film is produced by Camilla Hall and edited by Grace Zahrah. Women also occupied key roles in post-production, centered at Nice Shoes in New York, where Baghdadi collaborated with Senior Colorist Maria Carretero to finalize the film’s look.

    “I always get excited about coloring a film, but it can be tough to see my work over and over again. On Sirens, Maria's enthusiasm for the film was absolutely infectious,” says Baghdadi. “Not only did she bring a level of detail in the color that blew my mind, I could tell she cared deeply about the contributors and how the world was going to see them. I cannot wait for the world to see Maria's beautiful color on Sirens, and to work with her again.”

    Carretero, whose credits run the gamut from documentaries and independent features to Super Bowl ads, says she was immediately drawn to the film’s story and the unique perspective Baghdadi brings to the lives of the young women at its center. “Rita is making a powerful, poetic statement, one that evokes beautiful aspects of life in complicated circumstances,” Carretero observes. “How do you survive these times? How do you keep going as a young musician in this  part of the world where war has been part of people's lives for years? These young women pursue their lives through complicated circumstances and many contradictions. One of my favorite aspects of the film is how it treats the situation of the women in this society, how the film reflects on freedom of choice and the difficulties that this creates for these characters.”

    Baghdadi shot the film over a period of about three years, working with small crews under conditions that were often extremely challenging, including the pandemic. “Arriving at a cohesive look is often challenging in documentaries shot over long periods of time with different cameras and other variables,” Carretero explains. “In this case, a lack  of lighting resources was compensated by Rita’s extraordinary taste in framing and an absolute sensibility for capturing the most poetic light moments. As a colorist, I really enjoy the process of embracing all this beautiful footage and elevating it. Rita goes beyond ordinary documentary-style storytelling. You might suddenly pass into a scene that is stylized, where the lighting is strange…almost surreal. The film has great artistic beauty.”

    Post work was further complicated by pandemic restrictions. Baghdadi observed grading sessions remotely via a link set up by Nice Shoes. Despite being physically distant, Carretero says, they formed a deep rapport. “Everything flowed wonderfully,” she recalls. “Rita and I talked about what she wanted to achieve. We spent a lot of time on details and worked through the film scene by scene to look for things that could be improved. We achieved an overall look and then polished it until it became better and better.”

    Sirens has been generating considerable buzz due to its unusual subject matter and the critical and popular success of Baghdadi’s previous film No Country No More. Carretero adds that, with the pandemic continuing to make life challenging, the film arrives at an opportune moment. “It’s incredible to see these women come together and witness their resilience in these times,” she says. “I was thrilled to contribute to a film filled with thought, emotion and political expression, and with a strong, positive vision for moving forward.”

    About Nice Shoes
    Nice Shoes offers end-to-end production and post-production solutions in both the entertainment and advertising space. As a creative partner, Nice Shoes has crafted complex visual effects sequences and sophisticated color palettes, enhancing award-winning films, television shows, and streaming episodics for every major production company, network, and streaming service. With a 25 year track record, Nice Shoes has a solution for every project. Discover what drives us, here: www.niceshoes.com.

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    Tags:maria carreterorita baghdadisirensSundanceNice Shoes



    Sound Lounge Welcomes Mixer and Sound Designer Nicole Pettigrew

    Tuesday, August 18, 2026
    Mixer and Sound Designer Nicole Pettigrew

    Sound Lounge has expanded its commercial roster with the addition of mixer and sound designer Nicole Pettigrew, who brings more than a decade of experience, a passion for sound design and a highly collaborative approach to her work. Pettigrew joins Sound Lounge following five years at PS260, where she established and led the company's in-house audio department as its sole audio engineer. Her work spans campaigns for brands including American Express, MLB, T-Mobile, New Balance, Titleist, David Yurman and DraftKings. She also mixed Gucci's 2024 AICP Best in Show-winning campaign. Prior to PS260, Pettigrew spent nine years at PLUSHnyc. A lifelong musician, Pettigrew brings a musical ear to her work and particularly gravitates toward projects that allow her to experiment with sound. Her approach pairs a traditional studio foundation rooted in listening, communication and client experience with an eagerness to explore new ideas and push the creative possibilities of a project. “The best sessions feel like a real collaboration,” says Pettigrew. “I want clients to feel like I’m part of their team, listening to their vision and then interpreting it, building on it and helping push the idea further. You’re handed all of these individual pieces, and I love the problem-solving that goes into figuring out how they fit together. There’s something really satisfying about getting to the end, stepping back and realizing you helped bring someone’s idea fully to life.” Pettigrew's arrival also reunites her with Sound Lounge... Read More

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