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    Home » Nominees Announced For The 67th Annual ACE Eddie Awards Recognizing The Best Editing Of The Year In Film, Television And Documentaries

    Nominees Announced For The 67th Annual ACE Eddie Awards Recognizing The Best Editing Of The Year In Film, Television And Documentaries

    By SPWTuesday, January 3, 2017Updated:Tuesday, May 14, 2024No Comments7894 Views
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    Winners will be announced at the 67th Annual ACE Eddie Awards on Friday, January 27, 2017

    LOS ANGELES (Universal City) -- (SPW) --

    American Cinema Editors (ACE) today announced nominations for the 67th Annual ACE Eddie Awards recognizing outstanding editing in ten categories of film, television and documentaries.  Winners will be revealed during ACE’s annual black-tie awards ceremony on Friday, January 27, 2017 in the International Ballroom of the Beverly Hilton Hotel and will be presided over by ACE President, Stephen Rivkin.
     
    As previously announced, J.J. Abrams will receive the ACE Golden Eddie Filmmaker of the Year award.  Two Career Achievement honorees will be announced later this week.
     
    NOMINEES FOR 67th ANNUAL ACE EDDIE AWARDS
     
    BEST EDITED FEATURE FILM (DRAMATIC):
    Arrival
    Joe Walker, ACE
     
    Hacksaw Ridge
    John Gilbert, ACE
      
    Hell or High Water

    Jake Roberts
     
    Manchester by the Sea
    Jennifer Lame
     
    Moonlight
    Nat Sanders, Joi McMillon
     
    BEST EDITED FEATURE FILM (COMEDY):
    Deadpool
    Julian Clarke, ACE
     
    Hail, Caesar!
    Roderick Jaynes
     
    The Jungle Book
    Mark Livolsi, ACE
     
    La La Land
    Tom Cross, ACE
     
    The Lobster
    Yorgos Mavropsaridis
     

    BEST EDITED ANIMATED FEATURE FILM:
    Kubo and the Two Strings
    Christopher Murrie, ACE

    Moana
    Jeff Draheim, ACE

    Zootopia
    Fabienne Rawley & Jeremy Milton

    BEST EDITED DOCUMENTARY (FEATURE):

    13th
    Spencer Averick

    Amanda Knox
    Matthew Hamachek

    The Beatles: Eight Days a Week – The Touring Years
    Paul Crowder 

    O.J.: Made in America
    Bret Granato, Maya Mumma & Ben Sozanski

    Weiner
    Eli B. Despres 
                           
    BEST EDITED DOCUMENTARY (TELEVISION):
    The Choice 2016
    Steve Audette, ACE

    Everything is Copy
    Bob Eisenhart, ACE

    We Will Rise: Michelle Obama's Mission to Educate Girls Around the World
    Oliver Lief 

    BEST EDITED HALF-HOUR SERIES:
    Silicon Valley: “The Uptick”
    Brian Merken, ACE

    Veep: “Morning After”
    Steven Rasch, ACE

    Veep: “Mother”
    Shawn Paper 

    BEST EDITED ONE-HOUR SERIES – COMMERCIAL:
    Better Call Saul: "Fifi"
    Skip Macdonald, ACE

    Better Call Saul: “Klick”
    Skip Macdonald, ACE & Curtis Thurber

    Better Call Saul: “Nailed”
    Kelley Dixon, ACE & Chris McCaleb

    Mr. Robot: “eps2.4m4ster-s1ave.aes”
    Philip Harrison

    This is Us: “Pilot”
    David L. Bertman, ACE
     
    BEST EDITED ONE-HOUR SERIES – NON-COMMERCIAL:
    The Crown: "Assassins"
    Yan Miles, ACE

    Game of Thrones: "Battle of the Bastards"
    Tim Porter, ACE

    Stranger Things: "Chapter One: The Vanishing of Will Byers"
    Dean Zimmerman

    Stranger Things: "Chapter Seven: The Bathtub"
    Kevin D. Ross

    Westworld: “The Original”
    Stephen Semel, ACE & Marc Jozefowicz

     
    BEST EDITED MINISERIES OR MOTION PICTURE (NON-THEATRICAL):
    All the Way
    Carol Littleton, ACE

    The Night Of: “The Beach”
    Jay Cassidy, ACE

    The People V. O.J. Simpson: American Crime Story “Marcia, Marcia, Marcia”
    Adam Penn, Stewart Schill, ACE & C. Chi-yoon Chung

     
    BEST EDITED NON-SCRIPTED SERIES:

    Anthony Bourdain: Parts Unknown: “Manila” 
    Hunter Gross, ACE 

    Anthony Bourdain: Parts Unknown: Senegal
    Mustafa Bhagat

    Deadliest Catch: “Fire at Sea: Part 2”
    Josh Earl, ACE & Alexander Rubinow, ACE 

    Final Ballots will be mailed on January 6 and voting ends on January 17.  The Blue Ribbon screenings where judging for all television categories and the documentary categories take place January 15.  Projects in the aforementioned categories are viewed and judged by committees comprised of professional editors (all ACE members).  All 850+ ACE members vote during the final balloting of the ACE Eddies, including active members, life members, affiliate members and honorary members.
               

    About AMERICAN CINEMA EDITORS
    AMERICAN CINEMA EDITORS (ACE) is an honorary society of motion picture editors founded in 1950.  Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.

    The objectives and purposes of the AMERICAN CINEMA EDITORS are to advance the art and science of the editing profession; to increase the entertainment value of motion pictures by attaining artistic pre-eminence and scientific achievement in the creative art of editing; to bring into close alliance those editors who desire to advance the prestige and dignity of the editing profession.

    ACE produces several annual events including EditFest (an international editing festival), Invisible Art/Visible Artists (annual panel of Oscar® nominated editors), and the ACE Eddie Awards, now in its 67th year, recognizing outstanding editing in ten categories of film, television and documentaries.

    The organization publishes a quarterly magazine, CinemaEditor, highlighting the art, craft and business of editing and editors.

    For more information visit WWW.AMERICANCINEMAEDITORS.ORG.
     

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    SPW Category:Awards Show Announcements (News, Nominees, Winners)
    Tags:The Road To OscarACE Eddie AwardsAmerican Cinema Editors



    The Darnell Works Agency Releases Issue 5 of The Shot Chart: “Transitions”

    Tuesday, August 11, 2026
    Image courtesy of The Darnell Works Agency.

    Continuing its daily quest for greatness, award-winning strategic communications consultancy The Darnell Works Agency (DWA) today announced the release of Issue 5 of The Shot Chart (The Best of Universal Positive), the agency’s quintessential zine highlighting its most historic, fascinating, and impactful collaborations. The new edition, titled “Transitions,” examines the evolving relationship between human-driven creative mastery and emerging AI-augmented tools reshaping the global creative industry. For more than three decades, DWA principal Roger Darnell has been helping to shape remarkable stories for bold business leaders and their partners. His Key Skill Set, consisting of Account Management, Customer Service, Planning, Writing, Media Relations, Measurement, and Reporting, remains the backbone of the agency’s results – and the throughline of The Shot Chart. “Working for other maverick media firms and my own agency for three decades, I have consistently helped shape-up amazingly impactful business stories,” Darnell said. “This particular moment marks a shift: decades of pre-AI creative instincts are meeting tools that extend them in fascinating ways. While my expertise was forged in a pre-AI world, I am increasingly working in one that is augmented. This issue of The Shot Chart explores what carries forward, and what is changing.” Issue 5 creatively features current DWA clients Cutters Studios, Fivestone Studios, and Hyperquake, alongside scores of global creative visionaries the agency has collaborated with since its launch in Los Angeles in 2000. The release of “Transitions” also reflects DWA’s ongoing experimentation with emerging AI technologies, innovations that are increasingly influencing the agency’s core niche of the... Read More

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